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Le rapport au français de futurs enseignants du primaire de la PHBern dans leurs récits de formation et de mobilité.

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Book Series: Transversales ISSN: 14245868 ISBN: 9783034320344 Year: Pages: 604 DOI: 10.3726/978-3-0352-0323-3 Language: French
Publisher: Peter Lang International Academic Publishing Group Grant: Swiss National Science Foundation (SNSF) - OAPEN-CH - 163506
Subject: Education
Added to DOAB on : 2015-10-30 05:51:31
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Abstract

Jésabel Robin has been a lecturer in French for future primary-school teachers at the German-speaking Pädagogische Hochschule Bern (PH IVP) since 2007. She felt that most of her students were reluctant to their professional training in French, yet it is one of the subjects they are training to teach. Her research in language and culture pedagogy adopts social anthropological approaches with a view to study the attitude of the PH IVP students towards French. From mobility mapping to comprehensive interviews in self confrontation, she analyses diverse self-narratives and reveals a wide range of individual and collective representations of and about French. She also focuses on the pivotal effect of institutional experiences such as practical training in teaching French and mobility. These constraints trigger tensions between institutional thinking and individual experiences regarding French but also reveal gaps (so-called « interstices institutionnels ») within the institution itself. The author eventually suggests redesigning a few curricular aspects.

Framing French Culture

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ISBN: 9781922064875 Year: Pages: 291 DOI: 10.20851/framing-french Language: English
Publisher: University of Adelaide Press
Subject: Social Sciences --- Languages and Literatures --- Performing Arts
Added to DOAB on : 2015-09-08 04:26:04
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Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.

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