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Familiale Tradierungsprozesse in einer Drei-Generationen-Perspektive - Kontinuierliche Veränderungen - veränderliche Kontinuitäten

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Book Series: Erziehungswissenschaftliche Studien ISBN: 9783863951726 Year: Pages: 308 Language: German
Publisher: Universitätsverlag Göttingen
Subject: Sociology --- Social Sciences
Added to DOAB on : 2014-12-09 11:01:24
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Abstract

In this qualitative study, familial mediation and appropriation processes are examined in a three-generation perspective, taking into account the in-family development of social development processes in two neighboring subregions. Attention is given not only to the continuity, but also to the adaptations and changes of the forms and content of family traditioning. The linking of a generational perspective with Halbwachs' considerations of collective memory opens up several comparison options. In addition to capturing familial, generational and regional similarities and differences, the dynamics of familial tradition can be worked out in this way.

Tony Conrad. Video - und darüber hinaus

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ISBN: 9783034320375 Year: Pages: 446 DOI: 10.3726/978-3-0351-0887-3 Language: German
Publisher: Peter Lang International Academic Publishing Group Grant: Swiss National Science Foundation (SNSF) - OAPEN-CH - 163545
Subject: Arts in general
Added to DOAB on : 2015-11-06 11:01:29
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Tony Conrad (b. 1940) has been a well-known American artist for more than 50 years. Celebrated as a musician, filmmaker, video and performance artist, he achieved his breakthrough in 1966 with the experimental film The Flicker. In addition to his film work (including the so called Yellow Movies), his violin performances have also achieved broad recognition. This monograph focuses on about 70 video works produced by the artist since 1977, which previously have not been systematically studied. Beginning from Conrad’s earlier rather materialistic approach, in A videographic view of the artist’s vita the text follows the artists shift from experimental film to a more image-driven videographic approach. The chapter Last call for video comments on Tony Conrad influential interaction with the Buffalo-based group of appropriation artists. Then Video as critique of television interrogates the interplay between (video) art and society as a reflection of the telematic culture of the 1980s. The last chapter, Video in tension with music, returns to the beginning of the artist’s career and comments on Tony Conrad’s identity as a musician.

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