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Recoding World Literature

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ISBN: 9780823273409 Year: DOI: 10.26530/oapen_626400 Language: English
Publisher: Fordham University Press Grant: Knowledge Unlatched - 100064
Subject: Languages and Literatures
Added to DOAB on : 2017-03-31 11:02:52
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From the current vantage point of the transformation of books and libraries, B. Venkat Mani presents a historical account of world literature. By locating translation, publication, and circulation along routes of “bibliomigrancy,” Mani narrates how world literature is coded and recoded as literary works find new homes on faraway bookshelves.

Mani argues that the proliferation of world literature in a society is the function of a nation’s relationship with print culture. Moving from early Orientalist collections, to the Nazi magazine Weltliteratur, to the European Digital Library, Mani reveals the political foundations for a history of world literature that is at once a philosophical ideal, a process of exchange, a mode of reading, and a system of classification.

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Literature

Ovid, Metamorphoses, 3.511-733: Latin Text with Introduction, Commentary, Glossary of Terms, Vocabulary Aid and Study Questions

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Book Series: Classics Textbooks ISSN: 20542437 20542445 ISBN: 9781783740826 9781783740840 Year: Volume: 1 Pages: 260 DOI: 10.11647/OBP.0073 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures --- Education
Added to DOAB on : 2016-09-22 13:08:54
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This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb.The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions.This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought.

Ovid, Amores (Book 1)

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Book Series: Dickinson College commentaries ISSN: 20595743 20595751 ISBN: 9781783741625 9781783741649 Year: Volume: 1 Pages: 266 DOI: 10.11647/OBP.0067 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2016-07-14 15:34:57
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From Catullus to Horace, the tradition of Latin erotic poetry produced works of literature which are still read throughout the world. Ovid’s Amores, written in the first century BC, is arguably the best-known and most popular collection in this tradition. This book contain embedded audio files of the original text read aloud by Aleksandra Szypowska.Born in 43 BC, Ovid was educated in Rome in preparation for a career in public services before finding his calling as a poet. He may have begun writing his Amores as early as 25 BC. Although influenced by poets such as Catullus, Ovid demonstrates a much greater awareness of the funny side of love than any of his predecessors. The Amores is a collection of romantic poems centered on the poet’s own complicated love life: he is involved with a woman, Corinna, who is sometimes unobtainable, sometimes compliant, and often difficult and domineering. Whether as a literary trope, or perhaps merely as a human response to the problems of love in the real world, the principal focus of these poems is the poet himself, and his failures, foolishness, and delusions.By the time he was in his forties, Ovid was Rome’s most important living poet; his Metamorphoses, a kaleidoscopic epic poem about love and hatred among the gods and mortals, is one of the most admired and influential books of all time. In AD 8, Ovid was exiled by Augustus to Romania, for reasons that remain obscure. He died there in AD 17.The Amores were originally published in five books, but reissued around 1 AD in their current three-book form. This edition of the first book of the collection contains the complete Latin text of Book 1, along with commentary, notes and full vocabulary. Both entertaining and thought-provoking, this book will provide an invaluable aid to students of Latin and general readers alike.

Ancient Greek Myth in World Fiction since 1989

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ISBN: 9781472579379 9781472579409 9781472579393 Year: Language: English
Publisher: Bloomsbury Academic Grant: Knowledge Unlatched - 102537
Added to DOAB on : 2019-03-08 11:21:05
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Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns.Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium.

Phänomen Hörbuch -- Interdisziplinäre Perspektiven und medialer Wandel

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Book Series: Edition Kulturwissenschaft ISBN: 9783839434383 9783837634389 Year: Pages: 228 DOI: 10.14361/9783839434383 Language: German
Publisher: transcript Verlag Grant: OGeSoMo
Subject: Languages and Literatures
Added to DOAB on : 2018-03-13 11:01:49
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In recent years in the German-speaking world, the audiobook has gained in popularity and significance. One can scarcely imagine libraries and bookstores without them – and academic research is also showing a growing interest. At the same time, it is a phenomenon which needs to be outlined in more detail. As the word audiobook already implies, it is a multifaceted object, which not only addresses various senses at the same time, but also changes form depending on our vantage point. The essays in this volume focus on this polymorphic quality, at the interface of various disciplines.

Die Folklore Südosteuropas

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ISBN: 9783205203124 Year: Pages: 490 Seiten DOI: 10.26530/oapen_611242 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - PUB 281
Subject: Social Sciences
Added to DOAB on : 2016-07-01 11:01:44
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This comparative investigation is focused on the comparison of contents, themes, topics, motives, but also symbolism, stereotype situations, patterns of behavior etc. of sung and narrated oral text in South-east Europe. Great importance was given to bibliography, usually difficult to compile in a time-consuming process; a separate part at the end of the volume is dedicated to a bibliographie résonée, arranged according to countries and genres; this will facilitate further and more specific research in special fields of interest. This book offers for the first time a comparative survey of nearly all genres of the traditional oral folklore of Southeast Europe, independent from language, ethnic grouping, national boarders, religion and confessions; in this way the high degree of homogenity of the highly developed traditional oral culture in the historical Balkans is documented as well as the high numbers of variants and versions and the superb literary quality of these orally transmitted lingual manifestations, in some cases equal to the written literature of the region.

Vertical Readings in Dante's Comedy

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ISBN: 9781783742554 Year: Volume: 3 Pages: 304 DOI: 10.11647/OBP.0100 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2017-08-22 11:01:50
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"Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante."

Queering the Shakespeare Film

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ISBN: 9781474237031 9781474237055 9781474237048 Year: Language: English
Publisher: Bloomsbury Academic Grant: Knowledge Unlatched - 102550
Subject: Languages and Literatures
Added to DOAB on : 2019-03-08 11:21:04
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A range of mainstream and independent English language film productions of A Midsummer Night’s Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer – broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly – but not exclusively – as regards sexual matters, in the Shakespeare film. The movies chosen for analysis correspond deliberately with those Shakespeare plays that, as written texts, have been subjected to a great deal of productive study in a queer context since the beginnings of queer theory in the early 1990s. Thus the book extends the ongoing queer discussion of these written texts to their counterpart cinematic texts. Queering the Shakespeare Film is a much-needed alternative and complementary critical history of the Shakespeare film genre.

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