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Art at Auction in 17th Century Amsterdam

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ISBN: 9789048505166 9789053565919 Year: Pages: 336 Language: English
Publisher: Amsterdam University Press
Subject: History --- Social Sciences --- History of arts --- Arts in general
Added to DOAB on : 2019-10-23 11:21:13
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In this study of Amsterdam's Golden Age cultural elite, John Michael Montias analyzes records of auctions from the Orphan Chamber of Amsterdam through the first half of the seventeenth century, revealing a wealth of information on some 2,000 art buyers' regional origins, social and religious affiliations, wealth, and aesthetic preferences. Chapters focus not only on the art dealers who bought at these auctions, but also on buyers who had special connections with individual artists.

Decolonising the Caribbean

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ISBN: 9789053566541 Year: Pages: 292 DOI: 10.5117/9789053566541 Language: English
Publisher: Amsterdam University Press
Subject: Political Science --- History
Added to DOAB on : 2012-04-11 23:24:42
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Much has been written on the post-war decolonisation in the Caribbean, but rarely from a truly comparative perspective, and seldom with serious attention to the former Dutch colonies of Surinam, the Netherlands Antilles and Aruba. This study bridges both gaps. In their analysis of Dutch decolonisation policies since the 1940s, the authors discuss not only political processes, but also development aid, the Dutch Caribbean exodus to the metropolis and cultural antagonisms. A balance is drawn both of the costs and benefits of independence in the Caribbean and of the outlines and results of the policies pursued in the non-sovereign Caribbean by France, the Netherlands, the United Kingdom and the United States.

Jean Desmet and the Early Dutch Film Trade

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Book Series: Film Culture in Transition ISBN: 9789053565704 Year: Pages: 480 DOI: 10.5117/9789053565704 Language: Undetermined
Publisher: Amsterdam University Press
Subject: Social Sciences --- History --- Performing Arts --- Media and communication
Added to DOAB on : 2011-11-04 00:00:00
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Since 1957 the Film Museum in Amsterdam has been in possession of the Desmet Collection which contains the estate of the Dutch cinema owner and film distributor Jean Desmet (1875-1956). The collection comprises almost nine hundred European and American films in all genres, a collection of publicity material and a dauntingly large business archive. These three sources form the basis of this first comprehensive reconstruction of Desmet's career: from his nomadic beginnings as a traveling showman, working the seasonal fairgrounds of the Netherlands and Belgium, to his successful switch to permanent cinema operation and film distribution. The history of Desmet's career offers not simply an abstract of an individual character and his personal ambitions and motivations, but also epitomizes transformations in the world of cinema as an industry. Between 1907 and 1916 the world of cinema experienced radical structural change which Desmet not only witnessed but also helped to bring about. Given the insufficiencies of Dutch film production, Desmet became a link between film production abroad and film exhibition in the Netherlands. Desmet is not merely representative of the rise of the permanent movie house and the coming of the film distributor. This book shows how his fortunes also encapsulate a series of structural changes within the new culture of permanent cinema and film distribution. In film distribution these changes embraced the introduction of film rental, the advent of the long feature film, the introduction of the monopoly distribution system and the periodic transformation of the products on offer. In the business of cinema operation change involved specialization, the creation of fixed theater venues, the development of a theater hierarchy, expansions of scale, the introduction of trade journals and the gradual legitimization of cinema as a popular cultural institution. These transformations were not confined to the Netherlands but were also taking place in the rest of Europe. Indeed, they were first set in motion by other European countries, and in order fully to understand Desmet it is necessary to situate him in his larger European context. In this original and wide-ranging study Ivo Blom uses the career of Jean Desmet as a means of exploring the history of cinema from the ground-level position of film distribution and exhibition. His copiously illustrated and scrupulously documented exposition swells into an epic narrative that offers a richer, more rounded -indeed 'truer' - account of early urban cinema culture than is possible from the confined perspective of production-based film histories.

The Rise of Mental Health Nursing

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ISBN: 9789053565018 Year: Pages: 328 DOI: 10.5117/9789053565018 Language: Undetermined
Publisher: Amsterdam University Press
Subject: Medicine (General) --- Psychology --- Sociology --- Social Sciences --- History
Added to DOAB on : 2011-11-04 00:00:00
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Examining the relations between the rise of scientific psychiatry and the emergence of mental health nursing in Dutch asylums, this study analyses the social relationships of class, gender and religion that structured asylum care in the Netherlands around 1900. Drawing on archival collections of four Dutch asylums, the book highlights the gendered nature of mental health nursing politics. Seeking to model the asylum after the forceful example of the general hospital, psychiatrists introduced new somatic treatments and designed mental nurse training which aimed at creating a nursing staff skilled in somatic care. The training system, based on the projected image of the civilized, middle-class female nurse, bringing competence and compassion to the care of the mentally ill, created new opportunities for women, while at the same time restricting the role of men in nursing. Capturing the contradictory realities of hospital-oriented asylum care, the book illustrates the social complexity of the care of the mentally ill and forms an important addition to the historiography on European psychiatry.

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