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Justice in the Digital State

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ISBN: 9781447340331 Year: Pages: 114 Language: English
Publisher: Policy Press
Subject: Law
Added to DOAB on : 2019-05-21 11:21:03
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Exploring how justice is delivered at a time of rapid technological transformation, Justice in the Digital State exposes urgent issues surrounding the modernisation of courts and tribunals whilst examining the effects of technology on established systems. Case studies investigate the rise of crowdfunded judicial reviews, the digitalisation of tribunals and the rise of ‘agile’ methodologies in building administrative justice systems. Joe Tomlinson’s cutting-edge research offers an authoritative and much-needed guide for navigating through the challenges of digital disruption.

Machine

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Book Series: In Search of Media ISBN: 9783957961488 Year: Pages: 104 DOI: 10.14619/1488 Language: English
Publisher: meson press
Subject: Media and communication
Added to DOAB on : 2020-04-26 10:44:05
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In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.

Portraits of Automated Facial Recognition

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Book Series: Image ISBN: 9783839448465 Year: Pages: 198 DOI: 10.14361/9783839448465 Language: English
Publisher: transcript Verlag
Subject: Media and communication
Added to DOAB on : 2020-01-22 11:21:04
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Automated facial recognition algorithms are increasingly intervening in society. This book offers a unique analysis of these algorithms from a critical visual culture studies perspective. The first part of this study examines the example of an early facial recognition algorithm called »eigenface« and traces a history of the merging of statistics and vision. The second part addresses contemporary artistic engagements with facial recognition technology in the work of Thomas Ruff, Zach Blas, and Trevor Paglen. This book argues that we must take a closer look at the technology of automated facial recognition and claims that its forms of representation are embedded with visual politics. Even more significantly, this technology is redefining what it means to see and be seen in the contemporary world.

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