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Melchizedek Passages in the Bible. A Case Study for Inner-Biblical and Inter-Biblical Interpretation

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ISBN: 9783110440096 9783110440089 Year: Pages: xii, 262 DOI: 10.1515/9783110440096 Language: English
Publisher: De Gruyter
Subject: Religion --- The Bible
Added to DOAB on : 2017-12-21 18:44:29
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Melchizedek is a mysterious figure to many people. Adopting discourse analysis and text-linguistic approaches, Chan attempts to tackle the Melchizedek texts in Genesis 14, Psalm 110, and Hebrews 5-7. This seminal study illustrates how the mysterious figure is understood and interpreted by later biblical writers, "... Using the “blessing” motif as a framework, Chan also argues that Numbers 22-24, 2 Samuel 7 and the Psalter: Books I-V (especially Psalms 1-2) provide a reading paradigm of interpreting Psalm 110. In addition, the structure of Hebrews provides a clue to how the author interprets the Old Testament texts.

The Masorah of Elijah ha-Naqdan

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Book Series: Materiale Textkulturen ISSN: 2198-6940 ISBN: 9783110417920 9783110425314 Year: Volume: 11 DOI: 10.1515/9783110417920 Language: English
Publisher: De Gruyter
Subject: Religion --- History --- Arts in general
Added to DOAB on : 2016-01-05 16:49:05
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Following Levita’s statement, the Masorah transmitted by medieval illuminated manuscripts was generally considered as less significant for the study of the biblical and masoretical knowledge in the Jewish world. The biblical codices produced in Ashkenaz were considerably disregarded compared to Spanish codices. Challenging this assertion, this work engages in a reflection on the link between the standard Eastern tradition and the Ashkenazic biblical text-culture of the 13th century. Élodie Attia provides an edition of thirteen cases taken from MS Vat. Ebr. 14, offering the oldest series of Masoretic notes written inside figurative and ornamental designs. Its critical apparatus offers an unprecedented comparison with the oldest Eastern and Ashkenazic sources to evaluate if the scribe paid more attention to aesthetic details than to the textual contents. In an unexpected way, the Masoretic notes of Elijah ha-Naqdan, even written in figurative forms, show a close philological link with the Masorah of the eastern Tiberian sources and prove that the presence of figurative elements neither represents a loss nor a distortion of Masoretic knowledge, but rather illustrates a development in the Masoretic tradition.

The Sword of Judith: Judith Studies Across the Disciplines

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ISBN: 9781906924164 Year: Pages: 529 DOI: 10.11647/OBP.0009 Language: English
Publisher: Open Book Publishers
Subject: Religion --- The Bible --- History of arts --- Gender Studies
Added to DOAB on : 2012-04-06 03:32:42
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The Book of Judith tells the story of a fictitious Jewish woman beheading Holofernes, the general of a powerful army, to free her people. The story has fascinated artists and authors for centuries, and is becoming a major field of research in its own right.The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. Bringing together scholars from around the world, it transforms our understanding of Judith’s enduring story across a wide range of disciplines. The book includes sections on Judith in Christian, Jewish and secular textual traditions, as well as representations of Judith in art, music and theatre. The collection includes new archival source studies and the translation of unpublished manuscripts and texts previously unavailable in English.

The Baptized Muse

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ISBN: 9780198726487 Year: Pages: 288 DOI: 10.1093/acprof:oso/9780198726487.001.0001 Language: English
Publisher: Oxford University Press
Subject: Religion --- Languages and Literatures
Added to DOAB on : 2018-03-22 11:01:57
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With the rise of Christianity in the Roman Empire, increasing numbers of educated people converted to this new belief. As Christianity did not have its own educational institutions, the issue of how to harmonize pagan education and Christian convictions became increasingly pressing. Especially classical poetry, the staple diet of pagan education, was considered morally corrupting (because of its deceitful mythological content) and damaging for the salvation of the soul (because of the false gods it advocated). But Christianity recoiled from an unqualified anti-intellectual attitude, while at the same time the experiment of creating an idiosyncratic form of genuinely Christian poetry failed (the sole exception being the poet Commodianus). This book argues that, instead, Christian poets made creative use of the classical literary tradition, and—in addition to blending it with Judaeo-Christian biblical exegesis—exploited poetry’s special ability of enhancing the effectiveness of communication through aesthetic means. It seeks to explore these strategies through a close analysis of a wide range of Christian, and for comparison partly also pagan, writers mainly from the fourth to sixth centuries. The book reveals that early Christianity was not a hermetically sealed uniform body, but displays a rich spectrum of possibilities in dealing with the past and a willingness to engage with and adapt the surrounding culture(s), thereby developing diverse and changing responses to historical challenges. By demonstrating throughout that authority is a key in understanding the long denigrated and misunderstood early Christian poets, this book reaches the ground-breaking conclusion that early Christian poetry is an art form that gains its justification by adding cultural authority to Christianity. Thus, in a wider sense this book engages with the recently emerged scholarly interest in aspects of religion as cultural phenomena.

The Sword of Judith

Authors: --- ---
ISBN: 9781906924171 Year: Pages: 529 DOI: 10.11647/OBP.0009 Language: English
Publisher: Open Book Publishers
Subject: History
Added to DOAB on : 2018-04-04 11:01:54
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Abstract

The Book of Judith tells the story of a fictitious Jewish woman beheading Holofernes, the general of a powerful army, to free her people. The story has fascinated artists and authors for centuries, and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. Bringing together scholars from around the world, it transforms our understanding of Judith’s enduring story across a wide range of disciplines. The book includes sections on Judith in Christian, Jewish and secular textual traditions, as well as representations of Judith in art, music and theatre. The collection includes new archival source studies and the translation of unpublished manuscripts and texts previously unavailable in English.

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