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Art of Fugue: Bach Fugues for Keyboard, 1715–1750

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ISBN: 9780520962590 9780520287631 Year: Pages: 192 DOI: 10.26530/OAPEN_602277 Language: English
Publisher: University of California Press
Subject: Music
Added to DOAB on : 2016-02-14 11:01:11
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Abstract

Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving.

Keywords

fugue --- bach --- classical music --- music theory --- keyboard

The Hegemony of Heritage

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Book Series: South Asia Across the Disciplines ISBN: 9780520296336 9780520968882 Year: Pages: 338 DOI: 10.1525/luminos.46 Language: English
Publisher: University of California Press
Subject: History
Added to DOAB on : 2018-05-09 11:02:10
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The Hegemony of Heritage makes an original and significant contribution to our understanding of how the relationship of architectural objects and societies to the built environment changes over time. Studying two surviving medieval monuments in southern Rajasthan—the Ambikā Temple in Jagat and the Śri Ékliṅgjī Temple Complex in Kailāshpurī—the author looks beyond their divergent sectarian affiliations and patronage structures to underscore many aspects of common practice. This book offers new and extremely valuable insights into these important monuments, illuminating the entangled politics of antiquity and revealing whether a monument’s ritual record is affirmed as continuous and hence hoary or dismissed as discontinuous or reinvented through various strategies. The Hegemony of Heritage enriches theoretical constructs with ethnographic description and asks us to reexamine notions such as archive and text through the filter of sculpture and mantra.

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