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The Documentary Art of Filmmaker Michael Rubbo

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Book Series: Cinemas Off Centre ISSN: 19252927 ISBN: 9781552388716 Year: Volume: 1 Pages: 262 Language: English
Publisher: University of Calgary Press
Subject: Visual Arts
Added to DOAB on : 2017-02-03 19:49:21
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Michael Rubbo’s groundbreaking work has had a deep and enduring impact on documentary filmmaking worldwide, though his name has remained relatively unknown. In The Documentary Art of Michael Rubbo, author D.B. Jones traces Rubbo’s filmmaking from his days as a film student at Stanford, through his twenty years at the National Film Board of Canada, where Rubbo developed his distinct documentary style. Jones then describes Rubbo’s post-NFB venture into feature film directing, followed by Rubbo’s return to his native Australia, first as an executive with the Australian Broadcasting Corporation, and later as a director of feature-length documentaries and maker of short, personal films for YouTube.Exploring locales from Montreal to Vietnam, topics as diverse as plastic surgery and French Marxism, and from interviewing Margaret Atwood to documenting a failed attempt to interview Fidel Castro, Rubbo’s wide-ranging work establishes his innovative, personal, lyric, and spontaneous documentary style. In The Documentary Art of Michael Rubbo D.B. Jones reveals not only the depth of meaning in Rubbo’s films, but also the depth of their influence on filmmaking itself.

Keywords

Film --- Media Studies --- Biography

Science Fiction Cinema and 1950s Britain

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ISBN: 9781501322532 Year: Language: English
Publisher: Bloomsbury Academic Grant: Knowledge Unlatched - 101291
Subject: Performing Arts
Added to DOAB on : 2018-06-07 11:01:53
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For the last fifty years, discussion of 1950s science fiction cinema has been dominated by the view that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention in the field by locating 1950s American science fiction films alongside their domestic counterparts in their British contexts of release and reception.

The Spectacle 2.0

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ISBN: 9781911534440 9781911534457 9781911534464 9781911534471 Year: Pages: 252 DOI: 10.16997/book11 Language: English
Publisher: University of Westminster Press Grant: University of Westminster
Subject: Political Science --- Sociology --- Media and communication --- Social Sciences --- Philosophy
Added to DOAB on : 2018-01-09 11:02:32
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Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord’s original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book’s two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord’s concept is arguably more relevant than ever.

Performing the Digital

Authors: --- ---
Book Series: Digitale Gesellschaft ISBN: 9783837633559 9783839433553 Year: DOI: 10.26530/oapen_627661 Language: English
Publisher: transcript Verlag Grant: Knowledge Unlatched - 100580
Subject: Media and communication
Added to DOAB on : 2017-04-20 11:01:33
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How is performativity shaped by digital media – and how do performance practices themselves reflect and alter techno-social configurations? Performing the Digital inquires into the technological terms and conditions of performance and performance studies, and maps and theorizes the registers of performance at work in digital cultures. The contributions range from the performativity of algorithms and digital devices to the modulation of affect, atmospheres and the body; from performing cities, protest, organization and the economy to the scholarly performances of research.

Digital Environments

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Book Series: Edition Medienwissenschaft ISBN: 9783837634976 9783839434970 Year: DOI: 10.26530/oapen_627655 Language: English
Publisher: transcript Verlag Grant: Knowledge Unlatched - 100585
Subject: Media and communication
Added to DOAB on : 2017-04-20 11:01:33
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Digital technology already has permeated the physical world. Devices such as smartphones, tablets or wearables and online venues like virtual worlds and social networks have penetrated every part of our lives. The contributions to this volume apply innovative forms of ethnographic research to the digital realm. They examine the emergence of new online communities around Greenlandic news blogs or Malaysian LGBT Facebook groups, the rise of transnational migrant networks facilitated by social media, or the representation of conflicts and the proliferation of ideologies within online spaces.

Grenzobjekte und Medienforschung

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Book Series: Locating Media/Situierte Medien ISBN: 9783839431269 9783837631265 9783732831265 Year: Pages: 536 DOI: 10.14361/9783839431269 Language: German
Publisher: transcript Verlag Grant: Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung
Subject: Media and communication
Added to DOAB on : 2017-12-09 11:01:53
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Susan Leigh Star's (1954-2010) research encompasses aspects of infrastructural and social theory, knowledge ecologies, feminism and theories of marginality. For the first time, this volume introduces the American science and technology sociologist's most important writings in German. Her texts on border objects, marginality, infrastructures and standards are commented upon by academics and scientists in these fields, and analyzed for their relevance to media studies. With commentaries by Geoffrey C. Bowker, Cora Bender, Ulrike Bergermann, Monika Dommann, Christine Hanke, Bernhard Nett, Jörg Potthast, Gabriele Schabacher, Cornelius Schubert, Erhard Schüttpelz and Jörg Strübing.

The Message is Murder

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ISBN: 9780745337319 9781786801784 9781786801791 Year: Language: English
Publisher: Pluto Press Grant: Knowledge Unlatched - 100920
Subject: Media and communication
Added to DOAB on : 2018-01-25 11:01:47
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The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic.Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries.Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, gendered and genocidal.

Organisation im soziotechnischen Gemenge

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Book Series: Edition Medienwissenschaft ISBN: 9783839437841 9783837637847 Year: Pages: 210 DOI: 10.14361/9783839437841 Language: German
Publisher: transcript Verlag Grant: Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung
Subject: Sociology
Added to DOAB on : 2017-03-03 11:01:50
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How do media and technologies structure our daily working lives? An organisational-sociological study.

Gewalt im Computerspiel

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Book Series: Kultur und soziale Praxis ISBN: 9783839435595 9783837635591 Year: Pages: 368 DOI: 10.14361/9783839435595_978-3-8394-3559-5_Gewalt im Computerspiel_Facetten eines Vergnügens____1_368_ Language: German
Publisher: transcript Verlag Grant: Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung
Subject: Media and communication
Added to DOAB on : 2017-09-01 11:01:04
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Grand Theft Auto, Battlefield, Counterstrike – more and more, violence in computer games is becoming the subject of heated discussion. But what emotional experiences does the playful use of virtual violence make possible? Through participato observation in online games and at LAN parties and analyses of interviews, magazines, and videos, Christopher Bareither presents in detail how millions of people can take pleasure from that which would shock others. By refraining from judgmental cliches, this ethnographic study is able to provide a decisive contribution to a debate at the crossroads of popular culture, politics, and the public sphere.

Algorithmuskulturen -- Über die rechnerische Konstruktion der Wirklichkeit

Authors: ---
Book Series: Kulturen der Gesellschaft ISBN: 9783839438008 9783837638004 9783732838004 Year: Pages: 242 DOI: 10.14361/9783839438008 Language: German
Publisher: transcript Verlag Grant: OGeSoMo
Subject: Social Sciences
Added to DOAB on : 2018-03-13 11:02:27
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High frequency trading, Google ranking, filter bubble – just three topical examples of the power of algorithms. This title presents a collection of contributions that deal with the historical emergence and wide distribution of algorithms that can be found in various aspects of social life today. They focus on the correlations between algorithmic and non-algorithmic actors and their significance for our daily lives and our social relationships and follow up on the mechanisms with which algorithms – products of a specific global access – frame reality while organizing the way how humans thinks about society. The contributions include case studies on social media, advertising and evaluation but also on mobile safety infrastructures, such as drones.

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