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Serbia’s national movement of the 1980s and 1990s, the author suggests, was not the product of an ancient, immutable, and aggressive Serbian national identity; nor was it an artificial creation of powerful political actors looking to capitalize on its mobilizing power. Miller argues that cultural processes are too often ignored in favor of political ones; that Serbian intellectuals did work within a historical context, but that they were not slaves to the past. His subjects are Dobrica Ćosić ...

Serbia, Yugoslavia, Slovenia, Serbian intellectual, politics, communism, capitalism, national movement, thinkers, artists, women’s history, painting, literature, poems, drama, catharsis