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The growing integration and participation of the Jewish population in politics, society, culture arts and religion shaped these spheres in Vienna during the time of the First Republic. Social dynamics of the young democracy, interplay of the different Jewish milieus, immigration from Eastern and Southeastern Europe as well as the growing cultural links with Berlin, Budapest, Paris and Prague made Austrian-Jewish culture in all areas of the development of the city of Vienna highly influential. Antidemocratic tendencies, especially antisemitism, influenced both the discourses on current events and inner-Jewish debates such as the role of Jewish religion, acculturation and Zionism. The publication "Wien und die jüdische Erfahrung 1900 - 1938. Akkulturation - Antisemitismus, Zionismus" initiated by Univ.-Prof. Frank Stern and Mag. Barbara Eichinger from the Institute for Contemporary History, University of Vienna, shows the state of the art of research on this subject. The publications focus placed on the current interdisciplinary inclusion of Austrian-Jewish cultural history. The volume of approx. 400 pages presents up-to-date research papers by the contributors as well as an academic discourse among the authors. In order to make this discourse possible, the editors organised a four day international conference in March 2007, where academics presented their research in themed panels and discussed them in an interdisciplinary framework with other experts. The contributions to this volume present this research takting into consideration the discussions among the colleagues at the conference. Those authors who did not participate in the conference and are partly working at American universities (a.o. Harriet Pass Freidenreich, Sander Gilman) provide an insight into current US American research on the subject. The contributions in German and English by 29 authors are organized into the following subject areas: "Society and politics between acculturation and tradition" (Steven Beller, Eleonore Lappin, Klaus Hödl, Albert Lichtblau), "Music between concert hall and film: Viennese composers of Jewish descent" (Peter Dusek, Karin Wagner), "Zionism in Vienna: between coffee house, cultural and political movement" (Dieter Hecht, Armin Eidherr, Hanno Loewy), "Cultural transfer between Vienna and Palestine/Israel" (Klaus Davidowicz, Sandra Goldstein), "Viennese Jewish milieus 1900 - 1938" (Evelyn Adunka, Peter Landesmann, Marcus G. Patka, Karin Stögner), "Women´s movements in Vienna"(Harriet Pass Freidenreich, Elisabeth Malleier, Michaela Raggam-Blesch), "Identity crises and antisemitism" (Gabriele Anderl, Elisabeth Brainin and Samy Teicher, Sander Gilman, Siegfried Mattl, Michael Laurence Miller), "Literature and theater in interwar Vienna" (Brigitte Dallinger, Werner Hanak, Birgit Peter), "The Road into the open on stage and screen (Wolfgang Müller-Funk, Murray G. Hall, Bettina Riedmann). The authors come from research centres in Belgium, Germany, Israel, the USA and Hungary as well as all current research centres on Jewish history in Austria (a.o. Institute for Jewish Studies, Vienna; Institute for History, Salzburg; Center for Jewish Cultural History, Salzburg; Institutte for the History of the Jews in Austria, St. Pölten; Center for Jewish Studies, Graz; Institute of Contemporary History, Vienna; University of Performing Arts, Vienna; Institut for German Studies, Vienna; Institut for Theater, Film and Media Studies, Vienna; Jewish Museum of the City of Vienna). The volume will be published in the anniversary year 2008 with a preface by the rector of the University of Vienna, Univ.-Prof. Dr. Georg Winckler.
cultural history --- Jewish Culture and History --- Theatre --- Film- and Media-Studies --- Austrian History --- Antisemitism --- Sociology
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The monograph focuses on the “genius” as a figure of knowledge and representation in two discoursive and medial settings: first, texts from the Humanities and theory of science, in particular published between 1890 and 1920, and, second, subset feature films since the mid-1980ties, which re-echo the ‘cult of the genius’. The “genius” is considered to be a figure by which newly constituted academic disciplines managed to build up their professional identity, legitimated their methodologies, and reassured themselves of their own intellectual and creative powers. Furthermore, the book shows how imaginations of “ingenious” artists and masterminds, that refer to this historical period, are depicted in selected movies since the mid 1980ties.
Genius, Cult of the Genius around 1900, History of Knowledge and Science, Interdisciplinary Humanities, Media Studies, Contemporary History, Cultural History --- Genie, Geniekult um 1900, Wissens- und Wissenschaftsgeschichte, Interdisziplinäre Geisteswissenschaften, Medienwissenschaft, Zeitgeschichte, Kulturgeschichte
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“Visualizations of cult“ deals with the strategies of visual representations of cult as well as with concretisations of its visualization, in the perspective of historical and cultural studies. Cult is understood in a broad sense, describing modes of collective veneration and auratization, in religious, quasi-religious or trivial-profane connections. Cult practice and experience and their manifestations are treated under five aspects: (1) objects: staging of cult, (2) subjects: experiences of cult, (3) cult of persons, (4) spaces of cult, (5) manifestations of cult practice.
Visual and cultural studies, visual communication, symbolic communication, media studies, self-representation, cult, cult of persons, votive practice, religion, sacred space, iconography, narration, Classical Archaeology, History of Art, History, History of Science, European Ethnology, Cultural Anthropology, Numismatics, Geology, film studies, television, politics, architecture, antiquity, middle ages, 20th century, Vienna, Pöggstall, Austria, Athens, Byzantium, Serbia, Kosovo, Ukraine, Portugal, Soma Morgenstern, Antonio Salazar, Slobodan Milošević, Theo Angelopoulos, Anna Stainer-Knittel, Geier-Wally, heroes, churches in Vienna, votive terracottas, Erechtheum, foundation sacrifices. --- Visuelle Kulturgeschichte, visuelle Kommunikation --- symbolische Kommunikation, mediale Inszenierung, Selbstdarstellung, Kult, Personenkult, Votivpraxis, Religion, sakrale Räume, Ikonographie, Narration, Klassische Archäologie, Kunstgeschichte, Geschichte, Wissenschaftsgeschichte, Europäische Ethnologie, K
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