Search results: Found 3

Listing 1 - 3 of 3
Sort by
Hard Reading

Author:
Book Series: Liverpool Science Fiction Texts and Studies ISBN: 9781781382615 9781781384398 Year: Language: English
Publisher: Liverpool University Press Grant: Knowledge Unlatched - 102608
Subject: Languages and Literatures
Added to DOAB on : 2019-01-23 06:28:26
License:

Loading...
Export citation

Choose an application

Abstract

The fifteen essays collected in Hard Reading argue that science fiction has its own internal rhetoric, relying on devices such as neologism, dialogism, semantic shifts, the use of unreliable narrators. It is a “high-information” genre which does not follow the Flaubertian ideal of le mot juste, “the right word”, preferring le mot imprévisible, “the unpredictable word”. Science fiction derives much of its energy from engagement with vital intellectual issues in the “soft sciences”, especially history, anthropology, the study of different cultures, with a strong bearing on politics. Both the rhetoric and the issues deserve to be taken much more seriously than they have been in academia, and in the wider world.Hard Reading is also a memoir of what it was like to be a committed fan, from teenage years, and also an academic struggling to find a place, at a time when a declared interest in science fiction and fantasy was the kiss of death for a career in the humanities.

Science Fiction in Argentina: Technologies of the Text in a Material Multiverse

Author:
ISBN: 9780472073108 9780472053100 9780472900046 9780472121878 Year: Language: English
Publisher: University of Michigan Press
Subject: Ethnology
Added to DOAB on : 2016-06-01 16:33:13
License:

Loading...
Export citation

Choose an application

Abstract

This book examines an unprecedented range of science fiction texts—including literature, cinema, theater, and comics—produced in Argentina from the nineteenth to the twenty-first centuries. These works address themes common to the genre across the industrialized world, including techno-authoritarianism, new modes of posthuman subjectivity, and apocalyptic visions of environmental catastrophe. At the same time, Argentine science fiction is fully grounded in the social and political life of the nation.The texts discussed here explore the impact of an uneven modernization, mass migration, dictatorships, crises in national identity, the rise and fall of the Left, the question of Argentina’s indigenous heritage, the impact of neoliberalism, and the most recent economic crisis of 2001. Argentine science fiction is also highly reflexive, debating within its pages the role of science fiction and fantasy in the society of its day, and the nature of the text in a world of advancing technology. This book makes important contributions to our understanding of science fiction as a genre, as well as to materialist theories of cultural texts. It will also interest students and scholars researching the culture, history, and politics of Argentina and Latin America.

Photography in the Middle: Dispatches on Media Ecologies and Aesthetics

Authors: ---
ISBN: 9780998237510 Year: Pages: 176 DOI: 10.21983/P3.0154.1.00 Language: English
Publisher: punctum books
Subject: Media and communication
Added to DOAB on : 2019-06-12 09:24:35
License:

Loading...
Export citation

Choose an application

Abstract

It’s easy to forget there’s a war on when the front line is everywhere encrypted in plain sight. Gathered in this book’s several chapters are dispatches on the role of photography in a War Universe, a space and time in which photographers such as Hilla Becher, Don McCullin and Eadweard Muybridge exist only insofar as they are a mark of possession, in the sway of larger forces. These photographers are conceptual personae that collectively fabulate a different kind of photography, a paraphotography in which the camera produces negative abyssal flashes or ‘endarkenment.’ In his Vietnam War memoir, Dispatches, Michael Herr imagines a ‘dropped camera’ receiving ‘jumping and falling’ images, images which capture the weird indivisibility of medium and mediated in a time of war. The movies and the war, the photographs and the torn bodies, fused and exchanged. Reporting from the chaos at the middle of things, Herr invokes a kind of writing attuned to this experience. Photography in the Middle, eschewing a high theoretical mode, seeks to exploit the bag of tricks that is the dispatch. The dispatch makes no grand statement about the progress of the war. Cultivating the most perverse implications of its sources, it tries to express what the daily briefing never can. Ports of entry in the script we’re given, odd and hasty little glyphs, unhelpful rips in the cover story, dispatches are futile, dark intuitions, an expeditious inefficacy. They are bleak but necessary responses to an indifferent world in which any action whatever has little noticeable effect.

Listing 1 - 3 of 3
Sort by
Narrow your search

Publisher

Liverpool University Press (1)

University of Michigan Press (1)

punctum books (1)


License

CC by-nc-nd (2)

CC by-nc-sa (1)


Language

english (3)


Year
From To Submit

2016 (3)