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Bestiaires

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ISBN: 9782915751567 9782753547841 Year: Language: French
Publisher: Presses universitaires de Rennes
Added to DOAB on : 2017-03-22 17:18:59
License: OpenEdition licence for Books

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Abstract

Bien des contes, récits animaliers, romans, poèmes, encyclopédies ou histoires naturelles accordent une place de choix aux animaux. Les bestiaires, plus que tout autre genre, leur donnent un statut privilégié. Les bestiaires médiévaux, par leurs pratiques diversifiées, posent la question suivante : comment faire entrer l’animal dans l’organisation et le pouvoir de signification du livre ?

Le Patis

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ISBN: 9782757406878 9782757414231 Year: Language: French
Publisher: Presses universitaires du Septentrion
Added to DOAB on : 2017-03-08 14:25:19
License: OpenEdition licence for Books

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Abstract

L'histoire d’une salle de cinéma d’un quartier d’une ville de province se voit ici retracée, depuis son ouverture le 18 novembre 1942 jusqu’à sa fermeture définitive à la fin du mois de juillet 1983 : ses origines, son contexte, son évolution – avec cette particularité de s’être, à la moitié de son existence, muée en salle d’Art et d’Essai. Une analyse statistique exhaustive (titres, genres, entrées, etc.) de sa programmation durant les quatre décennies est menée, l’un...

Musikalische Repertoires in Zentraleuropa (1420-1450)

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ISBN: 9783205795629 Year: Pages: 422 DOI: 10.26530/oapen_512255 Language: English
Publisher: Böhlau Grant: Austrian Science Fund - PUB 160
Subject: Music
Added to DOAB on : 2014-12-04 09:02:39
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With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic as well as monophonic repertories with a particular focus on the city of Vienna. For the first time, the ‘simultaneity’ of ‘non-simultaneous’ phenomena is scrutinized for Central Europe and for the cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy.Due to its specific urban profile and the geographical position, late-medieval Vienna offers an excellent starting point for the study of musical repertories in Central Europe and their appropriation as cultural practice in the first half of the fifteenth century. The ‘simultaneity’ of ‘non-simultaneous’ phenomena is closely connected to the coexistence of different patterns of music patronage within court and nobility, the university, a variety of ecclesiastical institutions (among them the collegiate church of All Saints, later St Stephen’s Cathedral), and diverse strands of upper- and middle-class citizens on the one hand, cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy on the other. Manifold strands of polyphonic and monophonic repertories (both sacred and profane), compositional techniques, regionally bound stylistic peculiarities, strategems of music patronage, institutional (or even personal) collectionism, furthermore aspects of music iconography and the role of music within the history of ideas are scrutinized in thirteen chapters, which are conceived as case-studies, plus a detailed thematical introduction. In sum, this is an invaluable contribution to a better understanding of a crucial period of late-medieval music history.

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