Search results: Found 5

Listing 1 - 5 of 5
Sort by
Powers of Divergence

Author:
Book Series: Orpheus Institute Series ISBN: 9789462701397 9789461662514 Year: Pages: 220 DOI: 10.26530/OAPEN_1000228 Language: English
Publisher: Leuven University Press Grant: FP7 Ideas: European Research Council - 313419
Subject: Music
Added to DOAB on : 2019-03-21 11:24:45
License:

Loading...
Export citation

Choose an application

Abstract

"Beyond resemblance: creative divergence in music performance
What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics."

Logic of Experimentation

Author:
Book Series: Orpheus Institute Series ISBN: 9789462701380 9789461662507 Year: Pages: 260 DOI: 10.11116/9789461662507 Language: English
Publisher: Leuven University Press Grant: FP7 Ideas: European Research Council - 313419
Subject: Music
Added to DOAB on : 2019-03-21 11:24:09
License:

Loading...
Export citation

Choose an application

Abstract

"Beyond interpretation: a proposal for experimental performance practices

Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance—be it mainstream or historically informed performance practices—Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike."

Virtual Works – Actual Things

Authors: --- --- --- --- et al.
Book Series: Orpheus Institute Series ISBN: 9789461662521 9789462701403 9789461662521 Year: Pages: 208 DOI: 10.26530/OAPEN_1000227 Language: English
Publisher: Leuven University Press Grant: FP7 Ideas: European Research Council - 313419
Subject: Music
Added to DOAB on : 2019-03-21 11:24:45
License:

Loading...
Export citation

Choose an application

Abstract

"Beyond musical works: new perspectives on music ontology and performance
What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised?

Virtual Works – Actual Things addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike.

Contributors: David Davies (McGill University, Montreal), Andreas Dorschel (University of the Arts Graz), Lydia Goehr (Columbia University, New York), Kathy Kiloh (OCAD University, Toronto), Jake McNulty (Columbia University, New York), Gunnar Hindrichs (University of Basel), John Rink (University of Cambridge)"

Informed Play

Author:
ISBN: 9788202590444 9788202590444 Year: Pages: 225 DOI: 10.23865/noasp.38 Language: English
Publisher: Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) Grant: University of Agder
Subject: Music
Added to DOAB on : 2018-06-30 11:01:01
License:

Loading...
Export citation

Choose an application

Abstract

Informed Play presents a conceptual understanding of tone production based on extensive historical research on primary sources, modern literature and handbook reviews, physical and psychological perspectives as well as on technology. As the first volume in English to discuss and contextualise the topic of tone production on Early Modern lute instruments from a broad, interdisciplinary approach, it represents a unique and significant contribution to research on Early Music performance, particularly performance on lute instruments. At a lute-centred level, this book challenges many preconceptions about tone production by addressing the motivations behind certain choices made in and embraced by the Early Music community. It is therefore an essential ‘desk reference’ for both researchers and performers. At a meta-level, Informed Play offers a general perspective of how self-expressive acts, physical and social causes and effects can be perceived biologically to better understand historical music performance as a social practice and phenomenon.

Musikalische Praxis als Lebensform

Author:
Book Series: Musik und Klangkultur ISBN: 9783839441992 9783837641998 Year: Pages: 246 DOI: 10.14361/9783839441992 Language: German
Publisher: transcript Verlag Grant: Knowledge Unlatched - 103562
Subject: Music
Added to DOAB on : 2019-01-15 13:34:01
License:

Loading...
Export citation

Choose an application

Abstract

The practice of making music as an act of liberation from perfection and productivity – and as the experience of meaningfulness in a specific situation, a specific location, in relationships.

Listing 1 - 5 of 5
Sort by
-->