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Freaks of History

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ISBN: 9781783207350 9781783207374 9781783207367 Year: DOI: 10.1386/9781783207350 Language: English
Publisher: Intellect Grant: Knowledge Unlatched - 102751
Subject: Performing Arts
Added to DOAB on : 2019-04-18 11:21:04
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Abstract

Disability studies have long been the domain of medical and pedagogical academics. However, in recent years, the subject has outgrown its clinical origins. In Freaks of History, James MacDonald presents two dramatic explorations of disability within the wider themes of sexuality, gender, foreignness, and the Other. Originally directed by Martin Harvey and performed by undergraduate students at the University of Exeter, Wellclose Square and Unsex Me Here analyze cultural marginalization against the backdrop of infamous historical events.

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Arts

Artistic Research: Defining the Field (Book chapter)

Book title: Artistic Research in the Future Academy

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ISBN: 9781783207909 Year: Pages: 24 DOI: 10.26530/OAPEN_631389 Language: English
Publisher: Intellect
Subject: Arts in general
Added to DOAB on : 2017-07-11 11:01:46
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The rapid growth of doctoral-level art education challenges traditional ways of thinking about academic knowledge, and yet, as Danny Butt argues in this book, the creative arts may also represent a positive blueprint for the future of the university. Synthesizing institutional history with aesthetic theory, Artistic Research in the Future Academy reconceptualizes the contemporary crisis in university education toward a valuable renewal of creative research.

Performing Exile

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ISBN: 9781783208173 9781783208180 Year: Language: English
Publisher: Intellect Grant: Knowledge Unlatched - 100968
Subject: Arts in general
Added to DOAB on : 2019-01-15 13:35:40
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This book brings together essays by an international group of scholars and artists, focusing on live performance inspired by living in exile, or created by exiled artists. Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile: Foreign Bodies presents an inclusive mix of established and emerging voices from varied cultural and geographic affiliations. Chapters blend close critical analysis and autoethnography to document and interrogate performances and the political, religious, economic and cultural contexts that inform them. With a foreword by Yana Meerzon, and featuring essays on artists of Mexican, Korean-American, Lebanese-Quebecois, Spanish, Azerbaijani and Canadian Aboriginal origin, to name a few, Performing Exile is truly diverse.

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