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Affektpoetiken des New Hollywood. Suspense, Paranoia und Melancholie

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Book Series: Cinepoetics. Poetologien audiovisueller Bilder ISSN: 2509-436X ISBN: 9783110488739 9783110488760 Year: Volume: 2 Pages: ix, 374 DOI: 10.1515/9783110488739 Language: German
Publisher: De Gruyter
Subject: Performing Arts
Added to DOAB on : 2017-01-25 12:48:33
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How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.

Audiovisuelle Rhythmen. Filmmusik, Bewegungskomposition und die dynamische Affizierung des Zuschauers

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Book Series: Cinepoetics. Poetologien audiovisueller Bilder ISSN: 2509-436X ISBN: 9783110488319 9783110491210 Year: Volume: 3 Pages: viii, 291 DOI: 10.1515/9783110488319 Language: German
Publisher: De Gruyter
Subject: Performing Arts --- Music
Added to DOAB on : 2017-01-25 12:41:27
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The book explores the relationship of movement and music in film to study the aesthetic principles of audience affect. It begins by a reconstructive analysis and theoretical reflection on the rhythmicity of films – and goes on to show the extent to which the rhythmic dimension of audiovisual images offers access to intersubjective strategies to induce affect in the movie theater.

Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie

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Book Series: Cinepoetics. Poetologien audiovisueller Bilder ISSN: 2509-436X ISBN: 9783110466966 9783110467147 Year: Volume: 1 Pages: xii, 420 DOI: 10.1515/9783110466966 Language: German
Publisher: De Gruyter
Subject: Political Science --- Performing Arts
Added to DOAB on : 2017-01-25 14:32:03
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Based on the premise that a society’s sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using an affective theory of genre cinema, it offers a new characterization of the relationship between politics and poetics in forming commonality.

Filmische Poetiken der Schuld. Die audiovisuelle Anklage der Sinne als Modalität des Gemeinschaftsempfindens

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Book Series: Cinepoetics. Poetologien audiovisueller Bilder ISSN: 2509-436X ISBN: 9783110531732 9783110531282 Year: Volume: 4 Pages: x, 364 DOI: 10.1515/9783110531732 Language: German
Publisher: De Gruyter
Subject: Performing Arts
Added to DOAB on : 2017-08-28 15:56:53
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How do cinematic images generate and transform a community’s affectively grounded sense of values? Using the feeling of guilt as an example, this study shows how modulation of moral sentiments can be described as the calculus of audiovisual staging techniques. This calculus is analyzed as a cultural practice that helps establish the conditions for political community and shapes its historicity.

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