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Tony Conrad. Video - und darüber hinaus

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ISBN: 9783034320375 Year: Pages: 446 DOI: 10.3726/978-3-0351-0887-3 Language: German
Publisher: Peter Lang International Academic Publishing Group Grant: Swiss National Science Foundation (SNSF) - OAPEN-CH - 163545
Subject: Arts in general
Added to DOAB on : 2015-11-06 11:01:29
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Tony Conrad (b. 1940) has been a well-known American artist for more than 50 years. Celebrated as a musician, filmmaker, video and performance artist, he achieved his breakthrough in 1966 with the experimental film The Flicker. In addition to his film work (including the so called Yellow Movies), his violin performances have also achieved broad recognition. This monograph focuses on about 70 video works produced by the artist since 1977, which previously have not been systematically studied. Beginning from Conrad’s earlier rather materialistic approach, in A videographic view of the artist’s vita the text follows the artists shift from experimental film to a more image-driven videographic approach. The chapter Last call for video comments on Tony Conrad influential interaction with the Buffalo-based group of appropriation artists. Then Video as critique of television interrogates the interplay between (video) art and society as a reflection of the telematic culture of the 1980s. The last chapter, Video in tension with music, returns to the beginning of the artist’s career and comments on Tony Conrad’s identity as a musician.

Digitale Datenbanken. Eine Medientheorie im Zeitalter von Big Data

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Book Series: Digitale Gesellschaft ISBN: 9783837630282 9783839430286 Year: Pages: 390 DOI: 10.14361/9783839430286 Language: German
Publisher: transcript Verlag Grant: EU-Großprojekt Innovations-Inkubator an der Leuphana Universität
Subject: Media and communication
Added to DOAB on : 2016-02-09 11:01:12
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We have long moved on from a mere information age to the era of big data. Here, databases represent both the enormous potential for gaining knowledge of data collection and the alarming information excesses of digital culture. Furthermore, the term refers to concrete technologies and processes of gathering and accessing digital information. Media theory has to locate databases in between these very different conceptions. Marcus Burkhardt retraces the history of databases and asks how technical procedures of processing digital information determine what can be found how in databases and what knowledge can be gained through them.

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