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Most literary analysis of the canon of Indonesian literature overlooks its religious aspect. This book is the first to discuss the construction of gender and Islamic identities in literary writing by four prominent Indonesian Muslim women writers: Titis Basino P I, Ratna Indraswari Ibrahim, Abidah El Kalieqy and Helvy Tiana Rosa. The narratives of the four writers are rich sources for revealing the construction of Indonesian Muslim women's identities. Within their feminist reading the writers understand that gender roles are negotiable rather than inherent. In representing women in a variety of discourses they draw multi-faceted women struggling against repression and domination, and resisting their status as powerless.

women: historical, geographic, persons treatment --- literature (belles lettres) and rhetoric --- vrouwenstudies --- literatuur en rhetorica

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The nine essays of this volume, spanning from the eighteenth to mid-twentieth century, highlight the workings of, and reactions to, colonial domination in Asian contexts. The scholars, which include Victoria Haskins of the University of Newscastle, use a range of social science history methods to explore new paths to colonial history. How were individuals, groups, and social categories able to order their lives in the face of the implementation of external dominance? In other words, what was the agency enabling them to interact with, adapt to, use, counteract and in the end defeat colonialism? The essays emphasize colonialism as a multifaceted historical phenomenon which has taken a number of mutually incompatible forms. The various texts thus reflect on both the "early" colonialism build on indirect and informal practices, and the later forms marked by a high degree of authoritarian control.

women: historical, geographic, persons treatment --- culture and history --- vrouwenstudies --- cultuur and geschiedenis --- geschiedenis --- history, geography, and auxiliary disciplines

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In recent decades, the importance of sound for remembering the past and for creating a sense of belonging has been increasingly acknowledged. We keep "sound souvenirs" such as cassette tapes and long play albums in our attics because we want to be able to recreate the music and everyday sounds we once cherished. Artists and ordinary listeners deploy the newest digital audio technologies to recycle past sounds into present tunes. Sound and memory are inextricably intertwined, not just through the commercially exploited nostalgia on oldies radio stations, but through the exchange of valued songs by means of pristine recordings and cultural practices such as collecting, archiving and listing. This book explores several types of cultural practices involving the remembrance and restoration of past sounds. At the same time, it theorizes the cultural meaning of collecting, recycling, reciting, and remembering sound and music.

muziek --- ipod --- digital sound --- popular science --- philips --- basf --- wetenschap algemeen --- music --- kunst en kunstgeschiedenis --- historical treatment of fine and decorative arts --- sound