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Xwelíqwiya: The Life of a Stó:lō Matriarch

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Book Series: Our Lives: Diary, Memoir, and Letters ISSN: 19216661 ISBN: 9781927356562 9781927356579 9781927356586 Year: Pages: 312 Language: English
Publisher: Athabasca University Press
Added to DOAB on : 2014-08-04 17:04:53
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Xwel’qwiya is the life story of Rena Point Bolton, a Stó:lō matriarch, artist, and craftswoman. Proceeding by way of conversational vignettes, the beginning chapters recount Point Bolton's early years on the banks of the Fraser River during the Depression. While at the time the Stó:lō, or XwŽlmexw, as they call themselves today, kept secret their ways of life to avoid persecution by the Canadian government, Point Bolton's mother and grandmother schooled her in the skills needed for living from what the land provides, as well as in the craftwork and songs of her people, passing on a duty to keep these practices alive. Point Bolton was taken to a residential school for the next several years and would go on to marry and raise ten children, but her childhood training ultimately set the stage for her roles as a teacher and activist. Recognizing the urgent need to forge a sense of cultural continuity among the younger members of her community, Point Bolton visited many communities and worked with federal, provincial, and First Nations politicians to help break the intercultural silence by reviving knowledge of and interest in Aboriginal art. She did so with the deft and heartfelt use of both her voice and her hands. Over the course of many years, Daly collaborated with Point Bolton to pen her story. At once a memoir, an oral history, and an insider ethnography directed and presented by the subject herself, the result attests both to Daly's relationship with the family and to Point Bolton's desire to inspire others to use traditional knowledge and experience to build their own distinctive, successful, and creative lives.

Nikolaus II. Esterházy und die Kunst

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ISBN: 9783205789222 Year: Pages: 397 DOI: 10.26530/oapen_440352 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - PUB 16
Subject: History
Added to DOAB on : 2013-03-27 11:50:05
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Prince Nikolaus II Esterházy (1765–1833) is known as one of the greatest collectors and patrons of the arts of his time. Based on an ideological, historical and psychological framework, the biography fully illustrates his lifetime achievement with regard to the visual and performing arts. Against the backdrop of political and social changes in Europe between the French Revolution and the Year Of Revolutions 1848, this book discusses to what extent art served as a medium and strategy in the aristocracy’s effort to preserve its leading role in society, despite a loss of power as the Estates-based society was gradually replaced by one based on social classes.

Fritz Saxl - Eine Biografie

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ISBN: 9783205788638 Year: Pages: 346 DOI: 10.26530/oapen_459331 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 4321
Subject: History
Added to DOAB on : 2013-11-15 20:22:07
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Aby Warburg (1866-1929), the celebrated Hamburg art historian, who broke new ground with his research into Renaissance art history, found in Fritz Saxl (1890-1948), art historian, head librarian and finally his successor as director of Warburg's library and later the Warburg Institute, a scholar who contributed to the shaping of a pluridisciplinary understanding of research. Through Saxl's research of problems of Late Antiquity and the Middle Ages he gave important impulses to the scholarly understanding of intellectual history. Saxl, who extended the library system of the "good neighbourliness" of books, demonstrated his organizational thinking and strategies, which anticipated the use of hyperlinks - albeit without today's electronic technology. It was Saxl who turned Warburg's library from a private library into the centre of an international network for scholars. He spoke of himself as the wanderer through the museums and libraries of Europe, an agricultural worker who worked the piece of ground between history of art, literature, science and religion. Saxl's own research agenda was multifarious, the history of astrology, of mythology, in particular the research into illuminated astrological and mythological manuscripts of the Middle Ages, gleaned from archives all over Europe and published in three comprehensive Verzeichnisse. He further worked on religions of classical antiquity, the transition from pagan to Christian traditions, Mithras as well as art historical topics, Bellini, Titian. His life-long great admiration for Rembrandt found expession in a number of publications. 17th century art history, English medieval sculpture and his last great interest, seals, completed his scholarly output. But next to these research topics his achievements in the fields of organization were the area in which Saxl truly excelled. Warburg, although he spoke of him as the "junior partner", admired his scholarly honesty and thoroughness, but ultimately underestimated his achievements in administration and organization; these alone made it possible that the private library of Warburg could be consolidated into a internationally approved institute of teaching and research in Germany, and then in Great Britain. As Warburg's successor Saxl both kept as close as possible to Warburg's method as well as break fresh ground. Saxl was a truly original thinker, a congenial teacher, very demanding to his students and colleagues, but also fiercely supportive, for instance, to Roger Hinks, when he lost his post at the British Museum in the course of the affair of the cleaning of the Elgin Marbles. He employed Anthony Blunt as editor of the Warburg Institute publications, he brought Ernst H. Gombrich from Vienna to London in 1936. He was a great example to the young art historian John Pope-Hennessy, later Director of the Victoria and Albert Museum and the British Museum. Today, the Warburg Institute is a post-graduate research institute specializing in researching cultural and intellectual history, a forum for scholars and students. The fact that teaching and research could be kept up in Hamburg until 1933 and resumed in London from 1934 onward, speaks for the personal commitment of the employees and above all for Saxl;s intellectual courage and sense for practical solutions. His unstinting effort and dedication were certainly reasons for Saxl's early death at 58 years of age.

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