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L'Œuvre sans fin. Réception des romans de Monique Saint-Hélier par la critique française (1932-1955)

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Book Series: Histoire des Idées et Critique Littéraire ISBN: 9782600017626 Year: Pages: 494 DOI: 10.26530/OAPEN_579630 Language: French
Publisher: Librairie Droz Grant: Swiss National Science Foundation (SNSF) - OAPEN-CH - 163540
Subject: Languages and Literatures --- Social Sciences --- Arts in general --- Performing Arts
Added to DOAB on : 2015-11-21 11:01:11
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Monique Saint-Hélier became quite successful during the 1930s in particular because of the violent controversy that surrounded her second novel, Bois-Mort. How is it that Saint-Hélier’s work provoked such passionate criticism, but encountered nothing but disinterest after the war? Studying unpublished sources as well as a vast corpus of book reviews, the author explores by this quite particular literary path, as well as the variations in how a work is received over time.

Les Bienveillantes de Jonathan Littell

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ISBN: 9781906924218 Year: Pages: 344 DOI: 10.11647/OBP.0006 Language: French
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2012-04-06 03:32:42
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Les Bienveillantes de Jonathan Littell a créé l’événement de la rentrée littéraire 2006. Selon l’auteur, la portée du roman dépasse le seul génocide des Juifs pour revêtir une dimension universelle. Les angles d’approche dans Les Bienveillantes de Jonathan Littell sont aussi nombreux que variés sans prétendre à l’exhaustivité. Ce recueil n’est pas un jugement de l’œuvre, ni une interrogation sur sa recevabilité, pas plus qu’une assertion sur les limites de sa légitimité en tant que roman ou une justification, mais ce recueil est novateur puisque le premier à se concentrer sur le texte des Bienveillantes.Le présent recueil offre un riche éventail d’angles d’approches. Ainsi les analyses ont-elles accentué les personnages qu’ils soient historiques ou fictifs. Mais aussi, les aspects formels, comme la vision du narrateur, le style, la composition, l’esthétique et les influences littéraires. Et encore, les thèmes tels le parricide, l’homosexualité, l’antisémitisme et la Shoah. L’idéologie impliquée se devait d’être interrogée également. Un autre thème crucial du roman est la question qu’il pose entre le Bien et le Mal et sa banalisation. La réception de l’œuvre et les raisons de son succès qui lui valu plusieurs grands prix littéraires a été abordée ainsi que les éléments du grotesque que certains n’ont pas manqué de remarquer.Les Bienveillantes (The Kindly Ones), caused a literary sensation in 2006. Described as "deliberately repellent" by The New York Times, Jonathan Littell’s novel tells the story of World War II through the eyes of former SS officer Maximilien Aue. This is the first academic study of this controversial, best-selling work.Twenty-one leading scholars discuss the aesthetics, themes and characters of the novel, as well as formal aspects of Littell’s writing. They tackle ideas surrounding parricide, genocide, anti-Semitism and the Holocaust, as well as Littell’s portrayal of both historical and fictional characters. The collection offers a deeply varied range of approaches to Littell’s work and is essential reading for anyone interested in representations of World War II, the Holocaust and contemporary French literature.All the essays in this collection are written in French.

Les Bienveillantes de Jonathan Littell

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ISBN: 9781906924232 Year: Pages: 344 DOI: 10.11647/OBP.0006 Language: French
Publisher: Open Book Publishers
Subject: Languages and Literatures --- Arts in general
Added to DOAB on : 2018-04-04 11:01:50
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Abstract

Les Bienveillantes (The Kindly Ones), caused a literary sensation in 2006. Described as "deliberately repellent" by The New York Times, Jonathan Littell’s novel tells the story of World War II through the eyes of former SS officer Maximilien Aue. This is the first academic study of this controversial, best-selling work.Twenty-one leading scholars discuss the aesthetics, themes and characters of the novel, as well as formal aspects of Littell’s writing. They tackle ideas surrounding parricide, genocide, ant-Semitism and the Holocaust as well as Littell’s portrayal of both historical and fictional characters. The collection offers a deeply varied range of approaches to Littell’s work and is essential reading for anyone interested in representations of World War II, the Holocaust and contemporary French literature. All the essays in this collection are written in French.

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