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Where Truth Lies

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ISBN: 9780520972117 9780520300934 Year: Pages: 248 DOI: 10.1525/luminos.80 Language: English
Publisher: University of California Press
Subject: Political Science --- Media and communication --- Performing Arts
Added to DOAB on : 2020-01-07 11:21:03
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"This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that ideological rifts inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016. “Looking at a unique and intriguing set of ‘hybrid media,’ Fallon convincingly makes a claim about a change in the form of new media, one linking politics, aesthetics, and technology.” ALEXANDRA JUHASZ, Brooklyn College, CUNY “Where Truth Lies does the difficult and much-needed work of unpacking how the documentary impulse is shifting in the digital age, both through the profound influence of digital aesthetics and computational thinking and through the ways traditional documentary is infusing digital expression.” JENNIFER MALKOWSKI, author of Dying in Full Detail: Mortality and Digital Documentary KRIS FALLON is Assistant Professor of Cinema and Digital Media at the University of California, Davis."

The Narratology of Comic Art

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ISBN: 9781138221550 Year: Pages: 312 Language: English
Publisher: Taylor & Francis
Subject: Languages and Literatures --- Media and communication
Added to DOAB on : 2020-06-25 23:58:53
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By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.

Politik der Mikroentscheidungen: Edward Snowden, Netzneutralität und die Architekturen des Internets

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Book Series: Digital Cultures ISBN: 9783957960351 9783957960368 Year: DOI: 10.14619/004 Language: German
Publisher: meson press
Subject: Media and communication
Added to DOAB on : 2017-04-23 15:18:20
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Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen. In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen.

Beta Exercise: The Theory and Practice of Osamu Kanemura

Authors: --- ---
ISBN: 9781947477776 9781947477783 Year: Pages: 230 DOI: 10.21983/P3.0241.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-03-26 11:21:03
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Beta Exercise: The Theory and Practice of Osamu Kanemura is the first bilingual (Japanese-English) book to provide an overview of the theoretical work of Japanese photographer and video artist Osamu Kanemura, a unique voice in the world of contemporary photography. The opening essay “Life Is a Gift” comments on the transformation of human life into an exchangeable commodity and the abstraction it entails. “Essay 01” develops Kanemura’s idea of photographic “technique” in an era when such techniques have become accessible to all, radically undermining the importance of human subjectivity in the process of capturing the photographic image: “We can say that modern technology constitutes photographic technique.” Instead, Kanemura argues, extra-technical elements such as concept and vision will have to compensate for the expression of individuality that technique is no longer able to convey. Taking cues from Kiyoshi Kurosawa and Karlheinz Stockhausen, the essay “Dead-Stick Landing” develops Kanemura’s theory of the moving image as mechanical system, solely governed by an “on-off switch.” “Essay 02” develops these ideas into a consideration of cinematic time and the experience of boredom in cinema as the result of a truthful “loyalty” expressed to machines, and not to stories. The essays are accompanied by an extensive two-part interview with Italian photographer Marco Mazzi, touching upon topics ranging from the technical aspects of his equipment, the concept of non-editing, and the destruction of the frame to the similarity between Mao’s dialectics and the camera, the presence of the human figure as trace, and the politics of photographing Tokyo.

The Digital Dionysus: Nietzsche and the Network-Centric Condition

Authors: ---
ISBN: 9780692270790 Year: Pages: 286 DOI: 10.21983/P3.0149.1.00 Language: English
Publisher: punctum books
Subject: Media and communication
Added to DOAB on : 2019-06-12 09:24:35
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Can Nietzsche be considered a thinker of media and mediation, as the German media theorist Friedrich Kittler declared in his influential book Gramophone, Film, Typewriter? Nietzsche was a truly transdisciplinary thinker, one who never fit into his own nineteenth-century surroundings and who recognized himself as a “herald and precursor” of the future, of our globally-reticulated digital present. Perhaps not since Kittler has there been a study — let alone an anthology — that re-assesses and re-evaluates Nietzsche’s thought in light of the technically mediated and machinic conditions of the human in the age of digital networks.

Como o Mundo Mudou as Mídias Sociais

Authors: --- --- --- --- et al.
Book Series: Why We Post ISBN: 9781787356542 Year: Pages: 308 DOI: 10.14324/111.9781787356542 Language: Portuguese
Publisher: UCL Press
Subject: Sociology --- Media and communication --- Information theory
Added to DOAB on : 2019-09-11 11:21:02
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How the World Has Changed Social Media is the first book by Why We Post, a book series that investigates the findings of nine anthropologists who have spent 15 months living in communities in different parts of the world, including Brazil, Chile, China, England, India, Italy, Trinidad and Turkey. This book offers a comparative analysis that summarizes research findings and analysis of the impact of social media on politics and gender, education, and commerce. What is the result of the increased emphasis on visual communication? Are we becoming more individualistic or more social? Why is public social media so conservative? Why can't equality on the internet nullify inequality? How did memes become the moral police of the internet?

Beijing Garbage: A City Besieged by Waste

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Book Series: Consumption and Sustainability in Asia ISBN: 9789048542871 Year: Pages: 232 Language: English
Publisher: Amsterdam University Press
Subject: Environmental Technology
Added to DOAB on : 2019-10-23 11:21:03
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Why do central and local government initiatives aiming to curb the proliferation of garbage in Beijing and its disposal continue to be unsuccessful? Is the Uberization of waste picking through online-to-offline (O2O) garbage retrieval companies able to decrease waste and improve the lives of waste pickers? Most citizens of Beijing are well aware of the fact that their city is besieged by waste. Yet instead of taking individual action, they sit and wait for the governments at various levels to tell them what to do. And even if/when they adopt a proactive position, this does not last. Official education drives targetting the consumers are organized regularly and with modest success, but real solutions are not forthcoming. Various environmental non-governmental organizations are at work to raise the level of consciousness of the population, to change individual attitudes towards wasteful behavior, but seemingly with little overall effects.

Pattern Discrimination

Authors: --- --- ---
Book Series: In Search of Media ISBN: 9783957961457 Year: Pages: 124 DOI: 10.14619/1457 Language: English
Publisher: meson press
Subject: Media and communication
Added to DOAB on : 2019-11-15 17:02:26
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Algorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs?

Markets

Authors: --- ---
Book Series: In Search of Media ISBN: 9783957961471 Year: Pages: 144 DOI: 10.14619/1471 Language: English
Publisher: meson press
Subject: Media and communication
Added to DOAB on : 2019-11-15 17:02:26
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Markets abound in media–but a media theory of markets is still emerging. Anthropology offers media archaeologies of markets, and the sociology of markets and finance unravels how contemporary financial markets have witnessed a media technological arms race. Building on such work, this volume brings together key thinkers of economic studies with German media theory, describes the central role of the media specificity of markets in new detail and inflects them in three distinct ways. Nik-Khah and Mirowski show how the denigration of human cognition and the concomitant faith in computation prevalent in contemporary market-design practices rely on neoliberal conceptions of information in markets. Schröter confronts the asymmetries and abstractions that characterize money as a medium and explores the absence of money in media. Beverungen situates these inflections and gathers further elements for a politically and historically attuned media theory of markets concerned with contemporary phenomena such as high-frequency trading and cryptocurrencies.

Data Visualization in Society

Authors: ---
ISBN: 9789048543137 9789463722902 Year: Pages: 441 DOI: 10.5117/9789463722902 Language: English
Publisher: Amsterdam University Press Grant: The Research Council of Norway - 25936
Subject: Computer Science --- Media and communication --- Science (General)
Added to DOAB on : 2020-03-28 11:21:02
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Today we are witnessing an increased use of data visualization in society. Across domains such as work, education and the news, various forms of graphs, charts and maps are used to explain, convince and tell stories. In an era in which more and more data are produced and circulated digitally, and digital tools make visualization production increasingly accessible, it is important to study the conditions under which such visual texts are generated, disseminated and thought to be of societal benefit. This book is a contribution to the multi-disciplined and multi-faceted conversation concerning the forms, uses and roles of data visualization in society. Do data visualizations do 'good' or 'bad'? Do they promote understanding and engagement, or do they do ideological work, privileging certain views of the world over others? The contributions in the book engage with these core questions from a range of disciplinary perspectives.

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