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Lexicographie artistique

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Book Series: Théorie des Art ISBN: 9782367812663 Year: Pages: 452 DOI: 10.26530/OAPEN_644313 Language: French|English
Publisher: Presses Universitaires de la Méditerranée - PULM Grant: FP7 Ideas: European Research Council - 323761
Subject: History --- Visual Arts --- History of arts --- Arts in general
Added to DOAB on : 2018-02-22 11:01:58
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Abstract

ven if they are contradictory, the different senses give thickness and subtlety to the concept.

           The journey of a notion in time and space then also contributes

to broadening our understanding of a cultural history between

universality and identity within the artistic diversity that

characterizes modern Europe.

LexArt Les mots de la peinture

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Book Series: Théorie des Art ISBN: 9782367812694 9782367812694 Year: Pages: 506 DOI: 10.26530/OAPEN_1000263 Language: French
Publisher: Presses Universitaires de la Méditerranée - PULM Grant: FP7 Ideas: European Research Council - 323761
Subject: Linguistics --- Visual Arts --- Arts in general
Added to DOAB on : 2019-01-15 13:34:37
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Abstract

LexArt. The words of painting is a dictionary of terms and concepts, which, from the artistic literature, in a synchronous approach of discourse and artistic practice, describe the painting as it is practiced in France, Germany, England and the Netherlands in the 17th and 18th centuries. These writings constitute the mental, intellectual and visual universe, which makes it possible to better apprehend the work of art, and shape the eye to better see. The purpose of this book is to highlight the stakes of uses resituated in different contexts in time and space, in a confrontation of ways of thinking, painting and watching. Seventy-seven essays address nearly two hundred and fifty notions. The articles respond to each other, and form an ensemble which, behind the alphabetical order of the dictionary, draws the contours of a new reading of the painting seen through the eye of the painter and the eye of the spectator. Indeed, the "speaking painting" does not only introduce the viewer into the painter's studio by showing him the "how to do", he introduces him into the painting itself, shows him what to see and how see.

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Presses Universitaires de la Méditerranée - PULM (2)


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french (2)

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2018 (2)