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Bytes and Backbeats

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ISBN: 9780472117857 9780472901180 9780472901180 Year: DOI: 10.3998/mpub.3432847 Language: English
Publisher: University of Michigan Press Grant: Knowledge Unlatched - 102012
Added to DOAB on : 2019-02-06 08:17:53
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From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community.

Sounds of War and Peace

Authors: ---
Book Series: Eastern European Studies in Musicology ISBN: 9783631753460 Year: Pages: 270 DOI: 10.3726/b13870 Language: English
Publisher: Peter Lang International Academic Publishing Group
Subject: Ethnology --- Music --- History --- Social Sciences
Added to DOAB on : 2020-10-03 00:09:10
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This book vividly evokes for the reader the sound world of a number of European cities in the last year of the Second World War. It allows the reader to «hear» elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experiences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants’ forging a sense of identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space.

Can Music Make You Sick?

Authors: ---
ISBN: 9781912656615 Year: Pages: 198 DOI: 10.16997/book43 Language: English
Publisher: University of Westminster Press Grant: University of Westminster - [grantnumber unknown]
Subject: Music --- Psychology --- Sociology --- Social Sciences
Added to DOAB on : 2020-10-16 00:04:04
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“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author). “Singing is crying for grown-ups. To create great songs or play them with meaning music's creators reach far into emotion and fragility seeking the communion we demand of it. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much needed reality check, deglamorising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy). It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head. By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. Artistic merit and intimate, often painful, self-disclosures are the subject of unremitting scrutiny and data metrics. Personal relationships and social support networks are increasingly bound up with calculative transactions. Drawing on original empirical research and a wide-ranging survey of scholarship from across the social sciences, their findings will be provocative for future research on mental health, wellbeing and working conditions in the music industries and across the creative economy. Going beyond self-help strategies, they challenge the industry to make transformative structural change. Until then, the book provides an invaluable guide for anyone currently making their career in music, as well as those tasked with training and educating the next generation

Paisajes sonoros del retorno

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Book Series: Nexos y Diferencias. Estudios de la Cultura de América Latina ISBN: 9783964569059 Year: Pages: 424 DOI: 10.31819/9783964569059 Language: Spanish
Publisher: Iberoamericana Vervuert Grant: Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung - SNF192888
Subject: Social Sciences --- Economics --- History
Added to DOAB on : 2020-11-19 00:20:59
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"This book presents a novel analysis of land conflicts arising from large-scale oil palm plantations in Colombia. The study reveals the powerful political dimension of music in the context of the country's transition The study addresses strategies, mechanisms and peace-building actions that peasant communities have undertaken to mobilize the processes of return to their territories, after having experienced the development of the Colombian oil palm monoculture in rural Colombia. forced displacement.

Chapter: Introduction (Book chapter)

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ISBN: 9780367182984 9780429060595 Year: Pages: 10 Language: English
Publisher: Taylor & Francis
Subject: Science (General)
Added to DOAB on : 2020-03-06 11:21:03
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From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.

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