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The work of the German missionaries on South Australian languages in the first half of the nineteenth century has few contemporary parallels for thoroughness and clarity. This commentary on the grammatical introduction to Pastor Clamor Schürmann’s Vocabulary of the Parnkalla language of 1844 reconstructs a significant amount of Barngarla morphology, phonology and syntax. It should be seen as one of a number of starting points for language-reclamation endeavours in Barngarla, designed primarily for educators and other people who may wish to re-present its interpretations in ways more accessible to non-linguists, and more suited to pedagogical practice.

indigenous languages --- a vocabulary of the parnkalla language --- parnkalla --- clamor schurmann --- indigenous culture --- aboriginal languages --- aboriginal culture --- language reclamation --- barngarla

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This book tells the story of the renaissance of the Kaurna language, the language of Adelaide and the Adelaide Plains in South Australia, principally over the earliest period up until 2000, but with a summary and brief discussion of developments from 2000 until 2016. It chronicles and analyses the efforts of the Nunga community, and interested others, to reclaim and relearn a linguistic heritage on the basis of mid-nineteenth-century materials.

indigenous languages --- clamor schrurmann --- kaurna teaching program --- rob amery --- kaurna identity --- language revival --- aboriginal languages --- kaurna --- australian languages --- language reclamation --- kaurna culture --- extinct languages --- christian teichelmann --- language reconstruction --- kaurna people

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Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.

jean fornasiero --- sonya stephens --- the artwork of the baudin expedition to australia (1800-1804): nicolas-martin petit's 1802 portrait of an aboriginal woman and child from van diemen's land --- french culture --- nicole starbuck --- jane southwood --- ben mccann --- annie ernaux's phototextual archives: ecrire la vie --- french literature --- the return of trauner: late style in 1970s and 1980s french film design --- french photography --- john west-sooby --- framing the eiffel tower: from postcards to postmodernism --- colonial vision --- french voyager-artists --- aboriginal subjects and the british colony at port jackson --- an artist in the making: the early drawings of charles-alexandre lesueur during the baudin expedition to australia --- framing new holland or framing a narrative? a representation of sydney according to charles-alexandre lesueur