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The Living Stream : Essays in memory of A. Norman Jeffares

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ISBN: 9782821854017 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2019-12-06 13:15:39
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Reading Breath in Literature

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Book Series: Palgrave Studies in Literature, Science and Medicine ISBN: 9783319999487 Year: Pages: 134 DOI: 10.1007/978-3-319-99948-7 Language: English
Publisher: Springer Nature
Subject: Languages and Literatures
Added to DOAB on : 2020-02-05 11:21:19
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This open access book presents five different approaches to reading breath in literature, in response to texts from a range of historical, geographical and cultural environments. Breath, for all its ubiquity in literary texts, has received little attention as a transhistorical literary device. Drawing together scholars of Medieval Romance, Early Modern Drama, Fin de Siècle Aesthetics, American Poetics and the Postcolonial Novel, this book offers the first transhistorical study of breath in literature. At the same time, it shows how the study of breath in literature can contribute to recent developments in the Medical Humanities.

Ovid, Amores (Book 1)

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Book Series: Dickinson College commentaries ISSN: 20595743 20595751 ISBN: 9781783741625 9781783741649 Year: Volume: 1 Pages: 266 DOI: 10.11647/OBP.0067 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2016-07-14 15:34:57
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From Catullus to Horace, the tradition of Latin erotic poetry produced works of literature which are still read throughout the world. Ovid’s Amores, written in the first century BC, is arguably the best-known and most popular collection in this tradition. This book contain embedded audio files of the original text read aloud by Aleksandra Szypowska.Born in 43 BC, Ovid was educated in Rome in preparation for a career in public services before finding his calling as a poet. He may have begun writing his Amores as early as 25 BC. Although influenced by poets such as Catullus, Ovid demonstrates a much greater awareness of the funny side of love than any of his predecessors. The Amores is a collection of romantic poems centered on the poet’s own complicated love life: he is involved with a woman, Corinna, who is sometimes unobtainable, sometimes compliant, and often difficult and domineering. Whether as a literary trope, or perhaps merely as a human response to the problems of love in the real world, the principal focus of these poems is the poet himself, and his failures, foolishness, and delusions.By the time he was in his forties, Ovid was Rome’s most important living poet; his Metamorphoses, a kaleidoscopic epic poem about love and hatred among the gods and mortals, is one of the most admired and influential books of all time. In AD 8, Ovid was exiled by Augustus to Romania, for reasons that remain obscure. He died there in AD 17.The Amores were originally published in five books, but reissued around 1 AD in their current three-book form. This edition of the first book of the collection contains the complete Latin text of Book 1, along with commentary, notes and full vocabulary. Both entertaining and thought-provoking, this book will provide an invaluable aid to students of Latin and general readers alike.

I You He She It

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ISBN: 9781862181427 Year: Pages: 200 DOI: 10.1353/book.66712 Language: English
Publisher: University of Huddersfield Press
Subject: Languages and Literatures
Added to DOAB on : 2017-12-14 11:02:30
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The latest Grist Anthology is an innovative blend of some of the most exciting and freshest voices in prose and poetry today. It features five sections written from five distinct narrative viewpoints.

Yeats's Legacies: Yeats Annual No. 21

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Book Series: Yeats Annual ISSN: 0278-7687/2054-3611 ISBN: 9781783744541 9781783744565 Year: Volume: 1 Pages: 684 DOI: https://doi.org/10.11647/OBP.0135 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2018-03-15 13:13:29
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The two great Yeats Family Sales of 2017 and the legacy of the Yeats family’s 80-year tradition of generosity to Ireland’s great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan’s brilliant history of Yeats’s versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats’s responses to the Rising’s appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reborn rather than a treasure preserved amid the testing of the illusions that hold civilizations together in ensuing wars. Warwick Gould looks at Yeats as founding Senator in the new Free State, and his valiant struggle against the literary censorship law of 1929 (with its present-day legacy of Irish anti-blasphemy law still presenting a constitutional challenge). Drawing on Gregory Estate documents, James Pethica looks at the evictions which preceded Yeats’s purchase of Thoor Ballylee in Galway; Lauren Arrington looks back at Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929) in Rapallo. Having co-edited both versions of A Vision, Catherine Paul offers some profound reflections on ‘Yeats and Belief’. Grevel Lindop provides a pioneering view of Yeats’s impact on English mystical verse and on Charles Williams who, while at Oxford University Press, helped publish the Oxford Book of Modern Verse. Stanley van der Ziel looks at the presence of Shakespeare in Yeats’s Purgatory. William H. O’Donnell examines the vexed textual legacy of his late work, On the Boiler while Gould considers the challenge Yeats’s intentionalism posed for once-fashionable post-structuralist editorial theory. John Kelly recovers a startling autobiographical short story by Maud Gonne. While nine works of current biographical, textual and literary scholarship are reviewed, Maud Gonne is the focus of debate for two reviewers, as are Eva Gore-Booth, Constance and Casimir Markievicz, Rudyard Kipling, David Jones, T. S. Eliot and his presence on the radio.

Tales of Darkness and Light: Soso Tham's The Old Days of the Khasis

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Book Series: World Oral Literature Series ISSN: 2050-7933/2054-362X ISBN: 9781783744688 9781783744701 Year: Volume: 1 Pages: 100 DOI: https://doi.org/10.11647/OBP.0137 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2018-04-24 18:00:12
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Soso Tham (1873–1940), the acknowledged poet laureate of the Khasis of northeastern India, was one of the first writers to give written poetic form to the rich oral tradition of his people.Poet of landscape, myth and memory, Soso Tham paid rich and poignant tribute to his tribe in his masterpiece The Old Days of the Khasis. Janet Hujon’s vibrant new translation presents the English reader with Tham’s long poem, which keeps a rich cultural tradition of the Khasi people alive through its retelling of old narratives and acts as a cultural signpost for their literary identity.This book is essential reading for anyone with an interest in Indian literature and culture and in the interplay between oral traditions and written literary forms.This edition includes:• English translation• Critical apparatus• Embedded audio recordings of the original text

Tennyson’s Poems: New Textual Parallels

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ISBN: 9781783746613 9781783746637 Year: Volume: 1 Pages: 308 DOI: 10.11647/OBP.0161 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2019-04-18 10:36:45
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In Tennyson’s Poems: New Textual Parallels, R. H. Winnick identifies more than a thousand previously unknown instances in which Tennyson phrases of two or three to as many as several words are similar or identical to those occurring in prior works by other hands—discoveries aided by the proliferation of digitized texts and the related development of powerful search tools over the three decades since the most recent major edition of Tennyson’s poems was published.Each of these instances may be deemed an allusion (meant to be recognized as such and pointing, for definable purposes, to a particular antecedent text), an echo (conscious or not, deliberate or not, meant to be noticed or not, meaningful or not), or merely accidental. Unless accidental, Winnick writes, these new textual parallels significantly expand our knowledge both of Tennyson’s reading and of his thematic intentions and artistic technique. Coupled with the thousand-plus textual parallels previously reported by Christopher Ricks and other scholars, he says, they suggest that a fundamental and lifelong aspect of Tennyson’s art was his habit of echoing any work, ancient or modern, which had the potential to enhance the resonance or deepen the meaning of his poems.The new textual parallels Winnick has identified point most often to the King James Bible and to such canonical authors as Shakespeare, Milton, Dryden, Pope, Thomson, Cowper, Shelley, Byron, and Wordsworth. But they also point to many authors rarely if ever previously cited in Tennyson editions and studies, including Michael Drayton, Richard Blackmore, Isaac Watts, Erasmus Darwin, John Ogilvie, Anna Lætitia Barbauld, Letitia Elizabeth Landon, John Wilson, and—with surprising frequency—Felicia Hemans.Tennyson’s Poems: New Textual Parallels is thus a major new resource for Tennyson scholars and students, an indispensable adjunct to the 1987 edition of Tennyson’s complete poems edited by Christopher Ricks.

Twentieth-Century Russian Poetry : Reinventing the Canon

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ISBN: 9782821897281 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2019-12-06 13:15:40
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The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel'shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term “Soviet literature” with a new definition - “Russian literature of the Soviet period”. Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as “classics”. Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground. Required reading for students, teachers and lovers of Russian literature, Twentieth-Century Russian Poetry brings our understanding of post-Soviet Russia up to date.

The Living Stream: Yeats Annual No. 18

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Book Series: Yeats Annual ISSN: 02787687 20543611 ISBN: 9781909254367 Year: Volume: 18 Pages: 396 DOI: 10.11647/OBP.0028 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2013-03-28 15:58:24
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Yeats Annual No. 18 is another special issue in this renowned research-level series offering a tribute to the pioneering Yeats scholar, A. Norman Jeffares.Memories of the man are shared by Seamus Heaney, Christopher Rush and Colin Smythe, who compiles a bibliography of Jeffares’s work. Terence Brown, Neil Corcoran, Warwick Gould, Joseph M. Hassett, Phillip L. Marcus, Ann Saddlemyer, Ronald Schuchard, Deirdre Toomey and Helen Vendler offer essays on such topics as Yeats and the Colours of Poetry, Yeats’s Shakespeare, Yeats and Seamus Heaney, Lacrimae Rerum and Tragic Joy, Raftery’s work on Yeats’s Thoor Ballylee, Edmund Dulac’s portrait of Mrs George Yeats, The Tower as an anti-Modernist monument, with close studies of ‘Vacillation’, ‘Her Triumph’, and ‘The Cold Heaven’. Throughout, the essays are inflected with memories of Jeffares and his critical methods. The volume is rounded with further essays on A Vision by Neil Mann and Matthew de Forrest, while reviews of recent editions and studies are provided by Matthew Campbell, Wayne K. Chapman, Sandra Clark, Denis Donoghue, Nicholas Grene, Joseph M. Hassett, and K.P.S. Jochum.

Vertical Readings in Dante's Comedy: Volume 1

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ISBN: 9781783741748 Year: Volume: 3 Pages: 288 DOI: 10.11647/OBP.0066 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2017-08-21 11:01:03
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"Vertical Readings in Danteâ s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection â to be issued in three volumes â offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante."

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