Search results:
Found 4
Listing 1 - 4 of 4 |
Sort by
|
Choose an application
Les Bienveillantes de Jonathan Littell a créé l’événement de la rentrée littéraire 2006. Selon l’auteur, la portée du roman dépasse le seul génocide des Juifs pour revêtir une dimension universelle. Les angles d’approche dans Les Bienveillantes de Jonathan Littell sont aussi nombreux que variés sans prétendre à l’exhaustivité. Ce recueil n’est pas un jugement de l’œuvre, ni une interrogation sur sa recevabilité, pas plus qu’une assertion sur les limites de sa légitimité en tant que roman ou une justification, mais ce recueil est novateur puisque le premier à se concentrer sur le texte des Bienveillantes. Le présent recueil offre un riche éventail d’angles d’approches. Ainsi les analyses ont-elles accentué les personnages qu’ils soient historiques ou fictifs. Mais aussi, les aspects formels, comme la vision du narrateur, le style, la composition, l’esthétique et les influences littéraires. Et encore, les thèmes tels le parricide, l’homosexualité, l’antisémitisme et la Shoah. L’idéologie impliquée se devait d’être interrogée également. Un autre thème crucial du roman est la question qu’il pose entre le Bien et le Mal et sa banalisation. La réception de l’œuvre et les raisons de son succès qui lui valu plusieurs grands prix littéraires a été abordée ainsi que les éléments du grotesque que certains n’ont pas manqué de remarquer. Les Bienveillantes (The Kindly Ones), caused a literary sensation in 2006. Described as "deliberately repellent" by The New York Times, Jonathan Littell’s novel tells the story of World War II through the eyes of former SS officer Maximilien Aue. This is the first academic study of this controversial, best-selling work. Twenty-one leading scholars discuss the aesthetics, themes and characters of the novel, as well as formal aspects of Littell’s writing. They tackle ideas surrounding parricide, genocide, anti-Semitism and the Holocaust, as well as Littell’s portrayal of both historical and fictional characters. The collection offers a deeply varied range of approaches to Littell’s work and is essential reading for anyone interested in representations of World War II, the Holocaust and contemporary French literature. All the essays in this collection are written in French.
French literature --- French novel --- Les Bienveillantes --- The Kindly Ones --- Maximilien Aue --- Jonathan Littell --- Holocaust --- World War II --- Second World War --- Nazism --- Judaism --- anti-Semitism --- history and fiction
Choose an application
First published in Germany in 1929, The End and the Beginning is a lively memoir of a vanished world and of a rebellious young woman’s struggle to achieve independence.Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Mühlen spent much of her childhood traveling in Europe and North Africa with her diplomat father. After five years on her German husband’s estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. As well as translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children’s fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951.This revised and corrected translation of Zur Mühlen’s memoir—with extensive notes and an essay on the author by Lionel Gossman—will appeal especially to readers interested in women’s history, World War I, and the culture and politics of the late nineteenth and early twentieth centuries.Seven free online supplements are also provided, containing additional original material including a selection of newly translated stories by Zur Mühlen, biographical essays by Gossman and a portfolio of images.
World War I --- First World War --- Great War --- women's history --- memoir --- biography --- autobiography --- Germany --- European History --- German literature --- Austrian literature --- feminism --- Nazism --- Austro-Hungarian Empire
Choose an application
Les Bienveillantes (The Kindly Ones), caused a literary sensation in 2006. Described as "deliberately repellent" by The New York Times, Jonathan Littell’s novel tells the story of World War II through the eyes of former SS officer Maximilien Aue. This is the first academic study of this controversial, best-selling work.Twenty-one leading scholars discuss the aesthetics, themes and characters of the novel, as well as formal aspects of Littell’s writing. They tackle ideas surrounding parricide, genocide, ant-Semitism and the Holocaust as well as Littell’s portrayal of both historical and fictional characters. The collection offers a deeply varied range of approaches to Littell’s work and is essential reading for anyone interested in representations of World War II, the Holocaust and contemporary French literature. All the essays in this collection are written in French.
anti-semitism --- second world war --- french novel --- maximilien aue --- history and fiction --- the kindly ones --- french literature --- holocaust --- judaism --- les bienveillantes --- nazism --- world war ii --- jonathan littell
Choose an application
First published in Germany in 1929, The End and the Beginning is a lively memoir of a vanished world and of a rebellious young woman’s struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Mühlen spent much of her childhood traveling in Europe and North Africa with her diplomat father. After five years on her German husband’s estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. As well as translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children’s fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Mühlen’s memoir—with extensive notes and an essay on the author by Lionel Gossman—will appeal especially to readers interested in women’s history, World War I, and the culture and politics of the late nineteenth and early twentieth centuries. Seven free online supplements are also provided, containing additional original material including a selection of newly translated stories by Zur Mühlen, biographical essays by Gossman and a portfolio of images. The Federal Ministry of Education, Art, and Culture, Department of Literature (/BMUKK-Kultur; Literaturabteilung/), Vienna, Austria, has generously contributed towards the publication of this volume.
austro-hungarian empire --- women's history --- world war i --- germany --- first world war --- european history --- nazism --- austrian literature --- feminism --- biography --- great war --- autobiography --- memoir --- german literature
Listing 1 - 4 of 4 |
Sort by
|