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Vom Weichen über den Schönen Stil zur Ars Nova

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ISBN: 9783412510114 Year: Language: German
Publisher: Böhlau Grant: Knowledge Unlatched - 103648
Added to DOAB on : 2019-01-15 13:33:08
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Abstract

Die Zeit zwischen 1350 und 1470 gehört zu den aus historischer wie künstlerischer Sicht bewegten Zeiten des so genannten Spätmittelalters. Der Band untersucht Kulturaustausch und -innovation in Architektur und Bildender Kunst in diesem Zeitraum anhand von Fallbeispielen aus mehreren europäischen Regionen (Avignon, England, Böhmen, Oberrhein usf.). Dabei geht es um die konkrete Darstellung der Entfaltung einer zunächst schönheitlich-idealisierend, dann mehr und mehr realistisch geprägten Kunst. Dafür werden Bedeutung und Verbindung von Metropolen, Netzwerke von Auftraggebern und Künstlern untersucht, beginnend mit der Regierungszeit Kaiser Karls IV., über einen Schwerpunkt in der englischen Kunst bis hin zu Untersuchungen zur realistischen Malerei der Mitte des 15. Jahrhunderts.

Wege zum illuminierten Buch

Authors: --- --- --- --- et al.
ISBN: 9783205794912 Year: Pages: 360 Seiten DOI: 10.26530/oapen_478912 Language: English
Publisher: Böhlau Grant: Austrian Science Fund - PUB 66
Subject: Languages and Literatures
Added to DOAB on : 2014-12-04 09:02:20
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The essays in this volume present art historical methods for research on the conditions in which books were produced and decorated in the Middle Ages and Early Modern Period. The consideration of the multiple factors impacting on the production and dissemination of illustrated books serves to improve our understanding of the works and helps to place them more accurately in the cultural discourse of their time.

Die Lebenszeugnisse Oswalds von Wolkenstein, Band 5

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ISBN: 9783205789512 Year: Pages: 409 DOI: 10.26530/oapen_450282 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - PUB 51
Subject: History
Added to DOAB on : 2013-09-21 22:37:50
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Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between 1720 and 1780 not differentiated must be seen against the background of the concept of interface (“Sattelzeit”/Reinhart Koselleck). On the basis of the space “Viennese court”, where the change of rulers in its effects most likely can be documented, attempts from the perspective of different disciplines (the so called “Hofkünste” – literature/poetry, arts, theatre/dance, music) point out continuities and discontinuities.

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