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Book Series: Orpheus Institute Series ISBN: 9789462701410 9789461662538 Year: Pages: 324 DOI: 10.26530/OAPEN_1000226 Language: English
Publisher: Leuven University Press Grant: FP7 Ideas: European Research Council - 313419
Subject: Music
Added to DOAB on : 2019-01-15 13:34:39
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"New modes of epistemic relationships in artistic research&#xD;Research leads to new insights rupturing the existent fabric of knowledge. Situated in the still evolving field of artistic research, this book investigates a fundamental quality of this process. Building on the lessons of deconstruction, artistic research invents new modes of epistemic relationships that include aesthetic dimensions.&#xD; &#xD;Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. By connecting materially concrete positions in a way familiar to artists, this book shows how moves can be made between established positions and completely new ground. In doing so, research changes from a process that expands knowledge to one that creatively reinvents it.&#xD; &#xD;Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D’Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts)"&#xD;

Powers of Divergence

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Book Series: Orpheus Institute Series ISBN: 9789462701397 9789461662514 Year: Pages: 220 DOI: 10.26530/OAPEN_1000228 Language: English
Publisher: Leuven University Press Grant: FP7 Ideas: European Research Council - 313419
Subject: Music
Added to DOAB on : 2019-03-21 11:24:45
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"Beyond resemblance: creative divergence in music performance&#xD;What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics."&#xD;

Logic of Experimentation

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Book Series: Orpheus Institute Series ISBN: 9789462701380 9789461662507 Year: Pages: 260 DOI: 10.11116/9789461662507 Language: English
Publisher: Leuven University Press Grant: FP7 Ideas: European Research Council - 313419
Subject: Music
Added to DOAB on : 2019-03-21 11:24:09
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"Beyond interpretation: a proposal for experimental performance practices&#xD;&#xD;Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance—be it mainstream or historically informed performance practices—Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike."&#xD;

Virtual Works – Actual Things

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Book Series: Orpheus Institute Series ISBN: 9789461662521 9789462701403 9789461662521 Year: Pages: 208 Language: English
Publisher: Leuven University Press Grant: FP7 Ideas: European Research Council - 313419
Subject: Music
Added to DOAB on : 2019-03-21 11:24:45
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"Beyond musical works: new perspectives on music ontology and performance&#xD;What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised?&#xD;&#xD;Virtual Works – Actual Things addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike.&#xD;&#xD;Contributors: David Davies (McGill University, Montreal), Andreas Dorschel (University of the Arts Graz), Lydia Goehr (Columbia University, New York), Kathy Kiloh (OCAD University, Toronto), Jake McNulty (Columbia University, New York), Gunnar Hindrichs (University of Basel), John Rink (University of Cambridge)"&#xD;

Last Year at Betty and Bob's: An Adventure

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ISBN: 9781847447912 9781947447929 Year: Pages: 212 DOI: 10.21983/P3.0234.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-03-26 11:21:03
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Last Year at Betty and Bob’s: An Adventure is the second in a series of three novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB red, is fashioned by thinking through the felt unthought of this between space — a fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders, and phenotypes. Occurrences of lived “fact” elide with a hallucinatory real as speculation. In An Adventure, a feral feminist artist collective, The Bettys, inhabit a timeless Arcades Project. This is their experiment in wild hypo-consumerism. The event of Red Betty’s fall generates the advent of a turn. A cleaving. The intra-play of personal politics and activist artistic practices is surreally suffused with attention to color, to life and death, to lightness and heaviness.

Last Year at Betty and Bob's: A Novelty

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ISBN: 9781947477790 9781947447806 Year: Pages: 172 DOI: 10.21983/P3.0233.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-03-26 11:21:03
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Last Year at Betty and Bob’s: A Novelty is the first in a series of novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB blue, is fashioned by thinking through the felt unthought of this between space. A fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders and phenotypes. Occurrences of lived “fact” elide with a hallucinatory real as speculation. In A Novelty, Bette B, an ageing quasi-academic artist researcher, and BØB, attuned urban rodent, are palindromic variants of a generic cast of Betty’s and Bob’s. The happenstance of their meeting on the super slick POMOC (PostOffice MotionCorridor) affects a trans-special contagion. These are the facts of the matter. The matters that come to concern both B’s are more slippery and elusive.

COMPANY

Authors: --- ---
ISBN: 9783110657661 Year: Pages: 291 Seiten Language: English|German
Publisher: De Gruyter Grant: Austrian Science Fund - PUB 633
Added to DOAB on : 2019-10-25 11:21:02
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The artistic research in COMPANY investigates behind the scenes of everyday worklife in a metalworking industrial enterprise.In photographs, videos, and conversations with the workers in this company, the authors search out signs and structures of that "company" with which bread is shared (lat. cum pane), a society which, despite seemingly predetermined rules, is always a work in progress.

Tanzpraxis in der Forschung – Tanz als Forschungspraxis

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Book Series: Tanzforschung ISBN: 9783839436028 9783839436028 9783837636024 Year: Pages: 248 DOI: 10.14361/9783839436028 Language: German
Publisher: transcript Verlag
Subject: Arts in general
Added to DOAB on : 2019-01-15 13:34:28
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Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to incorporate aesthetic dimensions of movement, corporeality, sensuality and emotion. This volume, with its interdisciplinary structure, provides an insight into the multi-faceted trend of research approaches that have either developed directly from, or refer back to, dance practice. Using projects as concrete examples, the contributions in this volume present theoretical and methodological foundations and historical connections advances in knowledge.&#xD;

Artistic Research in the Future Academy

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ISBN: 9781783207909 Year: Pages: 185 DOI: 10.26530/OAPEN_631388 Language: English
Publisher: Intellect
Subject: Arts in general
Added to DOAB on : 2017-07-11 11:01:46

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The rapid growth of doctoral-level art education challenges traditional ways of thinking about academic knowledge, and yet, as Danny Butt argues in this book, the creative arts may also represent a positive blueprint for the future of the university. Synthesizing institutional history with aesthetic theory, Artistic Research in the Future Academy reconceptualizes the contemporary crisis in university education toward a valuable renewal of creative research.

Artistic Research: Defining the Field (Book chapter)

Book title: Artistic Research in the Future Academy

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ISBN: 9781783207909 Year: Pages: 24 DOI: 10.26530/OAPEN_631389 Language: English
Publisher: Intellect
Subject: Arts in general
Added to DOAB on : 2017-07-11 11:01:46
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The rapid growth of doctoral-level art education challenges traditional ways of thinking about academic knowledge, and yet, as Danny Butt argues in this book, the creative arts may also represent a positive blueprint for the future of the university. Synthesizing institutional history with aesthetic theory, Artistic Research in the Future Academy reconceptualizes the contemporary crisis in university education toward a valuable renewal of creative research.

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