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'The Bushman' is a perennial but changing image. The transformation of that image is important. It symbolizes the perception of Bushman or San society, of the ideas and values of ethnographers who have worked with Bushman peoples, and those of other anthropologists who use this work. Anthropology and the Bushman covers early travellers and settlers, classic nineteenth and twentieth-century ethnographers, North American and Japanese ecological traditions, the approaches of African ethnographers, and recent work on advocacy and social development. It reveals the impact of Bushman studies on anthropology and on the public. The book highlights how Bushman or San ethnography has contributed to anthropological controversy, for example in the debates on the degree of incorporation of San society within the wider political economy, and on the validity of the case for 'indigenous rights' as a special kind of human rights. Examining the changing image of the Bushman, Barnard provides a new contribution to an established anthropology debate.'The Bushman' is a perennial but changing image. It symbolizes the

perception of Bushman or San society, of the ideas and values of

ethnographers who have worked with Bushman peoples, and those of other

anthropologists who use this work. This book reveals the impact of

Bushman studies on anthropology and on the public.Alan Barnard is Professor of the Anthropology of Southern Africa at the University of Edinburgh.

geschiedenis --- antropologie --- history --- anthropology

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Stemmen op berkenbast offers a compilation of personal letters written on birchbarck. It is an introduction to medieval communication in Russian Novgorod.

geschiedenis --- history --- geography --- auxiliary disciplines

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This remarkablpe title describes the life of one of Holland's most remarkable figures: medical practitioner Van Dieren (1861-1940), Amsterdammer and prolific writer who caused quite a stir in his days. The author recounts the life and times of Van Dieren in the form of a series of narratives about the fights of this Dutch Don Quixote with his particular windmills. Individual chapters deal with his life, work, personal style, friendships and enmities, his discussions with psychoanalysts, socialists, scientists and above all of his tragic-comical failures. Unique source material is used to reconstruct this picture, such as the correspondence between Van Dieren and a large number of well-known Dutchmen, including novelist Van Eeden, Nobel laureate C.Eijkman, the philosopher Bolland, politician De Savornin Lohman, Queen Emma, and many others. Marginality and non-conformity are the key themes that run through the life of this observer which made him one of the most successful failures in Dutch history.

geschiedenis --- history, geography, and auxiliary disciplines

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Is it possible for conservationists to approve of the reconstruction of old façades when virtually everything behind them is modern? Should they continue to protect the front façade, when the rest of the historic building has vanished? Is it socially responsible to spend government money on reconstructing a historic building that has been completely destroyed? Can one do such a thing fifty years on? According to reigning ideas in the world of conservation, the answer to all these questions is 'no'. It is felt that building a stage set is dishonest, and rebuilding something that no longer exists is labelled a lie against history. Where does this predilection for honesty originate? And why do people prefer modern architecture to the reconstruction of what has been lost? Perhaps we are witnessing the legacy of Functionalism here, a movement that denounced the building of pseudo-architecture. Functionalism originated in Romanticism, when architects turned their backs on academic formalism and strove to invent a new, rational form of building. This romantic hunger for honesty was adopted by the conservationists, giving rise to a new respect for the authentic art work and a rejection of historicist restorations. Among conservationists too, distaste arose for the cultivation of a harmonious urban image, because an urban image that is maintained artificially 'old' was seen as a form of fraud.

geschiedenis --- history, geography, and auxiliary disciplines --- architecture

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Examining the social, medical and cultural history of male homosexuality in Spain, this book looks at it from the time homosexuality came to be an issue of medical, legal and cultural concern. Research into homosexuality in Spain is in its infancy. The last ten or fifteen years have seen a proliferation of studies on gender in Spain but much of this work has concentrated on women's history, literature and femininity. In contrast to existing research which concentrates on literature and literary figures, "Los Invisibles" focuses on the change in cultural representation of same-sex activity of through medicalisation, social and political anxieties about race and the late emergence of homosexual sub-cultures in the last quarter of the twentieth century. As such, this book constitutes an analysis of discourses and ideas from a social history and medical history position. Much of the research for the book was supported by a grant from the Wellcome Trust to research the medicalisation of homosexuality in Spain.

geschiedenis --- homosexual --- spain --- history --- male --- mannen --- homoseksuelen