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Gli anni Sessanta a Leningrado

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Book Series: Biblioteca di Studi di Filologia Moderna ISBN: 9788884539618 Year: DOI: 10.26530/OAPEN_341468 Language: Italian
Publisher: Firenze University Press
Subject: History --- Languages and Literatures --- Linguistics
Added to DOAB on : 2011-11-04 00:00:00
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This book offers a portrait of Leningrad in the 1960s, of its cultural life in those years permeated by a great hope for change. Leningrad, now St. Petersburg, is the heir and witness of the rise and fall of the 'Soviet hope' for an authentic change, its evolution and its inevitable decline. Through an analysis of the poems of Iosif Brodskij, Stefania Pavan maps out the process that led the intelligencija of Leningrad to disclose their claims, to give shape to the intellectual conscience of the city, and that subsequently constrained them to adopt the opposite approach, concealing – in a semi-visible space and in the myriad modes of the 'samizdat' – the values, names and images of the hope of change. Through an analysis of the linguistic peculiarities of The dregs , one of the 'classic' short stories of Boris Ivanov, Simonetta Signorini proposes a micro-history of the Russian language in the 60s, to which the study carried out by Ljudmila Zubova on the poems of Viktor Sosnora makes a useful contribution. The essay by Irina Dvizova highlights an aspect of the culture of Leningrad that can be considered extremely topical, in terms both of argument and as a method of reading literary history: the relation between the city and the Dostoevskij museum.

Keywords

literature --- russia --- letteratura --- poetry --- poesia

William Blake e William Butler Yeats

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Book Series: Biblioteca di Studi di Filologia Moderna ISBN: 9788884539748 Year: DOI: 10.26530/OAPEN_341470 Language: Italian
Publisher: Firenze University Press
Subject: Languages and Literatures
Added to DOAB on : 2011-11-04 00:00:00
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Da Blake a Yeats. Sistemi simbolici e costruzioni poetiche is an investigation into the – from many aspects decisive – influence that the symbolic system and visionary poetry of the great English romantic William Blake had on the imagination of William Butler Yeats from his earliest youth. This authentic poetic and visionary apprenticeship in the work of Blake, which culminated in 1893 in the edition in three volumes accompanied by an exhaustive introduction and commentary: The Works of William Blake Poetic, Symbolic, and Critical, was decisive for the formation of the symbolic system that was to nourish all Yeats' poetry. Adopting an approach to the reading that unfurls from an initial analysis of Blake's poetic corpus, and hence from the mythical-symbolic pantheon that surfaces from this, the book then traces Yeats' initial particular hodos chameliontos, profoundly marked by magical and esoteric experiences, subsequently entering into the meanders of the aesthetic, philosophical and poetic interrelations between the symbolic system of William Blake and that of W. B. Yeats. Da Blake a Yeats illuminates how The Works of William Blake represents the first genuine formalisation of Blakeian and esoteric teachings within Yeats' system, while also representing, for Yeats himself, a keystone in his vision of Blake and an inexhaustible spring for the evolution of his symbolic system and his imagination.

Lezioni di poesia

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Book Series: Biblioteca di Studi di Filologia Moderna ISBN: 9788864531052 Year: Language: Italian
Publisher: Firenze University Press
Subject: Languages and Literatures
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This book focuses upon an aspect which has been little investigated to date in the poetics of Iosif Brodskij: the rich intertextual network that links his verses to classical literature. Brodskij's intertext never appears as imitation but rather as mimesis, like an inescapable mediation - at times concealed by the presence of cultures diachronically closer, the Russian in the first place - strongly impregnated with meaning and teaching: "(As for creation, the pen has created very little). / But how much light it casts in the night, / the ink, merging with the darkness!". This book proposes moments of reflection on the intense and nuanced relation that connects Brodskij's poetics with the poetics of Aristotle, and the subtle but equally strong links of Brodskij's idea of democracy with that of the organisation of government in Plato's Republic. Pursuing an historic approach, the book delineates the characteristics of Brodskij as a reader of the classics and, at the same time, as a person intimately involved, at an individual and collective level, in the events of Russian culture. In Brodskij's dialogical approach, in particular in relation to ancient classical culture, the lineaments of the poet emerge clearly. Considered in their globality, these reveal inspiration, thought (profound, and strongly impregnated with philosophy), moral rigour (ironic and self-ironising), the renunciation of the display of feelings, and the tension towards an autobiographical writing that is universalised and externalised, a strong and constant link with the narration of myths and, in a manner that is increasingly marked over the time of his life and work, a progressive prevalence of the signs of the classical authors.

Keywords

russia --- literature --- letteratura --- iosif brodskij --- poetry --- poesia --- platone

W. B. Yeats e la cultura italiana

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Book Series: Biblioteca di Studi di Filologia Moderna ISBN: 9788884539731 Year: DOI: 10.26530/OAPEN_341475 Language: Italian
Publisher: Firenze University Press
Subject: Languages and Literatures
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W. B. Yeats e la cultura italiana examines the "Italianism" of William Butler Yeats and the popularity of the Irish poet in Italian poetry and criticism. Appraising the presence and evocative influence of "learned Italian things" on the work of the Irish poet, through the study of his letters and as illustrated by the library conserved by his daughter Anne, and with constant references to the texts themselves, the Italian influences most evidently present in the work of the Irish Nobel winner are analysed and discussed. This first section of the book presents in its entirety the largely unpublished correspondence between Years and the philosopher Mario Manlio Rossi. Subsequently, observing the influence and the fascination exerted by the work of Yeats on Italian poets such as Montale, Solmi and Giudici, who even translated some of Yeats' poems, and Lucio Piccolo, who also had a brief epistolary exchange with the Irish poet, this too still partially unpublished, we arrive at a critical examination of the Italian reception of Yeats' works. W. B. Yeats e la cultura italiana is rounded off by an annotated bibliography of the translations and works of criticism which represents an important overview of the penetration of Yeats' work in Italy (1905-2005).

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italian (4)


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2009 (3)

2006 (1)