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Trumpa lietuvių literatūros istorija = A brief history of Lithuanian literature

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ISBN: 9786094670336 Year: Pages: 372 p. Language: Lithuanian
Publisher: Vytautas Magnus University
Subject: Languages and Literatures
Added to DOAB on : 2015-11-25 12:45:42
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This methodical textbook is an introduction to the historical stages of development of Lithuanian literature and its trends. The authors of the book present a concise overview of Lithuanian chrestomathic authors‘ works, analysing them and providing a variety of reviews of the literary process. The Textbook is designed for students at Baltic and Lithuanian Studies centres.

Cotton Nero A.x: The Works of the "Pearl" Poet

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ISBN: 9780615983912 Year: Pages: 54 DOI: 10.21983/P3.0066.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-06-12 09:24:41
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Manuscript Cotton Nero A.x takes its designation from the unique cataloging system of seventeenth-century British antiquarian Sir Robert Cotton’s library: busts of historical figures atop shelves provided the organizing principle, such that one found this particular codex under the bust of Roman Emperor Nero, on the top shelf, ten volumes over. (Another famous manuscript, containing Beowulf, is called Cotton Vitellius A.xv.) Cotton Nero A.x contains the only versions of the poems we now know as Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight, generally agreed to have been composed sometime in the latter half of the fourteenth century—the time of Piers Plowman and Geoffrey Chaucer, though radically different from either. No one knows who the poet was. No one knows if more than one poet wrote some or all of the poems. Together, they present a stunning array of themes, allegories, and images that critics continue to puzzle over: Patience offers a psychologically complex rendering of the Old Testament story of Jonah and the whale; Cleanness explores its homiletic theme in carnal and spiritual terms with complexity, irony, and even humor; Pearl provides a dream allegory that pushes at the distinction between its earthly and heavenly meanings, challenging the very notion of metaphysical transcendence its form seems to point towards. Finally, Sir Gawain and the Green Knight, the most secular of the poems, is a sophisticated take on Arthurian legend that unfolds like a psychosexual mystery novel, with no easy solution in sight. All the poems are rendered in a difficult Middle English dialect and intricate alliterative form, which sometimes involves a complex rhyme scheme as well. As poet-medievalists, we bow before the poetic achievement of the works in Cotton Nero A.x in all their multi-faceted richness. This is not a translation, nor an interpretation. It is what might be called a trace. A response. A homework assignment from beyond the grave, for four students who should have known better. A dream we hope to dream.

Vittorio Sereni, un altro compleanno

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ISBN: 9788867053544 DOI: 10.4000/books.ledizioni.691 Language: Italian
Publisher: Ledizioni
Subject: Languages and Literatures
Added to DOAB on : 2019-12-06 13:15:38
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Preziosa testimonianza di quanto il lavoro poetico e l’impegno intellettuale di Vittorio Sereni abbiano segnato profondamente il percorso letterario del nostro Novecento, e di quanto siano tuttora capaci di promuovere adesioni non effimere e riflessioni non scontate, i saggi che costituiscono questo volume ne approfondiscono la conoscenza e ne rinnovano, nel centenario della nascita, la memoria.

[Given, If, Then]: A Reading in Three Parts

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ISBN: 9780692298374 Year: Pages: 116 DOI: 10.21983/P3.0090.1.00 Language: English
Publisher: punctum books
Subject: Philosophy
Added to DOAB on : 2019-06-12 09:24:40
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[Given, If, Then] attempts to conceive a possibility of reading, through a set of readings: reading being understood as the relation to an Other that occurs prior to any semantic or formal identification, and, therefore, prior to any attempt at assimilating, or appropriating, what is being read to the one who reads. As such, it is an encounter with an indeterminable Other, an Other who is other than other — an unconditional relation, and thus a relation to no fixed object of relation. The first reading by Jeremy Fernando, “Blind Reading,” unfolds through an attempt to speak of reading as an event. Untheorisable in itself, it is a positing of reading as reading, through reading, where texts are read as a test site for reading itself. As such, it is a meditation on the finitude and exteriority in literature, philosophy, and knowledge; where blindness is both the condition and limit of reading itself. Folded into, or in between, this (re)reading are a selection of photographs from Jennifer Hope Davy’s image archive. They are on the one hand simply a selection of ‘impartial pictures’ taken, and on the other hand that which allow for something singular and, therefore, always other to dis/appear — crossing that borderless realm between ‘some’ and ‘some-thing.’ Eventually, there is a writing on images on writings by Julia Hölzl. A responding to the impossible response, a re-iteration, a re-reading of what could not have been written, a re-writing of what could not have been read; these poems, if one were to name them such, name them as such, answer (to) the impossibility of answering: answer to no call.

Literatūrinė Kauno regiono savimonė

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ISBN: 9789955126812 Year: Pages: 94 p. Language: Lithuanian
Publisher: Vytautas Magnus University
Subject: Languages and Literatures
Added to DOAB on : 2018-06-11 07:59:56
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The articles of the book reveal the results of the research made on literary self-consciousness of Kaunas region, reflecting specific transformations of the places written from the 19th century till nowadays. To the problems stipulated by the concepts of the region, place and space are being analysed from the point of view of naratology, cultural geography and bioregionalism. The creative works written during the period from the 19th century till the beginning of the 21th century are being analysed as well, including the texts of Lithuanian literature for children.

The Bodies That Remain

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ISBN: 9781947447677 9781947447684 Year: Pages: 306 DOI: 10.21983/P3.0212.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-03-26 11:21:04
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The Bodies That Remain is a collection of bodies and absences. Through biography, experimental essay, interview, fictional manifestation, and poetic extraction, The Bodies That Remain is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them. The essays in The Bodies That Remain look back at how the identities of these bodies were shaped by the spaces around them, through the retelling of memory, through stories told by others, of how their work, processed by their body, made it possible for others to experience sensations – mourning, desire, or a nostalgia that could not belong to another, to another’s body – and in capturing this ability, their work confirms the body’s urgency. Amongst others, The Bodies That Remain tells the story of Emily Dickinson’s decay, the missing grave of Valeska Gert, the voice and sound of the body of Judee Sill, and the derailed body (and work) of Jane Bowles. It questions the absent body but broken organs of JT Leroy as they find themselves scattered across texts, and also interrogates the loss of distinction of illness for Jules de Goncourt as syphilis riddled his nervous system. It retrieves the illusory body of Kathy Acker through dream and through horror, sees the morphing body of Michael Jackson in becoming all of the bodies he was asked to be, and looks toward Sylvia Plath and the language of her own body. Where ‘body’ as a verb makes material something abstract, The Bodies That Remain, as a collection, became bodily.

Centaurs, Rioting in Thessaly: Memory and the Classical World

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ISBN: 9781947447400 9781947447417 Year: Pages: 116 DOI: 10.21983/P3.0192.1.00 Language: English
Publisher: punctum books
Subject: Religion
Added to DOAB on : 2019-06-12 09:24:32
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This book treads new paths through the labyrinths of our human thought. It meanders through the darkness to encounter the monsters at the heart of the maze: Minotaurs, Centaurs, Automata, Makers, Humans. One part of our human thought emerges from classical Ionia and Greek civilisation more generally. We obsessively return to that thought, tread again its pathways, re-enact its stories, repeat its motifs and gestures. We return time and time again to construct and re-construct the beings which were part of its cosmology and mythology – stories enacted from a classical world which is itself at once imaginary and material. The “Never Never Lands” of the ancient world contain fabulous beasts and humans and landscapes of desire and violence. We encounter the rioting Centaurs there and never again cease to conjure them up time and time again through our history. The Centaur mythologies display a fascination with animals and what binds and divides human beings from them. The Centaur hints ultimately at the idea of the genesis of civilisation itself. The Labyrinth, constructed by Daedalus, is itself a prison and a way of thinking about making, designing, and human aspiration. Designed by humans it offers mysteries that would be repeated time and time again – a motif which is replicated through human history. Daedalus himself is an archetype for creation and mastery, the designer of artefacts and machines which would be the beginning of forays into the total domination of nature. Centaurs, Labyrinths, Automata offer clues to the origins and ultimately the futures of humanity and what might come after it.

The Funambulist Pamphlets 10: Literature

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ISBN: 9780692226803 Year: Pages: 112 DOI: 10.21983/P3.0075.1.00 Language: English
Publisher: punctum books
Subject: Architecture
Added to DOAB on : 2019-06-12 09:24:41
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The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema. Volume 10 is devoted to the topic of Literature, with entries by Lambert and other authors. The idea that architecture can be created through narrative is popular in some academic circles. It seems a fruitful approach to the discipline as it unfolds an important imaginative field. It also envisions a resistance to forms of architectural teleology, since fiction is usually based on the disfunction of the environment in which it is set. For this reason, we could go as far as to affirm that fiction operates in contradiction to the traditional design method. The word “literature,” however, is not often pronounced by the people who seem to promote this creative method. The following texts intend to think of literature as a powerful field of ideas that translates to other creative disciplines. This translation should never be literal, and for this reason, some fictions that evoke architecture — Franz Kafka’s and Jorge Luis Borges’s labyrinths, for example — might be paradoxically more difficult to properly translate than less immediately spatial novels. The following texts do not propose any translation of their own but rather offer a humble toolbox in order to do so. This volume also constitutes an opportunity to archive the four texts written for the first event of Archipelagos (Brooklyn, November 2011), an non-institutionalized gathering of people conversing around a given topic. The first event was dedicated to literature and four architects were invited to talk about four authors they chose (Kerouac, Artaud, Dostoevsky and Pessoa) in the first half of the event, while the second half consisted of an open conversation generated by the presentations.

On Style: An Atelier

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ISBN: 9780615934020 Year: Pages: 154 DOI: 10.21983/P3.0055.0.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-06-12 09:24:42
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Scholarship in medieval studies of the past 20 or so years has offered some provocative experiments in, and elegant exempla of, style. Scholars such as Anne Clark Bartlett, Kathleen Biddick, Catherine Brown, Brantley Bryant, Michael Camille, Jeffrey Jerome Cohen, Carolyn Dinshaw, James Earl, L.O. Aranye Fradenburg, Roberta Frank, Amy Hollywood, Cary Howie, C. Stephen Jaeger, Eileen Joy, Anna Klosowska, Nicola Masciandaro, Peggy McCracken, Paul Strohm, David Wallace, and Paul Zumthor, among others, have blended the conventions of academic writing with those of fiction, drama, memoir, comedy, polemic, and lyricism, and/or have developed what some would describe as elegant, and arresting (and in some cases, deliciously difficult) prose styles. As these registers merge, they can produce what has been called a queer historiographical encounter (or in queer theorist Elizabeth Freeman’s terms, “an erotohistoriography”), a “poetics of intensification,” and even a “new aestheticism.” The work of these scholars has also opened up debates (some rancorous) that often install what the editors of this volume feel are false binaries between form and content, feeling and thinking, affect and rigor, poetry and history, attachment and critical distance, enjoyment and discipline, style and substance. As Anna Klosowska writes in her contribution to this volume, The question of style, as it applies to medieval studies, is precisely the overcoming of that dichotomy between Nature and Man: a third element. And when the critique proceeds through the denunciation of the inimitability of someone’s style, as if it were the third sex, ungenerative, queer, sterile, sodomitic, lesbian, etc., the critic unconsciously puts his finger on exactly what style is; but that critic is mistaken about the style’s supposedly non-generative powers. In fact, style, neither fact nor theory but facilitating the transition between the two, is … the generative principle itself.

Wir haben ja alle Deutschland nicht gekannt: Das Deutschlandbild der Deutschen in der Zeit der Weimarer Republik

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ISBN: 9783946054078 9783946054061 9783946054221 Year: Volume: 1 Pages: 480 DOI: 10.17885/heiup.90.106 Language: German
Publisher: Heidelberg University Publishing (heiUP)
Subject: History --- Linguistics
Added to DOAB on : 2017-01-03 15:53:44
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After 1918 Germany had to find a new definition for its identity on a political and social level as well as to rediscover itself as a unity in terms of geography and culture. This process can be described as „Inner colonisation“. Scientists and artists began to compensate the many losses by tapping into the dimension of the „inner“ Germany - its unique cultural density - which in France would be called „la France profonde“. The pressure to be economical was converted into an economy of abundance of spiritual and material wealth. The newly discovered virtue of variety could be explained in short by phrases and slogans. However, this book addresses all those texts and images which emerged from an „Arbeit im Material“ (Siegfried Kracauer) and from a fresh, authentic experience

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