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Lace Narratives: A Monograph, 2005 – 2015

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ISBN: 9780992451868 Year: Pages: 82 DOI: https://dx.doi.org/10.5130/978-0-9924518-6-8 Language: English
Publisher: UTS ePRESS
Subject: Arts in general --- Multidisciplinary
Added to DOAB on : 2017-11-06 05:53:00
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Lace Narratives: A monograph, 2005 – 2015 documents Cecilia Heffer’s innovative lace-making practice over a decade, including major exhibitions and commissions. This publication examines ways that Cecilia’s research practice responds to changing ideas and technologies as a means to extend our perception of textiles. It presents an in-depth reflection on studio practice in a discursive spirit, responding to the question: What has the studio enquiry revealed that could not have been revealed through other modes of research? 1The publication is composed of a digital edition of the book, along with a seven-minute video documenting Cecilia creating the lace-work Drawn Threads. A print-on-demand version of the book in either hard cover or paperback is available for purchase.Additionally, a limited edition artist’s book with lace samples bound into the pages will be publicly available through selected libraries and museums, including the UTS Library.Through these different components, the audience can watch Cecilia’s lace-making innovations in the documentary video, read critical reflections on her research and creative process, and handle lace samples. This combination affords a holistic understanding of Cecilia’s practice-led research and material output. This is an experimental publication model conceived by Zoë Sadokierski for the MediaObject book series and produced with support from the UTS Library.

Tanzpraxis in der Forschung – Tanz als Forschungspraxis

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Book Series: Tanzforschung ISBN: 9783839436028 9783839436028 9783837636024 Year: Pages: 248 DOI: 10.14361/9783839436028 Language: German
Publisher: transcript Verlag
Subject: Arts in general
Added to DOAB on : 2019-01-15 13:34:28
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Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to incorporate aesthetic dimensions of movement, corporeality, sensuality and emotion. This volume, with its interdisciplinary structure, provides an insight into the multi-faceted trend of research approaches that have either developed directly from, or refer back to, dance practice. Using projects as concrete examples, the contributions in this volume present theoretical and methodological foundations and historical connections advances in knowledge.

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