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Teaterproduksjon

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ISBN: 9788202590253 Year: Pages: 267 DOI: 10.23865/noasp.43 Language: Norwegian|English
Publisher: Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
Subject: Performing Arts --- Arts in general
Added to DOAB on : 2019-03-01 11:21:02
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This anthology presents research in theatre studies developed by a group of colleagues at the Department of Arts and Media Studies at the Norwegian University of Science and Technology. The research is conducted through arts-based research and practical-theoretical teaching at the department. Theatre production is a central arts-and knowledge-creating field of work for students and teachers in theatre studies. The work is characterized by a dynamic relationship between body, text, visuality and sound, media methods and techniques and the relationship between professionals and students. Theatre production is a complex learning arena; it is both multimodal and developed in dynamic movements between experience, dissemination, response and reflection. There is a need for a rich range of strategies, methods and techniques. The anthology presents ten different inputs to theatre production. Laboratory with experimental methods is the framework for articles on scenography, sound, the body and text of the actor. Production processes setting the creative and reflective student in the centre is the frame for articles on dramaturgy, text processing, production phases and target group- oriented work. The role and function of the university teacher in supervision and assessment is themed in two closing articles. In discussing the different aesthetical inputs to theatre production the authors use examples, images and audio material.

Le Théâtre de Dumas père, entre héritage et renouvellement

Authors: ---
ISBN: 9782753574304 Year: Language: French
Publisher: Presses universitaires de Rennes Grant: Knowledge Unlatched - 103187
Subject: Performing Arts
Added to DOAB on : 2019-04-10 11:21:38
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Ce livre part d'un constat: malgré une abondante production, étalée sur près de cinquante ans, le théâtre de Dumas subit aujourd'hui une indéniable éclipse. Or, son auteur a joué un rôle de premier plan dans la «bataille» romantique; il a continué sans interruption d'écrire pour la scène jusqu'à sa mort; refusant l'exclusive, il a pratiqué tous les genres. Il laisse un corpus officiel de soixante-six pièces, en réalité plus de cent si l'on comptabilise les textes non signés mais où sa collaboration est attestée. Cette œuvre s’inscrit dans un héritage, revendiqué ou implicite, de l’Antiquité à la production contemporaine: tragédie classique et néo-classique, comédie d’intrigue et de caractère, scène historique, drame bourgeois, vaudeville, mélodrame, proverbe... Elle en fait un usage complexe, entre emprunts, variations et détournements, en jouant de la contamination entre modèles «nobles» et modèles «mineurs».

Reflexive dramaturgy

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ISBN: 9788202572631 Year: Pages: 377 DOI: 10.23865/noasp.48 Language: Norwegian|English
Publisher: Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
Subject: Performing Arts --- Arts in general
Added to DOAB on : 2019-02-06 08:17:53
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The fact that you are reading these words means you have already stepped over the threshold of a collection of what the author calls reflexive études. Here, the author is expanding on the word étude as it is used in music’s most ‘classical’ department, where it denotes a practice piece designed to address an isolated problem of musical technique, and transforms it to serve as a practical thought exercise for the (theatre) field as a whole. The reflexive étude therefore serves as a practical-theoretical exercise in trying to think one’s way to freedom from the (often) unconscious or semi-conscious assumptions and obstacles that the art actor constantly has to contend with. Implicit here is the notion that thinking through also constitutes an exercise and that the art of thinking is inextricably associated with art in general. Like musical exercises, the reflexive études are characteristically specific: each focuses on practice relevant to something particular – perhaps one performance, an issue of acting technique, an acute theatre -sociological situation, or the question of what a theatre script can and should look like. The ambition is to develop what I have called a reflexive dramaturgy. This conception of dramaturgy does not limit itself to analyses of the theatrical text, or to the theatre’s arsenal of calculated stage effects, but is capable of expanding its reach to identify other kinds of action that exert a powerful influence, despite their being seemingly inconspicuous. In this sense, reflexive dramaturgy becomes a kind of theoretical practice that seeks to identify and articulate those actions which (reflexively) set the limits for aesthetic experience, but which are often insufficiently covered by the ways that art and theatrical art view themselves.

Medeia, Safo, Antígona. Mitos eternos, novas leituras

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Book Series: Dramaturgia ISBN: 9789892615257 Year: Pages: 116 DOI: https://doi.org/10.14195/978-989-26-1526-4 Language: Portuguese
Publisher: Coimbra University Press
Subject: Performing Arts
Added to DOAB on : 2019-04-23 16:21:06
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This volume presents, in a Portuguese version, three plays by Andrés Pociña, inspired in classical myths: Medeia em Camariñas, Atardecer em Mitilene, Antígona frente aos Juízes. An introduction to each one of these rewritings, by this scholar of the University of Granada, underlines the dialogue between the new versions and their classical references.

Mostras de Sentido no Fluir do Tempo

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Book Series: Outros Títulos ISBN: 9789892616827 Year: Pages: 540 DOI: https://doi.org/10.14195/978-989-26-1683-4 Language: Portuguese
Publisher: Coimbra University Press
Added to DOAB on : 2019-04-23 16:21:06
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This volume brings together a series of articles on the Classical Tradition, Humanism and the Renaissance that stand for the scientific work developed by the author throughout her activity as a researcher and Full Professor of the Faculty of Arts and Humanities of the University of Coimbra. This edition was organized on the occasion of the end of her teaching career, and is divided into two major themes – Theatre, and History of Ideas. Each article follows the bibliographical references of the publication in which it was previously edited.

1918-2018: 100 Years of Theater Research in Iași. International Conference of Doctoral School for Theater and Performing Arts and the Research Center of The Faculty of Theater at the George Enescu National University of Arts

Authors: ---
ISBN: 9783110653823 Year: Pages: 200 DOI: 10.2478/9783110653823 Language: English
Publisher: De Gruyter
Subject: Performing Arts
Added to DOAB on : 2019-04-11 15:10:51

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The Doctoral School for Theatre and Performing Arts and the Research Centre of The Faculty of Theatre at the George Enescu National University of Arts in Iaşi, having the mission of promoting the contribution of personalities in the area of theatre research and creating contexts for sharing their expertise with the doctoral students and young graduates, have proposed holding annual academic meetings. Starting with 2015, these meetings were at first organized as National Symposiums, and, since 2018, they are held as International Conferences. Our purpose is that of rekindling the dialogue between theoreticians and practitioners in our country, at European level and not only.Each year, the participants’ contributions were gathered in the pages of consistent volumes that have been indexed on international databases, so that their ideas and information can go further than the context of these meetings. Aims and Scope: - promoting the results of theatre research at national and international level- promoting young researchers- passing the dialogue between theatre theoreticians and practitioners to the wide audience- the continuous discovery of new ways to innovate stage practice, and the revitalization of theoretical resources- creating teams of theatre researchers, professors and doctoral students, theoreticians and theatre practitioners- following the transdisciplinary directions between theatre and connected areas: literature, film, music, philosophy, anthropology, sociology, etc.

A Poiesis da democracia

Authors: --- --- ---
Book Series: Coimbra Companions ISBN: 9789892616780 Year: Pages: 518 DOI: https://doi.org/10.14195/978-989-26-1679-7 Language: Portuguese
Publisher: Coimbra University Press
Subject: History
Added to DOAB on : 2019-04-23 16:21:06
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The expression “poiesis of democracy” in the title refers to its central concern: to understand “democracy” not as a univocal and absolute concept, but as a result of historical permanencies and transformations inherent of both its Greek formulation and its contemporary uses, that is, as a problem whose answers derive from permanently meditated and mediated negotiation. Thus, the main problem dealt with in the volume is the analysis — preferably interdisciplinary and open to multiple theoretical methodological approaches — of the construction of the concept of Athenian democracy as a problematic political and cultural arena (and not as a goal, structure or program), perceptible in different authors and discourses of the classical period, as well as reflections that supplemented them throughout the fifth and fourth centuries BC.

Mozart's 'La clemenza di Tito': A Reappraisal

Authors: ---
Book Series: Stockholm Studies in Culture and Aesthetics ISBN: 9789176350553 9789176350522 9789176350539 9789176350546 Year: Pages: 194 DOI: 10.16993/ban Language: English
Publisher: Stockholm University Press
Subject: History --- Languages and Literatures --- Music --- Performing Arts
Added to DOAB on : 2018-05-09 11:01:53
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"In the two centuries since Mozart’s La clemenza di Tito was first performed, and the almost three centuries since Metastasio created the libretto, many rumours, myths and prejudiced opinions have gathered around the work, creating a narrative that Mozart, Mazzolà and their contemporaries would scarcely recognise. The essays in this book contribute ideas, facts and images that will draw the twenty-first-century reader closer to the events of Central Europe in the late eighteenth century, and these new facts and ideas will help peel off some of the transmitted accretions that may hinder a modern listener from enjoying and understanding the opera in all its fullness. In this sense the essays present the reappraisal promised in the title.

The book is a product of the Performing Premodernity research project, funded by the Swedish Foundation for Humanities and Social Sciences and based at the department of theatre studies of Stockholm University. Envisioned and edited by Magnus Tessing Schneider and Ruth Tatlow, the five essays by internationally renowned Mozart scholars are preceded by a chronology and a selection of original documents presented in new and revised parallel translations."

Postmigrantische Visionen

Authors: ---
Book Series: Postmigrantische Studien ISBN: 9783839439166 9783837639162 Year: Pages: 256 DOI: 10.14361/9783839439166 Language: German
Publisher: transcript Verlag
Subject: History --- Migration
Added to DOAB on : 2019-01-15 13:34:01
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In order to re-consider the relationship between migration and society, Marc Hill and Erol Yildiz turn established certainties over and include the experience of migration. Their focus is on shared stories that show the versatility of urban community life. By doing so, they make migration the starting point of other analyses of society. Postmigrant visions serve as categories of the analysis of social situations of mobility and diversity, make ambiguities and marginalized memories that articulate social conditions visible. Contrasting ideas are put in the focus without overlooking conditions of dominance and structural barriers.

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