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What if we could start with a blank slate, and write ourselves a brand new copyright system? What if we could design a law, from scratch, unconstrained by existing treaty obligations, business models and questions of political feasibility? Would we opt for radical overhaul, or would we keep our current fundamentals? Which parts of the system would we jettison? Which would we keep? In short, what might a copyright system designed to further the public interest in the current legal and sociological environment actually look like? Taking this thought experiment as their starting point, the leading international thinkers represented in this collection reconsider copyright’s fundamental questions: the subject matter that should be protected, the ideal scope and duration of those rights, and how it should be enforced. Tackling the biggest challenges affecting the current law, their essays provocatively explore how the law could better secure to creators the fruits of their labours, ensure better outcomes for the world’s more marginalised populations and solve orphan works. And while the result is a collection of impossible ideas, it also tells us much about what copyright could be – and what prescriptive treaty obligations currently force us to give up. The book shows that, reimagined, copyright could serve creators and the broader public far better than it currently does – and exposes intriguing new directions for achievable reform.
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Remixers recombine copyright-protected audiovisual material and distribute it via hosting platforms. To what extent does copyright law allow remixing and what is the impact of platforms' policies and filtering mechanisms for user uploads? Henrike Maier employs a comparative legal approach and focuses on the role of creative users' fundamental rights to investigate these questions.
Law --- Copyright --- Audiovisual material --- Hosting Platforms --- Copyright law --- Remixing --- Filtering mechanisms --- Uploadfilter --- Content Filters --- Fair Use --- User generated content --- Mashup --- Comparative Law
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Orphan works can prevent the culturally desirable use of pre-existing content. This work treats the problem in a fundamental way. It describes the international developments and different approaches to solving the problem. Specifically, it discusses, how the German regulation (§§ 61 ff. UrhG) not only allows the better use of pre-existing content, but also how it makes it possible to influence copyright practice.
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