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Farocki/Godard. Film as Theory

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Book Series: Film Culture in Transition ISBN: 9789089648914 Year: Pages: 292 DOI: 10.5117/9789089648914 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2016-07-12 11:01:15
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There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking. This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."

Towards a Feminist Cinematic Ethics

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ISBN: 9781474403276 9781474403283 9781474409520 Year: Language: English
Publisher: Edinburgh University Press Grant: Knowledge Unlatched - 102048
Subject: Performing Arts
Added to DOAB on : 2019-01-24 15:27:34
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Towards a Feminist Cinematic Ethics develops an account of non-normative ethics that can be used to think about filmmaking and viewing, using two philosophers—Emmanuel Levinas and Jean-Luc Nancy, and the work of filmmaker Claire Denis. In an accessible and engaging manner, it offers new readings of Denis’ films, situating them within larger feminist, postcolonial and queer debates about identity and difference. Using a generative methodology, the book works towards a mutually challenging and productive relationship between cinematic ideas and philosophical concepts.

MythomaniaS: Crime Scenes & Psycho Case Studies

Authors: ---
ISBN: 9780692523551 Year: Pages: 118 DOI: 10.21983/P3.0113.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:38
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mythomaniaS is a catalog of case studies in the form of film stills, architectural fragments, stage props, texts, and images culled from the experiments of MindMachineMakingMyths (Lab M4, part of the New Territories architecture studio, Bankgok, Thailand), a collaboration begun in 2012 between Camille Lacadee and François Roche to construct environmental-architectural psycho-scapes (in the partly fabricated wilds of various countries) as laboratory-shelters for exploring and deconstructing the supposed rifts between realism and speculative fiction (myth), psyche and environment, body and mind. Bringing together architecture, Deleuze and Guatarri’s schizoanalysis and deterritorialization, and Alfred Jarry’s pataphysics (the “science of imaginary solutions which symbolically attributes the properties of objects, described by their virtuality, to their lineaments”), Lacadee and Roche (and their tribe, Ezio Blasetti, Stephan Henrich, Danielle Willems, Gwyll Jahn, and many others) enacted and filmed mise-en-abymes in which certain scripted para-psychic narratives and architectural structures merge in the pursuit of reclaiming resilience — described by Roche as a tactic for merging refusal and vitality into a schizophrenic logic able to navigate the antagonism between the bottom-up and top-down conditions of the globalized world. In these fabricated schizoid psycho-nature-machine-scapes, the human being is no longer a bio-ecological consumer but a psycho-computing animal that emerges co-dependently with its environment in a hyper-local haecceity (“this-ness”).

Familiar and Foreign: Identity in Iranian Film and Literature

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ISBN: 9781927356869 9781927356876 9781927356883 9781771990158 Year: Pages: 272 DOI: 10.15215/aupress/9781927356869.01 Language: English
Publisher: Athabasca University Press
Subject: Languages and Literatures
Added to DOAB on : 2016-08-10 19:59:33
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The current political climate of confrontation between Islamist regimes and Western governments has resulted in the proliferation of essentialist perceptions of Iran and Iranians in the West. Such perceptions do not reflect the complex evolution of Iranian identity that occurred in the years following the Constitutional Revolution (1906–11) and the anti-imperialist Islamic Revolution of 1979. Despite the Iranian government’s determined pursuance of anti-Western policies and strict conformity to religious principles, the film and literature of Iran reflect the clash between a nostalgic pride in Persian tradition and an apparent infatuation with a more Eurocentric modernity. In Familiar and Foreign, Mannani and Thompson set out to explore the tensions surrounding the ongoing formulation of Iranian identity by bringing together essays on poetry, novels, memoir, and films. These include both canonical and less widely theorized texts, as well as works of literature written in English by authors living in diaspora.Challenging neocolonialist stereotypes, these critical excursions into Iranian literature and film reveal the limitations of collective identity as it has been configured within and outside of Iran. Through the examination of works by, among others, the iconic female poet Forugh Farrokhzad, the expatriate author Goli Taraqqi, the controversial memoirist Azar Nafisi, and the graphic novelist Marjane Satrapi, author of Persepolis, this volume engages with the complex and contested discourses of religion, patriarchy, and politics that are the contemporary product of Iran’s long and revolutionary history.

Knowledge, Spirit, Law, Book 1: Radical Scholarship

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ISBN: 9780692558447 Year: Pages: 234 DOI: 10.21983/P3.0123.1.00 Language: English
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:37
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Knowledge, Spirit, Law is a de facto phenomenology of scholarship in the age of neoliberal capitalism. The eleven essays (plus Appendices) in Book 1: Radical Scholarship cover topics and circle themes related to the problems and crises specific to neoliberal academia, while proposing creative paths around the various obstructions. The obstructions include metrics-obsessed academia, circular and incestuous peer review, digitalization of research as stalking horse for text- and data-mining, and violation by global corporate fiat of Intellectual Property and the Moral Rights of Authors. These issues, while addressed obliquely in the main text, definitively inform the various proscriptive aspects of the essays and, via the Introduction and Appendices, underscore the necessity of developing new-old means to no obvious end in the production of knowledge — that is to say, a return to forms of non-instrumentalized intellectual inquiry. To be developed in two concurrent volumes, Knowledge, Spirit, Law will serve as a “moving and/or shifting anthology” of new forms of expression in humanistic studies. Book 2: The Anti-Capitalist Sublime will be published in Autumn 2017.

Chaste Cinematics

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ISBN: 9780692541555 Year: Pages: 278 DOI: 10.21983/P3.0117.1.00 Language: English
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:38
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Victor J. Vitanza (author of Sexual Violence in Western Thought and Writing) continues to rethink the problem of sexual violence in cinema and how rape is often represented in “chaste” ways, in the form of a Chaste Cinematics. Vitanza continues to discuss Chaste Cinematics as participating in transdisciplinary-rhetorical traditions that establish the very foundations (groundings, points of stasis) for nation states and cultures. In this offering, however, the initial grounding for the discussions is “base materialism” (George Bataille): divine filth, the sacred and profane. It is this post-philosophical base materialism that destabilizes binaries, fixedness, and brings forth excluded thirds. Vitanza asks: why is it that a repressed third, or a third figure, returns, most strangely as a “product” of rape and torture? He works with Jean-Paul Sartre and Page duBois’s suggestion that the “product” is a new “species.” Always attempting unorthodox ways of approaching social problems, Vitanza organizes his table of contents as a DVD menu of “Extras” (supplements). This menu includes Alternate Endings and Easter Eggs as well as an Excursus, which invokes readers to take up the political exigency of the DVD-Book. Vitanza’s first “Extra” studies a trio of films that need to be reconsidered, given what they offer as insights into Chaste Cinematics: Amadeus (a mad god), Henry Fool (a foolish god), and Multiple Maniacs (a divine god who is raped and eats excrement). The second examines Helke Sander’s documentary Liberators Take Liberties, which re-thinks the rapes of German women by the Russians and Allies during the Battle of Berlin. The third rethinks Margie Strosser’s video-film Rape Stories that calls for revenge. In the Alternate Endings, Vitanza rethinks the problem of reversibility in G. Noé’s Irréversible. In the Easter Eggs, he considers Dominique Laporte’s “the Irreparable,” as the object of loss and Giorgio Agamben’s “the Irreparable,” as hope in what is without remedy. The result is not another film-studies book, but a new genre, a new set of rhetorics, for new ways of thinking about cinematics, perhaps postcinematics.

Cinema against Spectacle: Technique and Ideology Revisited

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Book Series: Film Theory in Media History ISBN: 9789089645548 Year: Pages: 348 DOI: 10.5117/9789089645548 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2015-01-18 11:01:10
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Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker.

The First Sail: J. Hillis Miller

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ISBN: 9781785420030 Year: Pages: 224 DOI: 10.26530/OAPEN_577050 Language: English
Publisher: Open Humanities Press
Subject: Performing Arts
Added to DOAB on : 2015-09-29 11:01:11
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The film-book The First Sail: J. Hillis Miller is based on the documentary film of the same name made in 2010. The political, academic and environmental contexts surrounding this film since its release prove with more and more urgency the need to read and listen to J. Hillis Miller, and would require revisiting everything that has been said and seen. Together with the film transcript and an interview with Miller conducted by Taryn Devereux, the essays in this volume have been gathered from several international events devoted to Miller's works. With essays by Henry Sussman, Sarah Dillon, Charlie Gere, Nicholas Royle, Éamonn Dunne and Michael O’Rourke, Dragan Kujundžić, Julian Wolfreys and J. Hillis Miller, The First Sail in itself thus forms a vast network of references, operating as an installation and network of emerging projects.

Último Dia Todos os Dias: E Outros Escritos sobre Cinema e Filosofia

Authors: ---
ISBN: 9780692402764 Year: Pages: 78 DOI: 10.21983/P3.0097.1.00 Language: Portuguese
Publisher: punctum books
Subject: Performing Arts
Added to DOAB on : 2019-06-12 09:24:39
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Onde se encontra a análise fílmica hoje? O que é que a teoria de cinema anda a desenvolver na obscuridade? Este campo, tal como foi definido profissionalmente (pelo menos no mundo académico anglo-saxónico), encontra-se actualmente dividido entre historiadores interessados no contexto das grandes formações da modernidade e connoisseurs que reclamam o regresso estilístico de coisas antiquadas como a visão autoral, o tom ou a mise-en-scène. Mas há também outras correntes, vitais e inventivas – na crítica, na internet, em pequenas revistas, em conferências renegadas um pouco por todo o lado –, que não estamos a conseguir escutar em nenhum dos canais oficiais. Último Dia Todos os Dias, de Adrian Martin – nesta edição acompanhado do ensaio “Avatares do Encontro” –, lança uma luz sobre estas novas e excitantes avenidas. Publicado originalmente como Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez, em 2012, por Dead Letter Office, uma série da editora punctum books. Esta edição foi produzida conjuntamente por Centro de Estudos Comparatistas | Faculdade de Letras da Universidade de Lisboa e punctum books, 2015.

Neue alte Rassismen?

Authors: ---
Book Series: Kultur und soziale Praxis ISBN: 9783837623642 9783839423646 Year: DOI: 10.14361/9783839423646 Language: German
Publisher: transcript Verlag Grant: Knowledge Unlatched - 103333
Subject: Sociology
Added to DOAB on : 2018-03-30 11:01:59
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Das Europa nach 1989 ist geprägt von neuen Mustern der kulturellen und ethnischen Exklusion sowie des Rechtsextremismus: Neue Konstellationen von (Alltags-)Rassismen sind die Folge der politischen und gesellschaftlichen Veränderungen der letzten 20 Jahre - etwa des Zerfalls der Sowjetunion und des Ostblocks, der Erweiterung der Europäischen Union und der Migration vom Osten und Süden nach Westen und Norden. In diesem Buch werden interdisziplinäre Zugänge zur Rassismusforschung, einzelne Fallstudien (vor allem aus Deutschland und dem östlichen Europa) sowie praktische Beispiele aus der Rassismusprävention vereint, die den veränderten gesellschaftlichen Bedingungen Rechnung tragen.

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