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M. Iu. Lermontov. His Life and Work

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Book Series: Slavistische Beitraege ISBN: 9783876908137 Year: Pages: 430 DOI: 10.3726/b12685 Language: German
Publisher: Peter Lang International Academic Publishing Group
Subject: Languages and Literatures
Added to DOAB on : 2019-01-15 13:31:34
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Abstract

Displaying his characteristic balance between sympathy and detachment, Vickery has first provided a concise, but richly detailed account of Lermontov's brief and tragic life. His approach is above all sensible - down-to-earth and fair. Lermontov was a romantic, really the only Russian poet who fully fits that designation. Vickery understands very well the romantic ethos, but he is no romantic him self. He treats with tolerant but ironic amusement the adolescent posturing of Lermontov's early Byronism. He is less tolerant of the frequent arrogance and even cruelty in Lermontov's behavior toward those close to him, especially women. On the other hand, Vickery recognizes Lermontov's genuine longing for intimacy and affection and credits his capacity for friendship and generosity. He also effectively traces all these conflicting im pulses in Lermontov's poetry.

Die szenische Poetik Božena Němcovás

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Book Series: Slavistische Beitraege ISBN: 9783876908151 Year: Pages: 201 DOI: 10.3726/b12686 Language: German
Publisher: Peter Lang International Academic Publishing Group
Subject: Languages and Literatures
Added to DOAB on : 2019-01-15 13:31:34
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To this day, many Czech writers refer to the work Němcovás as a model for their own artistic work. A common reason for this is the view that Němcová developed a very "lively and modern narrative style". At the beginning of the examination of Nemcová's narrative poetry as a scenic poetics was the observation that the author shows in the literary forms of expression she uses - letter, travel sketch, and artistic prose - a pronounced inclination to present conversations between the depicted figures. Characteristic of these conversations as directly quoted figure speech is the stylization of the speech as oral speech, so that in addition to the subject of the conversation statements, the acoustic-tonal effect of the cited voices comes to the fore.

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Peter Lang International Academic Publishing Group (2)


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german (2)


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2001 (2)