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Felice D. Blake’s Black Love, Black Hate: Intimate Antagonisms in African American Literature highlights the pervasive representations of intraracial deceptions, cruelties, and contempt in Black literature. Literary criticism has tended to focus on Black solidarity and the ways that a racially linked fate has compelled Black people to counter notions of Black inferiority with unified notions of community driven by political commitments to creative rehumanization and collective affirmation. Blake shows how fictional depictions of intraracial conflict perform necessary work within the Black community, raising questions about why racial unity is so often established from the top down and how loyalty to Blackness can be manipulated to reinforce deleterious forms of subordination to oppressive gender, sexual, and class norms.
Literature --- Black studies --- literary studies --- literary criticism --- racism --- fiction
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This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent exploring textual criticism, genetic criticism, and literary criticism. In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts of composition in literature and music; and traces the cultural implications discernible in book design, and in the canonisation of works of literature and their authors.Distinctive and ambitious, these essays move beyond the concerns of the community of critics and scholars. Gabler responds innovatively to the issues involved and often endeavours to re-think their urgencies by bringing together the orthodox tenets of different schools of textual criticism. He moves between a variety of topics, ranging from fresh genetic approaches to the work of James Joyce and Virginia Woolf, to significant contributions to the theorisation of scholarly editing in the digital age.Written in Gabler’s fluent style, these rich and elegant compositions are essential reading for literary and textual critics, scholarly editors, readers of James Joyce, New Modernism specialists, and all those interested in textual scholarship and digital editing under the umbrella of Digital Humanities.
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How does language work? How does language produce truth and beauty? Eleventh-century Arabic scholarship has detailed answers to these universal questions. Language Between God and the Poets reads the theory of four major scholars and asks how the conceptual vocabulary they shared enabled them to create theory in lexicography, theology, logic, and poetics. Their ideas engaged God and poetry at the nexus of language, mind, and reality. Their core conceptual vocabulary carved reality at the joints in a manner quite different from Anglophone and European thought in any period. This vocabulary centered around the words maʿnā (“mental content”) and ḥaqīqah (“accuracy”), two concepts for which Alexander Key develops a translation methodology with the help of Wittgenstein and Kuhn. Language Between God and the Poets helps us see how fundamental the lexicon and lexicography can be to all kinds of theory, how theology can be a science of naming, how logic interacts with language, and how poetic affect can be built on grammar and logic. The four scholars are ar-Rāġib al-Iṣfahānī, Ibn Fūrak, Ibn Sīnā (Avicenna), and ʿAbd al-Qāhir al-Ǧurǧānī.
Arabic --- Translation --- Literary Criticism --- Philosophy of Language --- Conceptual Vocabulary --- Mental Content
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