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Bibliotheken. Innovation aus Tradition. Rolf Griebel zum 65. Geburtstag

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ISBN: 9783110310511 9783110395891 Year: Pages: xvi, 719 DOI: 10.1515/9783110310511 Language: German
Publisher: De Gruyter
Subject: History
Added to DOAB on : 2015-06-25 11:38:26
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This commemorative volume honors the 65th birthday of Dr. Rolf Griebel, celebrating his service as General Director of the Bavarian State Library. The authors include major contributors to German and international library science from the realms of culture, academia, and politics. The essays explore the strategic challenges that face innovate library management practice, focusing on the future role of libraries in a digital world.

Reading in changing society

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Book Series: Studies in Reading and Book Culture ISBN: 9789949325757 9789949325788 Year: Pages: 210 DOI: 10.26530/OAPEN_496790 Language: English
Publisher: University of Tartu Press
Subject: Social Sciences --- History --- Information theory
Added to DOAB on : 2014-08-07 11:01:07
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The changing state of reading and its fate in the digitalised world is one of the core issues in the contemporary debates about the future of culture. The central position of the printed word, and primarily, books as the most valuable cultural medium and the main source of knowledge, are becoming questioned in the age of the Internet. Reading as gateway to the world of fantasies has been challenged by powerful audiovisual media. Is the pleasure of reading as a creative process involving imagination and self-cognition disappearing, and being replaced by the quick exchange of impressions and images in social media? Are these critical notes and concerns about the future of reading just rapid generalisations and misunderstandings, evoked by the invasion of new technologies in the old and well-established world of books? The articles gathered here represent empirical studies, theoretical and historical reflections on the changes in the world of books and reading in the Baltic and Nordic countries, as well as descriptions of the new library practices that reflect the creative efforts to adapt to the changing social and technological environment.

Musikalische Repertoires in Zentraleuropa (1420-1450)

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ISBN: 9783205795629 Year: Pages: 422 Seiten DOI: 10.26530/OAPEN_512255 Language: English|German
Publisher: Böhlau Grant: Austrian Science Fund - PUB 160
Added to DOAB on : 2014-12-04 09:02:39
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With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic as well as monophonic repertories with a particular focus on the city of Vienna. For the first time, the ‘simultaneity’ of ‘non-simultaneous’ phenomena is scrutinized for Central Europe and for the cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy.Due to its specific urban profile and the geographical position, late-medieval Vienna offers an excellent starting point for the study of musical repertories in Central Europe and their appropriation as cultural practice in the first half of the fifteenth century. The ‘simultaneity’ of ‘non-simultaneous’ phenomena is closely connected to the coexistence of different patterns of music patronage within court and nobility, the university, a variety of ecclesiastical institutions (among them the collegiate church of All Saints, later St Stephen’s Cathedral), and diverse strands of upper- and middle-class citizens on the one hand, cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy on the other. Manifold strands of polyphonic and monophonic repertories (both sacred and profane), compositional techniques, regionally bound stylistic peculiarities, strategems of music patronage, institutional (or even personal) collectionism, furthermore aspects of music iconography and the role of music within the history of ideas are scrutinized in thirteen chapters, which are conceived as case-studies, plus a detailed thematical introduction. In sum, this is an invaluable contribution to a better understanding of a crucial period of late-medieval music history.

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