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Dynamiken politischer Imagination. Die deutschsprachige Utopie von Stifter bis Döblin in ihren internationalen Kontexten, 1848-1930

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Book Series: Studien und Texte zur Sozialgeschichte der Literatur ISSN: 0174-4410 ISBN: 9783110434910 Year: Volume: 143 Pages: 480 DOI: 10.1515/9783110434910 Language: German
Publisher: De Gruyter
Subject: Languages and Literatures
Added to DOAB on : 2018-11-14 18:42:56
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Abstract

The study traces the history of utopias from 1848 to 1930 as settings for competing political visions and the impact of utopias on changing social realities. This re-evaluation of utopias also offers promising insights about a universal problem in cultural studies – namely, the relationship between literature and politics. What stories must be told to inspire people toward a better world?

Lehrkraft-Eltern-Interaktionen am Elternsprechtag. Eine gesprächs- und gattungsanalytische Untersuchung

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Book Series: Empirische Linguistik / Empirical Linguistics ISSN: 21988676 ISBN: 9783110476019 Year: Volume: 5 Pages: 431 DOI: 10.1515/9783110476019 Language: German
Publisher: De Gruyter
Subject: Linguistics
Added to DOAB on : 2019-11-06 16:06:17
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This study uses a corpus of authentic language data to examine the linguistic and communicative practices whereby participants develop the social institutional reality of the parent-teacher conference. The focus is on a linguistic analysis of the conversational acts that constitute the genre: informing, counseling, and assigning responsibility.

Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie

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Book Series: Cinepoetics. Poetologien audiovisueller Bilder ISSN: 2509-436X ISBN: 9783110466966 9783110467147 Year: Volume: 1 Pages: xii, 420 DOI: 10.1515/9783110466966 Language: German
Publisher: De Gruyter
Subject: Political Science --- Performing Arts
Added to DOAB on : 2017-01-25 14:32:03
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Based on the premise that a society’s sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using an affective theory of genre cinema, it offers a new characterization of the relationship between politics and poetics in forming commonality.

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2016 (3)