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Contemporary Irish Women Poets

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Book Series: Liverpool English Texts and Studies ISBN: 9781781381878 9781781384695 Year: Language: English
Publisher: Liverpool University Press Grant: Knowledge Unlatched - 102610
Subject: Languages and Literatures
Added to DOAB on : 2019-01-23 06:28:26
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This study examines the intersection of private and public spheres through the representation of memory in contemporary poetry by Irish women. Collins explores how memory shapes creativity in the work of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin and Medbh McGuckian as well as in that of an exciting group of younger poets. This book analyses, for the first time, the complex responses to the past recorded by contemporary women poets in Ireland and the implications these have for the concept of a national tradition.

Keywords

Literature --- literary studies --- poetry --- women --- ireland

My Own Portrait in Writing: Self-Fashioning in the Letters of Vincent van Gogh

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Book Series: Cultural Dialectics ISSN: 19158378 ISBN: 9781771990455 9781771990592 9781771990608 9781771990585 Year: Pages: 220 DOI: 10.15215/aupress/9781771990455.01 Language: English
Publisher: Athabasca University Press
Subject: Languages and Literatures
Added to DOAB on : 2016-08-09 23:10:55
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Art historians, biographers, and other researchers have long drawn on Van Gogh’s voluminous correspondence—more than eight hundred letters—for insights into both his personal struggles and his art. But the letters, while often admired for their literary quality, have rarely been approached as literature. In this volume, Patrick Grant sets out to explore the question, “By what criteria do we judge Van Gogh's letters to be, specifically, literary?” Drawing, especially, on Mikhail Bakhtin’s conceptualization of self-awareness as an ongoing dialogue between “self” and “other,” Grant examines the ways in which Van Gogh’s letters raise, from within themselves, questions and issues to which they also respond. Their literary quality, he argues, derives in part from this “double-voiced discourse”—from the power of the letters to thematize, through their own internal dialogues, the very structure of self-fashioning itself. Far from merely reproducing the narrative of the artist’s personal progress, “the letters enable readers to recognize how necessary yet open-ended, constrained yet liberating, confined yet unpredictable, are the means by which people seek to shape a place for themselves in the world.”This volume builds on Grant’s earlier analysis of Van Gogh’s correspondence, The Letters of Vincent van Gogh: A Critical Study (AU Press, 2014), a study in which he approached the letters from a literary critical standpoint, delving into key patterns of metaphors and concepts. In the present volume, he provides instead a literary theoretical analysis of the letters, one that draws them more fully into the domain of modern literary studies. In his deft and keenly perceptive reading, Grant deconstructs the binaries that surface in both Van Gogh’s writing and painting, discusses the narrative dimensions of the letter-sketches and the recurring themes of fantasy, belief, and self-surrender, and draws attention to Van Gogh’s own understanding of the permeable boundary between words and visual art. Viewing the letters as an integrated body of discourse, “My Own Portrait in Writing” offers a theoretically informed interpretation of Van Gogh’s literary achievement that is, quite literally, without precedent.

Contemporary Australian Literature

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Book Series: Sydney Studies in Australian Literature ISBN: 9781743324363 9781743324783 Year: Language: English
Publisher: Sydney University Press Grant: Knowledge Unlatched - 100421
Subject: Languages and Literatures
Added to DOAB on : 2018-05-01 17:00:25
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Australia has been seen as a land of both punishment and refuge. Australian literature has explored these controlling alternatives, and vividly rendered the landscape on which they transpire. Twentieth-century writers left Australia to see the world; now Australia's distance no longer provides sanctuary. But today the global perspective has arrived with a vengeance. In Contemporary Australian Literature: A World Not Yet Dead, Nicholas Birns tells the story of how novelists, poets and critics, from Patrick White to Hannah Kent, from Alexis Wright to Christos Tsiolkas, responded to this condition. With rancour, concern and idealism, modern Australian literature conveys a tragic sense of the past yet an abiding vision of the way forward. Birns paints a vivid picture of a rich Australian literary voice - one not lost to the churning of global markets, but in fact given new life by it.

Drawing on the Victorians

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ISBN: 9780821422472 9780821445877 Year: Language: English
Publisher: Ohio University Press Grant: Knowledge Unlatched - 102795
Added to DOAB on : 2019-04-11 11:21:07
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Late 19th-century Britain experienced an explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images—illustrated books, periodicals, cartoons, comics, and ephemera—to a mass readership. This Victorian visual turn prefigured the present-day impact of the Internet on how images are produced and shared, both driving and reflecting the visual culture of its time. From this starting point, Drawing on the Victorians explores the relationship between Victorian graphic texts and today’s steampunk, manga, and other neo-Victorian genres that emulate and reinterpret their predecessors. Neo-Victorianism is a flourishing worldwide phenomenon, but one whose relationship with the texts from which it takes its inspiration remains underexplored.

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2015 (4)