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Les avant-gardes poétiques espagnoles

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ISBN: 9782878541076 9782878547313 Year: Language: French
Publisher: Presses Sorbonne Nouvelle
Added to DOAB on : 2017-06-20 15:08:11
License: OpenEdition licence for Books

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Cet ouvrage représente le second volet des travaux du CRID (Centre de Recherche sur Idéologie et Discours) sur les Avant-Gardes esthétiques espagnoles. Il s'intéresse plus spécialement à la poésie qui a, plus intensément que les autres arts, joué un rôle dynamique dans l'Avant-Garde espagnole des années 20. L'originalité des études réunies ici réside dans la volonté d'aborder, en priorité, des œuvres appartenant à des auteurs et des courants représentatifs de cette Avant- Garde ; l'Ultraïsme,...

Rafaël Alberti et les avant-gardes

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ISBN: 9782878543124 9782878547337 Year: Language: French
Publisher: Presses Sorbonne Nouvelle
Added to DOAB on : 2017-06-20 15:08:11
License: OpenEdition licence for Books

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À l'occasion du centième anniversaire de la naissance de Rafael Alberti (1902-1999), le colloque, organisé en décembre 2002, par le CREC, et dont les PSN publient ici les actes, tenait à rendre hommage à l'une des principales personnalités des lettres espagnoles dont l'œuvre monumentale (en poésie, théâtre, prose, mais aussi peinture et dessin, ce que l'on connaît moins) couvre plus de trois quarts de siècle et se caractérise par une exceptionnelle vitalité et la quête permanente d'une esthét...

Luigi Dallapiccola

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ISBN: 9782940068081 9782940599226 Year: Language: French
Publisher: Éditions Contrechamps
Added to DOAB on : 2017-07-04 11:11:49
License: OpenEdition licence for Books

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Luigi Dallapiccola (1904-1975) appartient à une génération intermédiaire entre celle de Webern, Stravinski ou Bartók, et celle de Boulez, Nono ou Berio. Comme son contemporain Bernd Alois Zimmermann, il a forgé son style au gré d'une évolution solitaire, rompant dans les années trente à la fois avec le vérisme et le néoclassicisme qui dominaient la scène musicale italienne, et dans le domaine politique avec le fascisme. La modernité de l'écriture, chez lui, est inséparable d'un engagement hum...

Avant-garde et tradition

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ISBN: 9782940599035 Year: Language: French
Publisher: Éditions Contrechamps
Added to DOAB on : 2017-10-13 10:54:48
License: OpenEdition licence for Books

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Women's Experimental Cinema

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ISBN: 9780822340232 9780822392088 Year: Language: English
Publisher: Duke University Press Grant: Knowledge Unlatched - 102084
Subject: Gender Studies
Added to DOAB on : 2019-03-08 11:21:03
License: Duke University Press

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.

Beowulf: A Translation

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ISBN: 9780615612652 Year: Pages: 312 DOI: 10.21983/P3.0009.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-06-12 09:24:46
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Many modern Beowulf translations, while excellent in their own ways, suffer from what Kathleen Biddick might call “melancholy” for an oral and aural way of poetic making. By and large, they tend to preserve certain familiar features of Anglo-Saxon verse as it has been constructed by editors, philologists, and translators: the emphasis on caesura and alliteration, with diction and syntax smoothed out for readability. The problem with, and the paradox of this desired outcome, especially as it concerns Anglo-Saxon poetry, is that we are left with a document that translates an entire organizing principle based on oral transmission (and perhaps composition) into a visual, textual realm of writing and reading. The sense of loss or nostalgia for the old form seems a necessary and ever-present shadow over modern Beowulfs. What happens, however, when a contemporary poet, quite simply, doesn’t bother with any such nostalgia? When the entire organizational apparatus of the poem—instead of being uneasily approximated in modern verse form—is itself translated into a modern organizing principle, i.e., the visual text? This is the approach that poet Thomas Meyer takes; as he writes, [I]nstead of the text’s orality, perhaps perversely I went for the visual. Deciding to use page layout (recto/ verso) as a unit. Every translation I’d read felt impenetrable to me with its block after block of nearly uniform lines. Among other quirky decisions made in order to open up the text, the project wound up being a kind of typological specimen book for long American poems extant circa 1965. Having variously the “look” of Pound’s Cantos, Williams’ Paterson, or Olson or Zukofsky, occasionally late Eliot, even David Jones

Frame by Frame

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ISBN: 9780520972773 9780520303621 Year: Pages: 278 DOI: 10.1525/luminos.65 Language: English
Publisher: University of California Press
Subject: Media and communication --- Performing Arts
Added to DOAB on : 2019-07-03 11:21:06
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For most of the twentieth century, the making of animated cartoons was mechanized and standardized to allow for high-volume production: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians, most of them anonymous. In order to understand how the industrial mode of production influenced the medium’s visual style, this book regards each frame of a given animated cartoon as a historical document in its own right. This new consideration of the materiality of the medium analyzes cartoons frame by frame to expose hitherto unseen qualities of the image. The book covers the different technologies of reproduction involved in this process, from photography to xerography, as well as the idiosyncrasies of the image—from abstract imagery to mistakes in reproduction—that can be seen only when the film is halted. What emerges is both a new methodology for thinking about animation, the idea of frame-by-frame analysis, and a highly original account of an art formed on the assembly line.&#xD;

Karlheinz Stockhausen. Montag aus Licht : Revue Contrechamps / numéro spécial

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ISBN: 9782940599073 DOI: 10.4000/books.contrechamps.1112 Language: French
Publisher: Éditions Contrechamps
Subject: History --- Bibliography
Added to DOAB on : 2019-12-06 13:15:27
License: OpenEdition Licence for Books

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Der lange Schatten des >Roten Oktober<

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ISBN: 9783631766415 Year: Pages: 464 Seiten Language: German
Publisher: Peter Lang International Academic Publishing Group Grant: Austrian Science Fund - PUB 554
Added to DOAB on : 2019-06-04 11:21:02

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The book focuses on the reception relations of Soviet Russian art, culture and literature in Austria from 1918 to 1938. It shows their resonance, locating it in discourses typical of the time such as activism, New Objectivity, avantgarde of theatre and music, but also contemporary American discourse.

Religion and Art: Rethinking Aesthetic and Auratic Experiences in 'Post-Secular' Times

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ISBN: 9783039210329 / 9783039210336 Year: Pages: 102 DOI: 10.3390/books978-3-03921-033-6 Language: eng
Publisher: MDPI - Multidisciplinary Digital Publishing Institute
Subject: Religion
Added to DOAB on : 2019-06-26 08:44:06
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How can we think of the “aura” of (sacred) contexts and (sacred) works? How to think of individual and collective (esthetic/religious) experiences? What to make of the manipulative dimension of (religious and esthetic) “auratic” experiences? Is the work of art still capable of mediating the experience of the “sacred,” and under what conditions? What is the significance of the “eschatological” dimension of both art and religion (the sense of “ending”)? Can theology offer a way to reaffirm the creative capacities of the human being as something that characterizes the very condition of being human? This Special Issue aspires to contribute to the growing literature on contemporary art and religion, and to explore the new ways of thinking of art and the sacred (in their esthetic, ideological, and institutional dimensions) in the context of contemporary culture.

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