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The texts gathered here invite usto approach the work of Plutarch according to thechosen prism: they portray different “figures” accordingto six sections, whichare obviously not without some relations with each other, but whichalso strive when possible todistinguish between“wise” and “philosopher”: wisdom and types ofSages; “mythical” figures; the Sage and the politician; figures of philosophers; exemplary figures “in context”; representations and new readings.
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This study of the Cokwe divinatory basket is an original research from various points of view, and is the result of constant work that runs from 1971 to 1978. Alternating museum and bibliographic research with fieldwork, the author was able to obtain a minimum of information on each of the many symbols manipulated by the cokwe soothsayer. Moreover, and this being a necessary complement, we have enlightened the ritual context of this practice which stems from a special initiation, which is not the case for other less elaborate techniques. [...] [Coimbra, the 25 September 1978]
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French Cycling: a Social and Cultural History aims to provide a balanced and detailed analytical survey of the complex leisure activity, sport, and industry that is cycling in France. Identifying key events, practices, stakeholders and institutions in the history of French cycling, the volume presents an interdisciplinary analysis of how cycling has been significant in French society and culture since the late Nineteenth century. Based on a very wide range of primary and secondary sources, the volume aims to present in clear language an explanation of the varied significance of cycling in France over the last hundred years.
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This is the first critical study in English to focus exclusively on the work of Marie NDiaye, born in central France in 1967, winner of the Prix Femina (2001), the Prix Goncourt (2009), shortlisted for the Man Booker International Prize (2013), and widely considered to be one of the most important French authors of her generation. Andrew Asibong argues that at the heart of NDiaye’s world lurks an indefinable ‘blankness’ which makes it impossible for the reader to decode narrative at the level of psychology or event. Considering each of NDiaye’s works (including her novels, theatre, short fiction and writing for children), Asibong assesses the aesthetic, emotional and political stakes of NDiaye’s portraits of impenetrable selfhood. His book provides an original and provocative framework within which to read NDiaye as a simultaneously hybrid and hyper-French cultural figure, fascinating and fantastical practitioner of the postmodern – and reluctantly postcolonial – ‘blank arts’.
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Michel Houellebecq is perhaps the single most successful and controversial of all contemporary novelists writing in French. Houellebecq has become a global publishing phenomenon: his books have been translated worldwide, three film adaptations of his work have been produced, and the author has been the subject of million-euro publishing deals and of successive media scandals in France. His novels narrate a metaphysical mutation or paradigm shift through which humanity as we know it ceases to be the over-riding value or focus of our world when it comes into conflict with a competitor in the form of a post-human or neo-human species. It is the aim of this book to appraise the global significance of Houellebecq’s novelistic visions while at the same time situating them within the context of French literature, culture and society.
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This book provides a complete overview of political parties in France. The social and ideological profiles of all the major parties are analysed chapter by chapter, highlighting their principal functions and dynamics within the system. This examination is complemented by analyses of bloc and system features, including the pluralist left, Europe, and the ideological space in which the parties operate. In particular, the book addresses the impressive capacity of French parties and their leaders to adapt themselves to the changing concerns of their electorates and to a shifting institutional context. Contrary to the apparently fragmentary system and increasingly hostile clashes between political personalities, the continuities in the French political system seem destined to persist. Drawing on the expertise of its French and British contributors, 'The French party system' forms a benchmark study of the state of party politics in France. It will be an essential text for all students of French politics and parties, and for students of European politics more generally.
france --- government --- politics --- french
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This exciting new book presents the first overview of Jean Jacques Rousseau's work from a political science perspective. Was Rousseau - the great theorist of the French Revolution - really a conservative? This original study argues that the author of The Social Contract was a constitutionalist much closer to Madison, Montesquieu and Locke than to revolutionaries. Outlining his profound opposition to Godless materialism and revolutionary change, this book finds parallels between Rousseau and Burke, as well as showing that Rousseau developed the first modern theory of nationalism. The book presents an integrated political analysis of Rousseau's educational, ethical, religious and political writings, and will be essential reading for students of politics, philosophy and the history of ideas.
france --- revolution --- french --- rousseau
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The twelve ÒlaysÓ of Marie de France, the earliest known French woman poet, are here presented in sprightly English verse by poet and translator David R. Slavitt. Traditional Breton folktales were the raw material for Marie de FranceÕs series of lively but profound considerations of love, life, death, fidelity and betrayal, and luck and fate. They offer acute observations about the choices that women make, startling in the late twelfth century and challenging even today. Combining a womanÕs wisdom with an impressive technical bravura, the lays are a minor treasure of European culture.
French --- comparative literature --- translation
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In Unbecoming Language, Annabel L. Kim examines a corpus of French literature writing against difference. Inaugurated by Nathalie Sarraute and sustained in the work of Monique Wittig and Anne Garréta, this corpus highlights three generations of the twentieth and recent twenty-first centuries and the direct chain of influence between them. Kim considers these writers, and the story of literature’s political potential, as a way of rereading and reinterpreting each writer’s individual corpus—rearticulating the strain of anti-difference feminist thought that has been largely forgotten in our (Anglo-American) histories of French feminisms.
Literature --- French --- Feminism --- Literature
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