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O Cinema no discurso do poder: Dicionário sobre legislação cinematográfica portuguesa (1896-1974)

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Book Series: Outros Títulos ISBN: 9789892611945 Year: Pages: 380 DOI: https://doi.org/10.14195/978-989-26-1195-2 Language: Portuguese
Publisher: Coimbra University Press
Subject: Visual Arts
Added to DOAB on : 2019-04-23 16:21:06
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Portuguese cinema in the speech of political power is a dictionary about portuguese cinematografic legislation (1896-1974), since the existence of moving images in Portugal (1896), till 1974, passing through three political regims, wich are the end of Constitutional Monarchy (1896-1910), the First Republic (1910-1926), and The New State (1933-1974). The dictionary contains 123 entries, which are based on six global subjects: (1) The political power and inspective organs (11 entries); (2) The cinema between education and propaganda (12 entries); (3) Criteria, process and organs of censorship (14 entries); (4) The industry, the economic agents and the State (38 entries); (5) The cinematographic show (31 entries); (6) The professional and the sector organs (17 entries). Portuguese cinema in the speech of political power is the first sistematic research about the way as political powers rule the cinematographic activity in Portugal, through a sistematic and continuous source as legislation is, that is understood as a speech through which political power expresses his normative will.

Cinemas em português

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Book Series: Documentos ISBN: 9789892613949 Year: Pages: 130 DOI: https://doi.org/10.14195/978-989-26-1395-6 Language: Portuguese
Publisher: Coimbra University Press
Subject: Visual Arts
Added to DOAB on : 2019-04-23 16:21:06
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Portuguese Cinemas | Mozambique | Self and HeteroPerceptions is a book that results from the 6º International Symposium of Portuguese Cinemas, organized at Coimbra University at 2015, that has treated mozambican cinema from colonial time till nowadays, in a year that african portuguese language countries celebrate the 40º year of independance. In the meeting were presente a mozambican delegacy, which includes the reseacher and professor Nataniel Ngomane, the directors Licínio de Azevedo, Sol de Carvalho, João Ribeiro and Diana Manhiça, and Djalma Lourenço as director of the INAC. Behond those, were also present or cooperate in the book researchers from Italy (Livia Apa and Francesca de Rosa), Brazil (Jorge Cruz) and Portugal (José Manuel Costa, Ansgar Schaefer, Sílvia Vieira, Paulo Cunha and Jorge Seabra), debating, during two days, mozambican cinema from colonial time till actuality or its realities and perspectives.

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