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Indian Islamic Architecture

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ISBN: 9789004163393 Year: Language: English
Publisher: Brill Grant: Knowledge Unlatched - 101510
Added to DOAB on : 2018-07-31 11:01:04
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The British scholar John Burton-Page contributed numerous formative articles on Indian Islamic architecture for the Encyclopaedia of Islam over a period of 25 years. Assembled here for the first time, these offer an insightful overview of the subject, ranging from the earliest mosques and tombs erected by the Delhi sultans in the 13th, 14th and 15th centuries, to the great monuments of the Mughal emperors dating from the 16th and 17th centuries. The articles cover the principal forms of Indian Islamic architecture -- mosques, tombs, minarets, forts, gateways and water structures -- as well as the most important sites and their monuments. Unsurpassed for their compression of information, these succinct articles serve as the best possible introduction to the subject, indispensible for both students and travellers. The articles are supplemented by a portfolio of photographs especially selected for the volume, as well as a glossary and up to date bibliography.

Keywords

Arts --- Arts --- architecture --- india --- islam --- Indian Islamic

Taking Offense

Authors: --- ---
Book Series: dynamis ISBN: 9783770563456 Year: Pages: 383 DOI: 10.30965/9783846763452 Language: English
Publisher: Brill
Subject: Religion --- Arts in general
Added to DOAB on : 2020-07-21 23:58:18
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What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.

Keywords

Religion --- the arts

From Laṅkā Eastwards; The Rāmāyaṇa in the Literature

Authors: --- ---
Book Series: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ISBN: 9789067183840 9789004253766 Year: Volume: 247 Pages: XIV, 259 DOI: 10.26530/OAPEN_399317 Language: English
Publisher: Brill
Subject: Languages and Literatures
Added to DOAB on : 2012-04-11 23:18:40
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The Kakawin Ramayana, arguably the oldest Old Javanese epic text in Indic metres (circa 9th century AD), holds a unique position in the literary heritage of Indonesia. The poem has retained a remarkable vitality through the centuries in the Archipelago, inspiring many forms of artistic expression not only in the domain of literature but also in the visual and performing arts, from the reliefs of the majestic Central Javanese temples to modern puppet-show performances. Displaying a virtuoso array of metrical patterns, the Kakawin Ramayana is among the very few Old Javanese texts for which a specific Sanskrit prototype has been identified, namely the difficult poem Bhattikavya (circa 7th century AD), itself a version of the great Ramayana epic ascribed to Valmiki (circa 6th–1st century BC). The Old Javanese poem is an original and skillful work of re-elaboration that documents a fascinating interaction between cultural elements of the Sanskritic tradition with those indigenous to the Javanese setting. The studies included in this volume, written by experts in a wide range of disciplines, focus on disparate aspects of the Kakawin Ramayana and the constellation of cultural phenomena revolving around it, providing the reader with a key to the understanding of the rich Old Javanese textual heritage and the transcultural intellectual dynamics that contributed to shaping the cultural heritage of Indonesia up to the present. With contributions from Andrea Acri, Helen Creese, Arlo Griffiths, Thomas Hunter, Roy Jordaan, Lydia Kieven, Cecelia Levin, Wesley Michel, Stuart Robson and Adrian Vickers, this book is the result of a workshop held at the KITLV branch in Jakarta on May 26th–28th 2009 and supported by the Australia-Netherlands Research Collaboration, the École française d’Extrême-Orient, and the Stichting J. Gonda Fonds.

Musical worlds in Yogyakarta

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Book Series: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ISBN: 9789067183901 9789004253490 Year: Volume: 281/2 Pages: xii + 222 DOI: 10.26530/OAPEN_420987 Language: English
Publisher: Brill
Subject: Social Sciences
Added to DOAB on : 2012-07-06 00:00:00
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Musical worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta’s regional parliament, its military institutions, universities and the Sultan’s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (‘mixed essences’) and jalanan (‘of the street’). Musical worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Max M. Richter is director of the Monash Asia Institute and lecturer in Anthropology at Monash University, Australia. He has published in international journals and edited book collections, and has given presentations on Indonesian music and society in several countries and forums. His current research focuses on local-level music performance, intellectual/power-broker gatherings and centre/region identities in urban Indonesia.

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