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MythomaniaS: Crime Scenes & Psycho Case Studies

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ISBN: 9780692523551 Year: Pages: 118 DOI: 10.21983/P3.0113.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:38
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mythomaniaS is a catalog of case studies in the form of film stills, architectural fragments, stage props, texts, and images culled from the experiments of MindMachineMakingMyths (Lab M4, part of the New Territories architecture studio, Bankgok, Thailand), a collaboration begun in 2012 between Camille Lacadee and François Roche to construct environmental-architectural psycho-scapes (in the partly fabricated wilds of various countries) as laboratory-shelters for exploring and deconstructing the supposed rifts between realism and speculative fiction (myth), psyche and environment, body and mind. Bringing together architecture, Deleuze and Guatarri’s schizoanalysis and deterritorialization, and Alfred Jarry’s pataphysics (the “science of imaginary solutions which symbolically attributes the properties of objects, described by their virtuality, to their lineaments”), Lacadee and Roche (and their tribe, Ezio Blasetti, Stephan Henrich, Danielle Willems, Gwyll Jahn, and many others) enacted and filmed mise-en-abymes in which certain scripted para-psychic narratives and architectural structures merge in the pursuit of reclaiming resilience — described by Roche as a tactic for merging refusal and vitality into a schizophrenic logic able to navigate the antagonism between the bottom-up and top-down conditions of the globalized world. In these fabricated schizoid psycho-nature-machine-scapes, the human being is no longer a bio-ecological consumer but a psycho-computing animal that emerges co-dependently with its environment in a hyper-local haecceity (“this-ness”).

Proust Cinématographe. Wie Raoul Ruiz Proust las

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ISBN: 9783946054467 9783946054474 9783946054610 Year: Pages: 330 DOI: 10.17885/heiup.310.420 Language: German
Publisher: Heidelberg University Publishing (heiUP)
Subject: Performing Arts --- Languages and Literatures --- Visual Arts
Added to DOAB on : 2018-08-06 14:28:32
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"Proust Cinematographe – Ruiz reading In Search of Lost Time" takes a new look at the metapoetic program of Proust’s A la Recherche du Temps perdu. Selected text passages and film excerpts are analyzed, focusing on the fundamental questions of the novel about the perception and description of time, subject, and identity. It turns out that the novel of the nineteenth century anticipated the concepts of modern cinema on a surprisingly broad scale.

Knowledge, Spirit, Law, Book 1: Radical Scholarship

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ISBN: 9780692558447 Year: Pages: 234 DOI: 10.21983/P3.0123.1.00 Language: English
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:37
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Knowledge, Spirit, Law is a de facto phenomenology of scholarship in the age of neoliberal capitalism. The eleven essays (plus Appendices) in Book 1: Radical Scholarship cover topics and circle themes related to the problems and crises specific to neoliberal academia, while proposing creative paths around the various obstructions. The obstructions include metrics-obsessed academia, circular and incestuous peer review, digitalization of research as stalking horse for text- and data-mining, and violation by global corporate fiat of Intellectual Property and the Moral Rights of Authors. These issues, while addressed obliquely in the main text, definitively inform the various proscriptive aspects of the essays and, via the Introduction and Appendices, underscore the necessity of developing new-old means to no obvious end in the production of knowledge — that is to say, a return to forms of non-instrumentalized intellectual inquiry. To be developed in two concurrent volumes, Knowledge, Spirit, Law will serve as a “moving and/or shifting anthology” of new forms of expression in humanistic studies. Book 2: The Anti-Capitalist Sublime will be published in Autumn 2017.

Chaste Cinematics

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ISBN: 9780692541555 Year: Pages: 278 DOI: 10.21983/P3.0117.1.00 Language: English
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:38
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Victor J. Vitanza (author of Sexual Violence in Western Thought and Writing) continues to rethink the problem of sexual violence in cinema and how rape is often represented in “chaste” ways, in the form of a Chaste Cinematics. Vitanza continues to discuss Chaste Cinematics as participating in transdisciplinary-rhetorical traditions that establish the very foundations (groundings, points of stasis) for nation states and cultures. In this offering, however, the initial grounding for the discussions is “base materialism” (George Bataille): divine filth, the sacred and profane. It is this post-philosophical base materialism that destabilizes binaries, fixedness, and brings forth excluded thirds. Vitanza asks: why is it that a repressed third, or a third figure, returns, most strangely as a “product” of rape and torture? He works with Jean-Paul Sartre and Page duBois’s suggestion that the “product” is a new “species.” Always attempting unorthodox ways of approaching social problems, Vitanza organizes his table of contents as a DVD menu of “Extras” (supplements). This menu includes Alternate Endings and Easter Eggs as well as an Excursus, which invokes readers to take up the political exigency of the DVD-Book. Vitanza’s first “Extra” studies a trio of films that need to be reconsidered, given what they offer as insights into Chaste Cinematics: Amadeus (a mad god), Henry Fool (a foolish god), and Multiple Maniacs (a divine god who is raped and eats excrement). The second examines Helke Sander’s documentary Liberators Take Liberties, which re-thinks the rapes of German women by the Russians and Allies during the Battle of Berlin. The third rethinks Margie Strosser’s video-film Rape Stories that calls for revenge. In the Alternate Endings, Vitanza rethinks the problem of reversibility in G. Noé’s Irréversible. In the Easter Eggs, he considers Dominique Laporte’s “the Irreparable,” as the object of loss and Giorgio Agamben’s “the Irreparable,” as hope in what is without remedy. The result is not another film-studies book, but a new genre, a new set of rhetorics, for new ways of thinking about cinematics, perhaps postcinematics.

The Witch and the Hysteric: The Monstrous Medieval in Benjamin Christensen's Häxan

Authors: ---
ISBN: 9780692230152 Year: Pages: 84 DOI: 10.21983/P3.0074.1.00 Language: English
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:41
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Benjamin Christensen’s 1922 Swedish/Danish film Häxan (known under its English title as Witchcraft Through the Ages) has entranced, entertained, shocked, and puzzled audiences for nearly a century. The film mixes documentary with fantasy, history with theatrics, religion and science, the medieval past and modern culture. This uncanny content is compounded by the film’s formal strangeness, a mixture of quasi-documentary with fictional episodes, illustrated lectures alongside docudrama recreations and dreamscapes. Is this a documentary, a horror flick, or both? In this chapbook, authors Doty and Ingham argue that the puzzle of Christensen’s Häxan might be unraveled by attending to the film’s provocative and paradoxical medievalism, its fantasmatic rendering of the witch as a medieval monster. Such monstrous medievalism, moreover, sheds considerable light on the politics of gender and culture once the witch is rendered a female figure in a time out-of-joint.

Truth and Fiction: Notes on (Exceptional) Faith in Art

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ISBN: 9780615647104 Year: Pages: 40 DOI: 10.21983/P3.0007.1.00 Language: English
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:46
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Reflecting upon his experience making his 2010 feature film Mothers, a cinematic triptych interweaving three narratives that are each, in their own way, about the often tenuous lines between truth and fiction, and one of which actually morphs into a documentary about the aftermath in a small Macedonian town where three retired cleaning women were found raped and killed in 2008 and the murderer turned out to be the journalist covering the story for a major Macedonian newspaper, the Oscar-nominated Macedonian-born and New York-based writer-director Milcho Manchevski writes that, “Most of us look at films differently or accept stories in a different way if we believe that they are true. We watch a documentary film in a different way from the way we watch a drama. We read a magazine article in a different way from the way in which we read a short story. Sometimes, we even treat a film that employs actors differently than a regular drama because we were told that it is based on something that really happened. We treat these works based on truth or reporting on the truth in different ways. “Why? “What is it in our relation to reality or in our relation to what we perceive to be reality that makes us value a work of artifice (an art piece) differently depending on our knowledge or conviction of whether that work of artifice is based on events that really took place?”

Porno-Graphics and Porno-Tactics: Desire, Affect, and Representation in Pornography

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ISBN: 9780692720547 Year: Pages: 102 DOI: 10.21983/P3.0141.1.00 Language: English
Publisher: punctum books
Subject: Philosophy
Added to DOAB on : 2019-03-26 11:21:09
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Porno-Graphics and Porno-Tactics asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation. In the different contributions which make up this deliberately heterogeneous collection of short, non-canonical essays, such a quest proceeds by re-articulating the aporias of desire, intimacy, touch and seduction. It also relates them to claims of visibility, visions of emancipation and its failures, as well as to the politics of violence that we get exposed to through circulating images and affects. This is an attempt to exceed the limits set by and for ourselves in relation to how we connect to our own bodies, to the bodies of our lovers and to the bodies of the theories we live with, sleep with and dream about – in short, to all that we get attached to. The editors and contributors of this collection do not claim the euphoric potentiality of pornography as necessarily subversive and emancipatory, but are nevertheless open to the possibilities of re-shaping it (in textual, contextual, intertextual, but also affective and embodied forms) through different graphic and tactical/tactile inscriptions. On the one hand, authors reflect on definitions and practices of pornography as a genre adopting specific codes and canons, whether it is concerned with sex acts and the industry of porn or with other predominant forms of representation and the structures of power underlying them. On the other hand, chapters relate to the more affective, libidinal, synaesthetic and inter/subjective dimensions of pornography, and on the capacity of different reappropriations to subvert its limits.

Everyday Cinema: The Films of Marc Lafia

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ISBN: 9780998531809 Year: Pages: 238 DOI: 10.21983/P3.0164.1.00 Language: English
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:34
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Everyday Cinema presents the films (eight features and numerous shorts, computational, and installation films) of Marc Lafia. In his many films (including Exploding Oedipus; Love and Art; Confessions of an Image; Revolution of Everyday Life; Paradise; Hi, How Are You Guest 10497; and 27) Lafia probes what it is to construct an image, to forge systems of representation, to see and represent ourselves. His work has been defined as a cinema of emergence, a cinema of the event, in which the very act of ubiquitous recording creates something new. Everyday Cinema is comprised of two parts, the first an in-depth look at his films and installations, project by project, providing background on how they came about, Lafia’s process and ideas. The second part features selected interviews and over two hundred film stills wherein Lafia puts forward a new sense of the possibility of the cinema. As we all relentlessly record ourselves and are recorded, we become part of the cinematic fabric of life, part of a spectacle of which we are both constituent and constitutive. This is what Lafia sets out to capture and examine.

Último Dia Todos os Dias: E Outros Escritos sobre Cinema e Filosofia

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ISBN: 9780692402764 Year: Pages: 78 DOI: 10.21983/P3.0097.1.00 Language: Portuguese
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:39
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Onde se encontra a análise fílmica hoje? O que é que a teoria de cinema anda a desenvolver na obscuridade? Este campo, tal como foi definido profissionalmente (pelo menos no mundo académico anglo-saxónico), encontra-se actualmente dividido entre historiadores interessados no contexto das grandes formações da modernidade e connoisseurs que reclamam o regresso estilístico de coisas antiquadas como a visão autoral, o tom ou a mise-en-scène. Mas há também outras correntes, vitais e inventivas – na crítica, na internet, em pequenas revistas, em conferências renegadas um pouco por todo o lado –, que não estamos a conseguir escutar em nenhum dos canais oficiais. Último Dia Todos os Dias, de Adrian Martin – nesta edição acompanhado do ensaio “Avatares do Encontro” –, lança uma luz sobre estas novas e excitantes avenidas. Publicado originalmente como Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez, em 2012, por Dead Letter Office, uma série da editora punctum books. Esta edição foi produzida conjuntamente por Centro de Estudos Comparatistas | Faculdade de Letras da Universidade de Lisboa e punctum books, 2015.

Último día cada día: Y otro escrito sobre cine y filosofía

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ISBN: 9780615766010 Year: Pages: 66 DOI: 10.21983/P3.0022.1.00 Language: Spanish;
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:45
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Where is the film analysis today? What are you doing, in the dark, the theory of cinema? This field, as it has been professionally defined (at least in the Anglo-American academic world), is currently divided between historians interested in the social context that examine the great formations of modernity, and experts in the style that They demand the return of outmoded things such as authorial vision, tone, and staging. But there are also other currents, vital and inventive, of which we are hardly hearing anything in any of the official channels. Last day each day , which for this edition has been extended with the essay “Avatars of the meeting”, shines a light on one of these new and exciting ways.

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