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Beta Exercise: The Theory and Practice of Osamu Kanemura

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ISBN: 9781947477776 9781947477783 Year: Pages: 230 DOI: 10.21983/P3.0241.1.00 Language: English|Japanese
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-03-26 11:21:03
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Beta Exercise: The Theory and Practice of Osamu Kanemura is the first bilingual (Japanese-English) book to provide an overview of the theoretical work of Japanese photographer and video artist Osamu Kanemura, a unique voice in the world of contemporary photography. The opening essay “Life Is a Gift” comments on the transformation of human life into an exchangeable commodity and the abstraction it entails. “Essay 01” develops Kanemura’s idea of photographic “technique” in an era when such techniques have become accessible to all, radically undermining the importance of human subjectivity in the process of capturing the photographic image: “We can say that modern technology constitutes photographic technique.” Instead, Kanemura argues, extra-technical elements such as concept and vision will have to compensate for the expression of individuality that technique is no longer able to convey. Taking cues from Kiyoshi Kurosawa and Karlheinz Stockhausen, the essay “Dead-Stick Landing” develops Kanemura’s theory of the moving image as mechanical system, solely governed by an “on-off switch.” “Essay 02” develops these ideas into a consideration of cinematic time and the experience of boredom in cinema as the result of a truthful “loyalty” expressed to machines, and not to stories. The essays are accompanied by an extensive two-part interview with Italian photographer Marco Mazzi, touching upon topics ranging from the technical aspects of his equipment, the concept of non-editing, and the destruction of the frame to the similarity between Mao’s dialectics and the camera, the presence of the human figure as trace, and the politics of photographing Tokyo.

Post Memes

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ISBN: 9781950192434 9781950192441 Year: Pages: 423 DOI: 10.21983/P3.0255.1.00 Language: English
Publisher: punctum books
Subject: Media and communication
Added to DOAB on : 2019-11-13 11:21:03
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Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation -- memes are the inner currency of the internet’s circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike,  and they are impervious to many economic valuations: the attempts made in co-opting their discourse in advertising and big business have made little headway, and have usually been derailed by retaliative meming. Post-Memes: Seizing the Memes of Production takes advantage of the meme’s subversive adaptability and ripeness for a focused, in-depth study. Pulling together the interrogative forces of a raft of thinkers at the forefront of tech theory and media dissection, this collection of essays paves a way to articulating the semiotic fabric of the early 21st century’s most prevalent means of content posting, and aims at the very seizing of the memes of production for the imagining and creation of new political horizons.With contributions from Scott and McKenzie Wark, Patricia Reed, Jay Owens, Thomas Hobson and Kaajal Modi, Dominic Pettman, Bogna M. Konior, and Eric Wilson, among others, this essay volume offers the freshest approaches available in the field of memes studies and inaugurates a new kind of writing about the newest manifestations of the written online. The book aims to become the go-to resource for all students and scholars of memes, and will be of the utmost interest to anyone interested in the internet’s most viral phenomenon.

Epistemologien des Umgebens

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Book Series: Edition Medienwissenschaft ISBN: 9783839448397 9783837648393 Year: Pages: 562 DOI: 10.14361/9783839448397 Language: German
Publisher: transcript Verlag
Subject: Media and communication
Added to DOAB on : 2019-11-01 11:21:03
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The rise of the term "environment" to describe the present marks the influence that reflection on environmental relations and the possibility of engineering artificial environments have gained since the mid-nineteenth century. In closed artificial worlds such as space stations or artificial ecosystems, the entanglement of the "environment" with the surrounding organisms becomes the subject of a biopolitics that today opens up new spaces in autonomous environmental control technologies. Florian Sprenger pursues this transformation of ecological environmental knowledge with the aim of better understanding current technologies, making the term understandable and highlighting the biopolitical dimension of each ecology.

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