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The Documentary Art of Filmmaker Michael Rubbo

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Book Series: Cinemas Off Centre ISSN: 19252927 ISBN: 9781552388716 Year: Volume: 1 Pages: 262 Language: English
Publisher: University of Calgary Press
Subject: Visual Arts
Added to DOAB on : 2017-02-03 19:49:21
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Michael Rubbo’s groundbreaking work has had a deep and enduring impact on documentary filmmaking worldwide, though his name has remained relatively unknown. In The Documentary Art of Michael Rubbo, author D.B. Jones traces Rubbo’s filmmaking from his days as a film student at Stanford, through his twenty years at the National Film Board of Canada, where Rubbo developed his distinct documentary style. Jones then describes Rubbo’s post-NFB venture into feature film directing, followed by Rubbo’s return to his native Australia, first as an executive with the Australian Broadcasting Corporation, and later as a director of feature-length documentaries and maker of short, personal films for YouTube.Exploring locales from Montreal to Vietnam, topics as diverse as plastic surgery and French Marxism, and from interviewing Margaret Atwood to documenting a failed attempt to interview Fidel Castro, Rubbo’s wide-ranging work establishes his innovative, personal, lyric, and spontaneous documentary style. In The Documentary Art of Michael Rubbo D.B. Jones reveals not only the depth of meaning in Rubbo’s films, but also the depth of their influence on filmmaking itself.

Keywords

Film --- Media Studies --- Biography

Science Fiction Cinema and 1950s Britain

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ISBN: 9781501322532 Year: Language: English
Publisher: Bloomsbury Academic Grant: Knowledge Unlatched - 101291
Subject: Performing Arts
Added to DOAB on : 2018-06-07 11:01:53
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For the last fifty years, discussion of 1950s science fiction cinema has been dominated by the view that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention in the field by locating 1950s American science fiction films alongside their domestic counterparts in their British contexts of release and reception.

The Practice of Philology in the Nineteenth-Century Netherlands

Authors: ---
Book Series: History of Science and Scholarship in the Netherlands ISBN: 9789048522033 9789089645913 Year: Pages: 280 Language: English
Publisher: Amsterdam University Press
Subject: Social Sciences
Added to DOAB on : 2019-10-23 11:21:11
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Dutch scholarship has played an important role in philology since the early days of Leiden University. This volume illuminates how philology and its focus on the critical examination of classical texts—a tradition that had previously exerted considerable influence across fields as diverse as theology, astronomy, law, and politics—began an accelerated process of specialization in the 1800s. As former subareas like linguistics and history branched off into independent fields with their own methodologies, philology found its authority narrowing in scope within newly defined boundaries. Providing a fresh perspective on the evolution of Dutch philology as a discipline in the humanities, this is a fascinating look at a historically vital field of thought.

Digital Humanities Pedagogy : Practices, Principles and Politics

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ISBN: 9782821854031 Language: English
Publisher: Open Book Publishers
Subject: Social Sciences
Added to DOAB on : 2019-12-06 13:15:39
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Academic institutions are starting to recognize the growing public interest in digital humanities research, and there is an increasing demand from students for formal training in its methods. Despite the pressure on practitioners to develop innovative courses, scholarship in this area has tended to focus on research methods, theories and results rather than critical pedagogy and the actual practice of teaching. The essays in this collection offer a timely intervention in digital humanities scholarship, bringing together established and emerging scholars from a variety of humanities disciplines across the world. The first section offers views on the practical realities of teaching digital humanities at undergraduate and graduate levels, presenting case studies and snapshots of the authors' experiences alongside models for future courses and reflections on pedagogical successes and failures. The next section proposes strategies for teaching foundational digital humanities methods across a variety of scholarly disciplines, and the book concludes with wider debates about the place of digital humanities in the academy, from the field's cultural assumptions and social obligations to its political visions. Digital Humanities pedagogy broadens the ways in which both scholars and practitioners can think about this emerging discipline, ensuring its ongoing development, vitality and long-term sustainability.

Como o Mundo Mudou as Mídias Sociais

Authors: --- --- --- --- et al.
Book Series: Why We Post ISBN: 9781787356542 Year: Pages: 308 DOI: 10.14324/111.9781787356542 Language: Portuguese
Publisher: UCL Press
Subject: Sociology --- Media and communication --- Information theory
Added to DOAB on : 2019-09-11 11:21:02
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How the World Has Changed Social Media is the first book by Why We Post, a book series that investigates the findings of nine anthropologists who have spent 15 months living in communities in different parts of the world, including Brazil, Chile, China, England, India, Italy, Trinidad and Turkey. This book offers a comparative analysis that summarizes research findings and analysis of the impact of social media on politics and gender, education, and commerce. What is the result of the increased emphasis on visual communication? Are we becoming more individualistic or more social? Why is public social media so conservative? Why can't equality on the internet nullify inequality? How did memes become the moral police of the internet?&#xD;

Beijing Garbage: A City Besieged by Waste

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Book Series: Consumption and Sustainability in Asia ISBN: 9789048542871 Year: Pages: 232 Language: English
Publisher: Amsterdam University Press
Subject: Environmental Technology
Added to DOAB on : 2019-10-23 11:21:03
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Why do central and local government initiatives aiming to curb the proliferation of garbage in Beijing and its disposal continue to be unsuccessful? Is the Uberization of waste picking through online-to-offline (O2O) garbage retrieval companies able to decrease waste and improve the lives of waste pickers? Most citizens of Beijing are well aware of the fact that their city is besieged by waste. Yet instead of taking individual action, they sit and wait for the governments at various levels to tell them what to do. And even if/when they adopt a proactive position, this does not last. Official education drives targetting the consumers are organized regularly and with modest success, but real solutions are not forthcoming. Various environmental non-governmental organizations are at work to raise the level of consciousness of the population, to change individual attitudes towards wasteful behavior, but seemingly with little overall effects.

Virtue Ethics and Education from Late Antiquity to the Eighteenth Century

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Book Series: Knowledge Communities ISBN: 9789048535101 9789462984448 Year: Pages: 374 Language: English
Publisher: Amsterdam University Press
Subject: History --- Languages and Literatures
Added to DOAB on : 2019-10-23 11:21:05
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This book argues that premodern societies were characterized by the quest for “virtue.” The concept of virtue, complicated and much fought-over, permeated society, encouraging wisdom, courage, and justice, while simultaneously legitimizing social hierarchies based on sex and nationality. By examining pedagogical texts, rituals, performances, and images, this book illuminates the evolution of virtue through time, helping readers understand the guiding principles of historical action.

BOMB CANADA and Other Unkind Remarks in the American Media

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Book Series: Global Peace Studies ISSN: 19214030 ISBN: 9781897425497 9781897425503 Year: Pages: 157 Language: English
Publisher: Athabasca University Press
Added to DOAB on : 2012-03-29 16:37:58
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Canada and the United States. Two nations, one border, same continent. Anti-American sentiment in Canada is well documented, but what have Americans had to say about their northern neighbour? Allan examines how the American media has portrayed Canada, from Confederation to Obama’s election. By examining major events that have tested bilateral relations, Bomb Canada tracks the history of anti-Canadianism in the U.S. Informative, thought provoking and at times hilarious, this book reveals another layer of the complex relationship between Canada and the United States.

How Canadians Communicate V: Sports

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ISBN: 9781771990073 9781771990080 9781771990097 9781771990103 Year: Pages: 395 DOI: 10.15215/aupress/9781771990073.01 Language: English
Publisher: Athabasca University Press
Subject: Media and communication
Added to DOAB on : 2016-08-10 22:30:41
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Fewer Canadians than ever are lacing up skates, swimming lengths at the pool, practicing their curve ball, and experiencing the thrill of competition. However, despite a decline in active participation, Canadians spend enormous amounts of time and money on sports, as fans and followers of sporting events and sports culture. Never has media coverage of sports been more exhaustive, and never has it been more driven by commercial interests and the need to fuel consumerism, on which corporate profits depend. The power plays now occurring in the arena of sports are by no means solely a matter of money, however. At issue as well in the media capture of sports are the values that inform our daily lives, the physical and emotional health of the population, and the symbols so long central to a sense of Canadian identity.Writing from a variety of perspectives, the contributors to this collection set out to explore the impact of the media on our reception of, and attitudes toward, sports—to unpack the meanings that sports have for us as citizens and consumers. Well-known hockey writer Roy MacGregor delves into the influence of big media and big sports on the practice of objective journalism; Richard Gruneau examines the worrisome relationship between sports participation and socioeconomic class; blogger Derrick Newman investigates the impact of fantasy leagues on sports coverage; sociologist Harry Hiller looks at the iconic dimensions of the Vancouver Olympics. Other contributors shed light on the way in which the media serve to transform sports—including, of course, hockey—into a vehicle for the expression of identity and nationalism. Still others probe the function of sports as spectacle: the escalation of violence, controversies over drug use, and the media’s coverage of tragic deaths. The goal is not to score points but to prompt critical discussion of why sports matter in Canadian life and culture and how they contribute to the construction of Canadian identity.

The Spectacle 2.0

Authors: ---
ISBN: 9781911534440 9781911534457 9781911534464 9781911534471 Year: Pages: 252 DOI: 10.16997/book11 Language: English
Publisher: University of Westminster Press Grant: University of Westminster
Subject: Political Science --- Sociology --- Media and communication --- Social Sciences --- Philosophy
Added to DOAB on : 2018-01-09 11:02:32
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Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord’s original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book’s two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord’s concept is arguably more relevant than ever.

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