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Numinous Subjects

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ISBN: 9781921313004 Year: Pages: 105 DOI: 10.26530/OAPEN_459396 Language: English
Publisher: ANU Press
Subject: Religion --- Philosophy
Added to DOAB on : 2012-06-14 11:46:24
License: ANU Press

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Part religious studies, part feminist theory, part philosophy, part indescribable: such is Numinous Subjects. Described by the author as ‘a kaleidoscopic exploration of why three gendered figures of the sacred matter within western culture,’ the experience of reading this text truly is akin to gazing through a constantly turning kaleidoscope. Images, concepts, phrases and quotes are continually revisited, recombined, though never repeated in quite the same way. From these tumbling constellations arises a new understanding and wary appreciation of the figures of the virgin, the mother, and the whore. Drawing on the insights of thinkers as diverse as Rudolph Otto, Julia Kristeva, Simone de Beauvoir, and Martin Buber, Numinous Subjects simultaneously expands and focuses our attention on the myth of the sacred and its implications for female subjects in western culture today.

Hesychasm and Art

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ISBN: 9781925021837 Year: DOI: 10.26530/OAPEN_502556 Language: English
Publisher: ANU Press
Subject: History of arts
Added to DOAB on : 2014-10-14 11:01:25
License: ANU Press

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“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.”

Professor Sasha Grishin AM, FAHA
Adjunct Professor of Art History
School of Literature, Languages and Linguistics
The Australian National University

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