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The Imagery of Interior Spaces

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ISBN: 9781950192199 9781950192205 Year: Pages: 244 DOI: 10.21983/P3.0248.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-04-12 11:21:02
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Abstract

On the unstable boundaries between “interior” and “exterior,” “private” and “public,” and always in some way relating to a “beyond,” the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature — from the odd room over the womb, secluded parks, and train compartments, to the city as a world under a cloth — reveal a common defining feature: these interiors can all be analyzed as codes of a paradoxical, both assertive and fragile, subjectivity in its own unique time and history. They function as subtexts that define subjectivity, time, and history as profoundly ambiguous realities, on interchangeable existential, socio-political, and epistemological levels. This volume addresses the imagery of interior spaces in a number of iconic and also lesser known yet significant authors of European, North American, and Latin American literature of the nineteenth, twentieth, and twenty-first centuries: Djuna Barnes, Edmond de Goncourt, William Faulkner, Gabriel García Márquez, Benito Pérez Galdós, Elsa Morante, Robert Musil, Jules Romains, Peter Waterhouse, and Émile Zola.

How We Read

Authors: --- --- --- --- et al.
ISBN: 9781950192311 9781950192328 Year: Pages: 186 DOI: 10.21983/P3.0259.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-07-27 11:21:02
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"What do we do when we read?

Reading can be an act of consumption or an act of creation. Our “work reading” overlaps with our “pleasure reading,” and yet these two modes of reading engage with different parts of the self. It is sometimes passive, sometimes active, and can even be an embodied form.

The contributors to this volume share their own histories of reading in order to reveal the shared pleasure that lies in this most solitary of acts – which is also, paradoxically, the act of most complete plenitude. Many of the contributors engage in academic writing, and several publish in other genres, including poetry and fiction; some contributors maintain an active online presence. All are engaged with reading’s capacity to stimulate and excite as well as to frustrate and confuse. The synergies and tensions of online reading and print reading animate these thirteen contributions, generating a sense of shared community. Together, the authors open their libraries to us. This is how we read."

Massa por Argamassa

Authors: ---
ISBN: 9781950192458 9781950192465 Year: DOI: 10.21983/P3.0264.1.00 Language: Portuguese
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-09-16 11:21:03
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"Mass by Mortar presents an in-depth exploration of one of the greatest illusionists in literature, Jorge Luis Borges. His tale" The Library of Babel "is an illustrious example of its playful ability, though not only because of the inverted world imagined in it in the past. which a library, which supposedly contains all possible combinations of all letters, words, and books, is searched by devout librarians for divinely prefabricated truths, for one also has to deal with the irony of Borges's narration, which constantly puts check the narrator's claims about the universality of the library, including the very possibility of exhausting the possible meanings through a combinatorial process.

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