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Continuum: Writings on Poetry as Artistic Practice

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ISBN: 9789491914065 Year: Pages: 564 DOI: 10.21983/P3.0229.1.00 Language: French|Italian|English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-03-29 11:21:07
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Continuum: Writings on Poetry as Artistic Practice reunites the most part of the essays and articles produced between 2007 and 2015 by poet and artist Alessandro De Francesco. It shows what De Francesco himself affirms at a point in the last text of the book: that an artist can also be a theorist, and that artistic practice and theoretical practice are difficult to distinguish in his work. This book is multilingual: each text was left in the language in which it was written. Therefore, it is predominantly in French, but Italian, English and German are also represented. In spite of poetry being at the center of Alessandro De Francesco’s interests as a thinker, the texts contained in this book are very heterogeneous: poetic statements, essays, scientific articles, lectures, interviews; and yet they also show a deep continuity. Continuum stands for the author’s uninterrupted commitment for poetry, for the numerous connections among the approached themes, and especially for the innovatory theoretical and political positions expressed here, from which all these writings originated.

Les nouvelles voies du comparatisme

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Book Series: Cahier voor Literatuurwetenschap ISBN: 9789038216874 Year: Pages: 177 DOI: 10.26530/OAPEN_413388 Language: French
Publisher: Academia Press
Subject: Social Sciences --- Arts in general --- Languages and Literatures
Added to DOAB on : 2012-04-11 23:31:04
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Which recent methodological innovations have occurred in the field of comparative literature? What are the critical paradigms behind the practices of comparative research today? These questions are the starting point of the present issue which brings together different comparative studies from the vantage points of: methodological and epistemological reflection about (in)comparability and difference; transversal phenomena of acculturation, networks and intercultural dialogues; the hybridity of (natural and conceptual) languages, translation and transposition. In this way, the studies presented in this volume hope to foster discussions about the foundation, the history, the limits and the methods of comparatives studies today.

Topie Impitoyable: The Corporeal Politics of the Cloth, the Wall, and the Street / Les politiques corporelles du vêtement, du mur et la rue

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ISBN: 9780692700839 Year: Pages: 170 DOI: 10.21983/P3.0139.1.00 Language: French|English
Publisher: punctum books
Subject: Architecture
Added to DOAB on : 2019-06-12 09:24:36
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Qu’est-ce qu’un corps? Ce livre s’attache d’avantage à se poser cette question qu’à y répondre. L’ouvrage propose de complexifier quelques lieux communs à diverses échelles de proximité de cet assemblage matériel qu’est le corps. Ceci permet d’intégrer pleinement les objets, atmosphères et autres corps environnant celui-ci afin de proposer une lecture politique de leurs relations volontaires et fortuites. Du sweatshirt à capuche porté par Trayvon Martin lorsqu’il se fit tuer dans la banlieue de Miami Gardens, Florida, aux rues new-yorkaises durant Occupy Wall Street, en passant par le mur d’apartheid en Palestine, ce livre progresse par une succession d’exemples illustrant l’hypothèse selon laquelle les corps et les objets de toutes tailles entretiennent nécessairement des rapports politiques entre eux. What is a body? This book is more attached to raising the question than in offering a definitive answer. Instead, Lambert proposes to make more complex certain commonplaces located at various degrees of proximity to the body’s material assemblage, allowing a better integration of the surrounding objects, atmosphere and other bodies and proposing a political reading of their relationship to the body, whether deliberate or accidental. From the hoodie that Trayvon Martin wore when he was killed in the suburbs of Miami Gardens, Florida, to the streets of New York City during Occupy Wall Street and the apartheid wall in Palestine, this book moves through a series of episodes that illustrate how bodies and objects of all sizes are enmeshed in deeply entangled political relationships.

Maurice Blanchot, entre roman et récit

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ISBN: 9782840161738 9782821851030 Year: Language: French
Publisher: Presses universitaires de Paris Nanterre
Added to DOAB on : 2017-05-29 10:33:34
License: OpenEdition licence for Books

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Le 14 septembre 2011, dans l’émission de Laure Adler Hors champ sur France Culture, Jean-Luc Godard tenait les propos suivants : « Question : Expliquez-nous la différence entre du cinéma vrai et des films, faire des films. Réponse : Les films on peut les voir, le cinéma on ne peut pas le voir. On peut juste voir ce qu’on ne peut pas voir… de l’inconnu ou des choses comme cela… Question : C’est cela que vous tentez de faire ? approcher de l’invisible… Réponse : Ce qu’on fait naturellement, ce ...

Lexicographie artistique

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Book Series: Théorie des Art ISBN: 9782367812663 Year: Pages: 452 DOI: 10.26530/OAPEN_644313 Language: French|English
Publisher: Presses Universitaires de la Méditerranée - PULM Grant: FP7 Ideas: European Research Council - 323761
Subject: History --- Visual Arts --- History of arts --- Arts in general
Added to DOAB on : 2018-02-22 11:01:58
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ven if they are contradictory, the different senses give thickness and subtlety to the concept.

           The journey of a notion in time and space then also contributes

to broadening our understanding of a cultural history between

universality and identity within the artistic diversity that

characterizes modern Europe.

LexArt Les mots de la peinture

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Book Series: Théorie des Art ISBN: 9782367812694 9782367812694 Year: Pages: 506 DOI: 10.26530/OAPEN_1000263 Language: French
Publisher: Presses Universitaires de la Méditerranée - PULM Grant: FP7 Ideas: European Research Council - 323761
Subject: Linguistics --- Visual Arts --- Arts in general
Added to DOAB on : 2019-01-15 13:34:37
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LexArt. The words of painting is a dictionary of terms and concepts, which, from the artistic literature, in a synchronous approach of discourse and artistic practice, describe the painting as it is practiced in France, Germany, England and the Netherlands in the 17th and 18th centuries. These writings constitute the mental, intellectual and visual universe, which makes it possible to better apprehend the work of art, and shape the eye to better see. The purpose of this book is to highlight the stakes of uses resituated in different contexts in time and space, in a confrontation of ways of thinking, painting and watching. Seventy-seven essays address nearly two hundred and fifty notions. The articles respond to each other, and form an ensemble which, behind the alphabetical order of the dictionary, draws the contours of a new reading of the painting seen through the eye of the painter and the eye of the spectator. Indeed, the "speaking painting" does not only introduce the viewer into the painter's studio by showing him the "how to do", he introduces him into the painting itself, shows him what to see and how see.

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