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Walk on the Beach: Things from the Sea, Volume 1

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ISBN: 9780692707647 Year: Pages: 60 DOI: 10.21983/P3.0143.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:35
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This volume brings together writing and imagery from the experimental “beachwalk” session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and material ecology. We talked about the delicate care of treading the world, the confluence of the personal and the professional, and the possibilities of storytelling. We thought about what happens when we encounter stuff, when we take it, change it, do something with it. When we display it, or sculpt it, or collect it. When we make something an object, and an object of looking. Then we met on the beach. We walked and talked about loss, home, agency, and liminality. We collected things: We picked up stones, feathers, seaweed. We pointed to stuff, gathered it, let it strike our fancy. Every shell nurtured a conversation among the artists, scientists, historians, poets, archivists, surfers, philosophers, and pirates who had joined the walk. We brought the sea-things back, manipulated them, and displayed them as works of art. Walk on the Beach is a souvenir of that project, a record of our bounty. It emerges from the process at the heart of art historical work: close looking. Thinking through objects, thinking with objects. Letting the things help us tell their stories. This is a tiny collection of looking, together

Die limitierte Auflage: Rechtsfragen zeitgenössischer Fotokunst

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ISBN: 9783946054092 9783946054085 9783946054238 Year: Volume: 1 Pages: 358 DOI: 10.17885/heiup.102.127 Language: German
Publisher: Heidelberg University Publishing (heiUP)
Subject: Law
Added to DOAB on : 2017-01-03 16:23:01
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Over the course of the past decades, photography has become one of the most popular fields of art. This development is also reflected in recent prices for some works of contemporary photography, which fetch up to several million dollars. Such price levels would be unheard of if artists were to take advantage of the opportunity to produce as many prints from the same negative as possible. On the contrary, the prevailing practice in contemporary photography is that of printing photographs in “limited editions”, with some of the most expensive photographs only existing in the low single digits. This study researches the legal implications of artists communicating limited editions to the purchasers of their art with the main question being whether such “promises of exclusivity” are legally binding and thus could be enforced by collectors e. g. in court proceedings.

Keywords

photography --- law --- urheberrecht --- fotokunst --- zivilrecht --- kunst --- fotografie --- original --- recht

Photography in the Middle: Dispatches on Media Ecologies and Aesthetics

Authors: ---
ISBN: 9780998237510 Year: Pages: 176 DOI: 10.21983/P3.0154.1.00 Language: English
Publisher: punctum books
Subject: Media and communication
Added to DOAB on : 2019-06-12 09:24:35
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It’s easy to forget there’s a war on when the front line is everywhere encrypted in plain sight. Gathered in this book’s several chapters are dispatches on the role of photography in a War Universe, a space and time in which photographers such as Hilla Becher, Don McCullin and Eadweard Muybridge exist only insofar as they are a mark of possession, in the sway of larger forces. These photographers are conceptual personae that collectively fabulate a different kind of photography, a paraphotography in which the camera produces negative abyssal flashes or ‘endarkenment.’ In his Vietnam War memoir, Dispatches, Michael Herr imagines a ‘dropped camera’ receiving ‘jumping and falling’ images, images which capture the weird indivisibility of medium and mediated in a time of war. The movies and the war, the photographs and the torn bodies, fused and exchanged. Reporting from the chaos at the middle of things, Herr invokes a kind of writing attuned to this experience. Photography in the Middle, eschewing a high theoretical mode, seeks to exploit the bag of tricks that is the dispatch. The dispatch makes no grand statement about the progress of the war. Cultivating the most perverse implications of its sources, it tries to express what the daily briefing never can. Ports of entry in the script we’re given, odd and hasty little glyphs, unhelpful rips in the cover story, dispatches are futile, dark intuitions, an expeditious inefficacy. They are bleak but necessary responses to an indifferent world in which any action whatever has little noticeable effect.

Trick 17: Mediengeschichten zwischen Zauberkunst und Wissenschaft

Authors: --- --- ---
Book Series: 2016 ISBN: 9783957960801 9783957960812 Year: Pages: 120 DOI: 10.14619/017 Language: German
Publisher: meson press
Subject: Media and communication
Added to DOAB on : 2017-04-23 11:05:59
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Der Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte der Zauberei an der Schwelle zwischen magischem Moment und Ent-Täuschung. Nicht seltenfolgt einer geradezu übernatürlich wirkenden Zaubervorführung die wissenschaftliche Erklärung und Offenlegung ihrer Tricks. Ein solcher Akt der Entzauberung mag zwar magische Momente als faulen Zauber demaskieren. Er rückt dafür jedoch die Technologien der Täuschung ins Rampenlicht: Erst die Ausnutzung physikalischer Gesetze, das Konstruieren mechanischer Zauberapparate und das Spiel mit der Wahrnehmung der Zuschauer machen deren ,Verzauberung’ möglich. Sie erlaubt, die Frage nach Wissen, dem medialen Zugriff auf unsere Sinne und dem sinnlichen Zugriff auf unsere Welt erneut zu stellen.

At Face Value and Beyond

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Book Series: Image ISBN: 9783837629545 9783839429549 Year: Language: English
Publisher: transcript Verlag Grant: Knowledge Unlatched - 101249
Subject: Media and communication
Added to DOAB on : 2018-03-16 11:02:30
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How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth’s street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.

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